Monday, February 25, 2008Prehistoric Forest, OH
There's a mystery spot near Sandusky," Stacey said to me as I walked out of a rest area men's room. "And they have dinosaurs. I don't know. Dinosaurs and a bold defiance of the laws of gravity, all in one place? I think I need to see that."
![]() The Prehistoric Forest and Mystery Spot was actually in a town called Marblehead, perched on a thin sliver of land jutting out into Lake Erie. There was no giant T Rex head swallowing the entire visitor's center to greet us, but there was a jeep painted up in orange, red, and purple tiger stripes, provided the kinds of tigers you've seen have had orange, red, and purple stripes. There was also a giant fiberglass mountain, complete with waterfall and a couple bright green dinosaurs hanging out in front of it. Inside the store was much the same as Dinosaur Land, with the same assortment of plastic dinosaurs in outlandish colors and, curiously enough, the same plastic ninja swords in the same sort of little wooden barrel. We discovered upon purchasing our admission tickets that portions of our adventure would be guided. I prefer to go it alone in the wilderness, live off my wits, but sometimes you have to accept the experience of others, especially in a forest populated by dinosaurs. Our guide was a thirteen-year-old boy in a Prehistoric Forest t-shirt adorned with airbrushed artwork from the early 1980s. He sported a bushy mane of tangled blond hair that made him look like he'd just wandered off the set of The Bad News Bears. With a subtle flick of his head toward the door, he signaled that our tour was about to begin. ![]() "So where are you guys from?" he asked as we stepped out back. Prehistoric Forest did its best to live up to its name. Where Dinosaur Land had been well maintained and manicured, this was indeed a thick forest. Silent, still dripping with morning dew. The smell of dirt and trees permeated the cool morning air. "New York," I said as we passed by a giant sloth tucked away in a grove of tangled vines and drooping branches. This one had a much more realistic paint job than the previous giant sloth, and stuck as he was back in the woods, there was an unsettling sort of realism about the giant statue. "New York?" the kid repeated incredulously. "Why the hell would you want to come see this stupid shit?" He didn't wait for an answer. "You know that woman who sold you tickets? That's my stepmom." "Family operation, huh?" Stacey said. "Fuck her. I hate her, and she hates me. She only married my dad so she could get in on this place. It's not crowded now, but we get more visitors later in the day. I hate her. She's a bitch, too." "Is this the tour you give to everyone?" Stacey asked. ![]() "Up here is the Mystery Spot. Come on in." He ushered us into a small shack, the type with which I'd become intimately familiar with since becoming a frequent visitor to the world's mystery spots and gravity hills. The kid proceeded to run through his repertoire of gravity-defying feats, such as balancing a chair on two legs and standing at a precarious angle to the ground. "Check this out," he said as he let a billiard ball roll up an incline. "It's supposed to be amazing, right? I'm supposed to tell you shit about how this is a mysterious spot where the laws of gravity don't apply, but that's pretty stupid. Of course there's gravity here. It's all optical illusions. You'd be surprised how many fat-ass idiots think there really isn't any gravity here. Someday I'm gonna tell them being weightless doesn't stop them from being lard-asses." ![]() America's first mystery spot opened to the public in 1940, located in the redwood forests just outside of Santa Cruz, California. According to manufactured legend, a man named Prather discovered the spot in 1939 while doing surveying for a family home. Noting that this particular spot tended to drive compasses crazy, he set about executing a series of experiments that revealed the laws of gravity were, indeed, completely screwy. In 1940, his Mystery Spot opened up to dazzle tourists. Visitors were led to a hillside shack in which Prather and his guides would proceed to seemingly defy the very laws of the universe while throwing out a variety of explanations proposed by "experts." Among these explanations was the belief that alien visitors had once landed at this very spot and buried some sort of cones made from an extra-terrestrial metal that would serve as conduits for a guidance system if you were an alien, or make pool balls roll uphill if you were a human. Apparently, these alien visitors were busy, because it wasn't long before similar one-of-a-kind mystery spots started popping up across the country, each one sporting a shack built to the same specifications as Prather's original fun house of mystery. I snapped a picture of Stacey standing at what appeared to be a 45-degree angle to the ground, and then our sullen young tour guide announced that we were on our own, but that he would "pop up later on to tell you more stupid shit." As far as tour guides go, he was quickly becoming one of my favorites, right alongside the cave tour operator in upstate New York who had conducted the entire tour while smoking a giant doobie and hitting us with narration like, "They call this formation God's Hand, because some people think it looks like a hand. They were smoking better shit than me, because I think it just looks like a giant turd." ![]() ![]() Cicadas and other unseen forest insects serenaded us as we walked together down the gravel path meandering through the Prehistoric Forest, here and there spotted by a hulking triceratops and other dinosaurs. They were fewer and farther between than in Virginia, but strolling through a misty northern Ohio forest under a blanket of silence makes encountering a realistically painted dinosaur in the woods rather impressive. The kid popped up again, just as he'd predicted, as we entered a clearing boasting a couple small dinosaurs and a sand pit. He was like some fantasy film wise man who appears from time to time to dole out riddles and help the heroes along on their way. I really wanted him to be wearing a burlap cloak or something. ![]() ![]() "If you want, you can dig around in the sand and find dinosaur bones. They're not real dinosaur bones. I know because I just put them in there today and they say 'Made in China' on them. What kind of asshole thinks real dinosaur bones say Made in China?" He looked around in an overly dramatic and sly fashion, and then pulled a rumpled soft pack of Camels from the back pocket of his khaki jeans. He lit one with a cheap plastic Bic lighter, then took a long drag and exhaled slowly, eyes closed, head turned toward the treetops. ![]() Labels: Travel posted by Keith at 11:57 AM | 6 Comments Wednesday, February 20, 2008Hotel Monte Vista
Originally published in Route 66 magazine.
The trance circle a block away finally dissipated sometime just after sunset, leaving behind nothing but the faint stench of patchouli in the crisp night air. We passed by them earlier, and they'd not proven to be what you might call the best or most energetic dancers, but then that was acceptable since they had not been dancing to what one might call the best or most energetic music. It was the electronica equivalent of a coma. Droning, uninspired electronic thumps accompanied by people with dirty dreadlocks, wearing burlap and beads, shaking their hands and stepping up and down in a fashion that communicates "I have to go to the bathroom" in most of the world. Thankfully, their unfestive festivities faded with the coming darkness, surrendering to the sounds of nature after hours: summer breeze through leaves, the chirping of crickets, the grunting of frogs looking for a date. Flagstaff isn't a large city, and once it shuts down for the day, nature begins to creep back in at the corners like a haunted mists drifting over lonely Scottish moors. With a bit of luck, this mist wouldn't bring with it the assembly of werewolves, wyverns, murderous pirate ghosts, and other such nasties wont to travel under the cloak of night and fog. But neither would it, one hoped, usher into the city limits some ghostly gang of hippie trance fans, drifting through the darkened streets in search of soy based meat substitutes. ![]() Rain came on and off throughout the day, breaking long enough to provide my gal and I time to tour the city by foot, and pouring long enough to insure a night cooler than a member of the Rat Pack uttering a sentence that ends with the word, "baby!" A sweet, crisp breeze wandered in through our open hotel window, bringing with it the smell of juniper and pine and all those other natural high desert scents a lad doesn't get familiar with while living in New York City. Our night in Flagstaff was our night to spring for fancy digs before heading on to the Grand Canyon. Not that we'd stayed in many bad places. There was a bad bit of luck with a motel in Tulsa, but the Wigwam Village, (Holbrook, AZ) El Vado (Albuquerque, NM), Silver Saddle (Santa Fe, NM), and Blue Swallow (Tucumcari, NM), were all top notch places. Now we were searching for something almost regal. The kind of place where they leave Aveda products in your bathroom. The kind of place where Clarke Gable and Humphrey Bogart once stayed. Historic. Antique. Old American regal, that combination of elegant class and refined ruggedness. Robert Mitchum made into a hotel. The Monte Vista was just that sort of place. Situated at the corner of Aspen and San Francisco Streets in downtown Flagstaff just a block away from Route 66, the Hotel Monte Vista has served as the home away from home for movie stars, socialites, and Route 66 pilgrims. It was born from the mind of Lowell Observatory astronomer VM Slipher, and built using money from a municipal bond championed by Slipher in order to meet the need for posh digs that catered to the growing number of tourists heading out west. Slipher himself designed the hotel, and on New Years Eve 1927, doors opened in time for everyone to come together for the excessive drinking of bootleg gin, wearing of novelty hats, and cursing of those Temperance League ladies. ![]() The hotel became ground zero for Flagstaff's social scene. "Meet me at the Monte V" became a common call. Mere months after opening day, Monte Vista made history when Mary Costigan, the first American woman to procure a radio broadcast license, aired a daily three-hour program from her studio in room 105. Less savory history was made in 1931 when The Man busted up a bootleg liquor operation that led right to the doors of the area's number one speakeasy: the Hotel Monte Vista. After World War II, baby boomers turned their autos west on 66 in search of romance, adventure, and a good cave tour. Money and movies followed. Opulent Western epics from men like John Ford settled in for location shooting around Sedona and Oak Creek Canyon, or out in Monument Valley. Since those rugged stars of American adventure weren't about to rough it in Tuba City, Flagstaff and the Monte Vista became the unofficial headquarters of Hollywood in the Not-So-Old West. Nearly everyone who was anyone called the hotel home at some point. Clarke Gable, Spencer Tracy, Bing Crosby, and Jane Russell were just a few of the Tinsel Town luminaries to stretch out at the Monte Vista. One of the rooms was even used as a location for a scene in Casablanca. There were homegrown celebrities as well. Shoeshiner Greg Martinez and porter Isaac Henderson became celebrities among the celebrities for their high level of service. Frankly, I have to ask if anyone would try being a jerk while shining John Wayne's boots. There are some things a man doesn't do, and telling off The Duke when his boot is inches from your head is at the top of the list. Another local legend was barber Sam Cancinas, who was once flown from Flagstaff to Phoenix just so he could give Eisenhower a hair cut. You wouldn't think Ike had enough hair to justify flying barbers around the country at taxpayer's expense, but what can you do? I'd be happier if the nation flew hordes of old barbers around and made senators take the bus. There were also more than a few rough and rowdy characters to keep things from being all proper ladies and guys with top hats. For a place that was considered the upper-crust toast of the town, the Monte V had plenty of shootings, cowboys on horseback in the lobby, and drunken brawls. Few and far between are the places where so much history doesn't come with haunts. In the 1950s, John Wayne himself reported seeing a ghost in his hotel room. No one was going to call The Duke a liar, and the hotel's reputation as a haunted hotbed spread like gold fever. Who knew that eventually John Wayne himself would be counted among the ghosts still walking the halls in search of soothing mint scented moisturizer for his otherworldly hands? ![]() Quite a few spooks seem to call the hotel home. People hear band music coming from the lobby. On the second floor is a room where a woman was murdered. The hotel avoids putting guests with pets there because dogs go crazy. Room 305 has a rocking chair that appears in the same place next to the window no matter where it's moved the night before. There's a phantom bellhop who bugs people by knocking on the door to deliver room service. Naturally, when the guest goes to see what was going on, nary a soul is in sight. Then there were the two bandits who knocked over the bank next to the Monte Vista. They decided that after the heist they would have a drink in the hotel bar. It's not the smartest plan in the world to celebrate your bank robbery by heading next door for a drink. One of the rakehells was shot during the getaway, if you can call running next door much of a getaway, and died at the Monte Vista's bar. Needless to say, legend has it that the boneheaded brigand still lingers in the saloon. Each room is named after a famous celebrity who had once called it home. I reckon ours contained a member of Queen at some point, because they were gazing down at us in their underlit "Bohemian Rhapsody" pose from a poster next to the bed. Having Freddy Mercury staring at me while shining a flashlight under his face was doing very little to soothe my thoughts pertaining to ghosts. The trappings of modern life were smothered out by the atmosphere of the hotel, and one had but to step into the hallway to suddenly find oneself with feet firmly planted in the lush carpet of another time. The eyes of countless dead movie stars stared out from pictures on the doors as I wandered down the aging halls. Hey, Lee Marvin! I wonder how many of them still pay their rooms a visit. Although I don't consider myself an overly superstitious person, I enjoy believing in the existence of ghosts, and I was happy that I liked many of Lee Marvin's films. I wasn't in the mood to have his spirit hassle me because of some rotten things I might have said about the sequel to The Dirty Dozen. Even if there were ghosts lurking around every corner, it was a pleasant break from motels filled with drunks and screaming children or those crystal meth dealers we'd shared the courtyard with in Tulsa. I'd much rather deal with the living dead than with someone who refuses to turn down their Creed CD. The carpet seemed to absorb all sound. It was only midnight, and judging by the people I'd seen checking in, it was a largely young crowd who came to the Hotel Monte Vista these days. Yet here it was, deathly quiet as if no one else was in the hotel. I walked down the hall and saw not a soul. The place was a tomb. Ghosts, you say? My favorite Monte Vista ghost story involves a guest who hung raw meat from the chandelier. Apparently, he misunderstood the old catch phrase and was eager to meat people at the Monte V. He died in his room. During renovation, workmen would find bed linens thrown to the floor and the television going full blast. Spooky, but it beats returning to a room full of meat hanging from the ceiling. And then there was the ghostly woman who lingered outside one room, the ghostly prostitutes in another (do you have to pay extra for that room?), and the annoying phantom of a man who coughs all night. ![]() I dig being scared. I go out of my way to make it happen. Supernatural scares. Things that give you the creeps. Here in this regal old hotel, an eerie feeling lurked in every corridor, behind every door, ready to scurry off and hang up some meat before you could get a good look at it. Shadows running rampant. You could almost hear the echoing voices of parties long gone. A piano, the clinking of glasses, of plateware. Lee Marvin barking at the waiter to get him another scotch. It was all imagination, of course. If I was hearing these sounds, then they went no further than the inside of my own head where dead action stars often threw little get-togethers in the wee small hours of the morning. In reality, there were no ghosts here. When I descended the stairs to the first floor lobby, I did not find the smartly clad apparition of Clarke Gable leaning against the counter complaining about the towels. There was only the buzzing of the Pepsi machine and the cute girl working the graveyard shift at the front desk. She smiled and said hello as I dropped coins into the machine. I returned her greeting, and we exchanged small talk about late nights and dull jobs, nice hotels and haunted rooms. After our chit chat exhausted itself, I headed back upstairs, back through time. Ghosts. What a silly notion. If this place was haunted, I'd hardly be lucky enough to add "Was menaced by ghost in Flagstaff" next to "Had a really great enchilada in Tucumcari" on the list of things I'd done on my Route 66 trip. Still I was having fun twisting my mind until I could believe that something otherworldly was going on. Not that it took that much doing. The atmosphere of the Monte Vista post-midnight was just as effective at helping conjuring up images from beyond the grave as if I'd been sneaking around the catacombs of a labyrinthine Gothic cathedral. Lulled into a sudden sense of sleepiness, I decided stalking the hallways in search of spirits was going to have to come to an end in favor of catching a little shut-eye. I had a long drive to the North Rim ahead of me, and "stayed up late looking for ghosts" was a pretty lame excuse to dole out when the police asked me why I fell asleep at the wheel. I headed back to the room, where my gal was already fast asleep, Queen looking down upon her like guardian angels. Lights out. Silence and stillness except for a gentle breeze. ![]() I lay there for I don't know how long, watching the room slowly fade to gray, then fade back in, then fade again. I've never been very good at falling asleep. With lids heavy from a whole day spent seeing sights, I stared at the wall, at the chair in the corner, at the plant sitting in the far corner. Wait a second. There was no plant in the far corner. Or was there? Well, there was one there now. My body tensed and froze, and I felt my stomach drop out from under me. There was someone behind the plant. Had I left the door unlocked, allowing some local rapscallion access to the room? No. The things locked automatically, after all. Yet there was the shadow, as plain as my hand in front of my face had I been able to place my hand in front of my face. My body went dense, unable to move, as if I was lying with a heavy bag of sand on top of me. Breath came in short gasps, and I could feel myself shaking and sweating in the cool midnight air. I blinked, and the form was still there. Definitely human in shape, and definitely not just a trick of the darkness. There was someone standing in the corner. No, not standing. Not anymore. It was walking across the room. Slowly, head cocked in my direction, scrutinizing me through the gloom. And then I realized there was nothing but empty wall where the television had been. I let escape a weak little sigh of relief. A dream. I was dreaming. Half-dreaming, at least, tricking myself into seeing what I wanted to see. Revelation didn't chase the form away, though. I followed it with my eyes as it sauntered across the room and dissipated into empty air and shadow as it reached the door. And then I sat upright, breathing heavy, fully aware of my surroundings. The television was there. The plant and the form were not. I could feel the wind nippy against my sweat-covered skin. The fugue state slipped away. I slid out of bed and out of the room, standing again in the time warp of the lush red and gold hallway. I closed my eyes and could still hear the sounds of clinking glass. Indecipherable chatter. Laughter drifting off into the night. Somewhere, from a distance down the hall or leaking down the ornate staircase, I heard the faint sound of someone coughing. Hotel Monte Vista: 100 N. San Francisco St., Flagstaff AZ 86001. Phone: 1-800-545-3068. Web: www.hotelmontevista.com Labels: Travel posted by Keith at 7:35 PM | 2 Comments Friday, February 15, 2008Centralia, PA
I was staring directly into the fissure -- a gory, ragged scar that ripped across the face of the asphalt and heaved up mounds of broken black rock on either side of the opening like a cartoon gopher trail leading off into the swaying scrub that grew alongside the weed-dotted road. I read the sign, photographed for posterity the warning that he was standing on top of a raging, merciless underground fire that, at any moment could swallow him whole or belch forth great stinking yellow fumes of noxious gas that would drop him right where he stood. That didn't stop me from plunging my face right into the rising steam, a youthful indiscretion that, at age thirty, was crossing over into that realm that is equal parts dangerous and just plain embarrassing. It's not as if there was anything to gain by enveloping my head in the acrid, billowing clouds that wafted up from the fissure. If anything, visibility was considerably worse in that position, and there was precious little chance from any angle that I was going to catch sight of some distant lick of flame or a jig-dancing minion of Hell. Still, I like to dream.
Ellie was behind me somewhere on that lonely expanse of abandoned pavement, preoccupied with snapping a few good shots of some graffiti someone had laid down. Fairly recently by the unweathered looks of it. "NS Pimps" said one patch. "KKK kill all nigers," said the other. ![]() This was Centralia, just about smack-dab in the middle of eastern Pennsylvania, the heart of anthracite coal mining country. Below me -- I wasn't sure exactly how deep -- was the fire that brought me here and sent everyone else away, burning since 1962 and showing no interest in extinguishing itself or being extinguished by the occasional intervening hand of man. According to most stories, a trash pit was set aflame to get rid of refuse, and the folks who lit the fire didn't realize that the pit was connected to the vein of coal on top of which the town of Centralia sat and upon and off which most of the town's residents made a living as miners. Whatever money there'd been in being a coal miner went up quickly as the vein caught and the fire spread throughout the underground caverns. No one was hurt, at least not physically, which if nothing else made it less tragic than the shaft collapse that happened in nearby Avondale some years earlier. There was no mining to be done after that, though there was plenty of fire fighting going on. The mines were flushed with water. Chunks of flaming coal were excavated. Shafts were backfilled and redrilled, but the fire refused to be tamed. In 1983, as the fire continued to spread, an engineering study was released that stated the fire could very well be burning for another hundred years or more and consume an underground area of roughly 3,700 acres. This spelled pretty dire news for the town of Centralia. Living on top of a raging mine fire was generally considered to be bad for the locals. Smoke, steam, and toxic fumes crept up through the soil. Water became contaminated. Trees died in droves and sat in barren patches of blackened, smoking soil that made the whole town look like it ought to be criss-crossed with trenches full of German and British troops locked in a Western Front stalemate. And then the sinkholes and fissures began opening. One nearly swallowed a young boy whole, and people started thinking that maybe Centralia was a lost cause. I pressed my hand against the ragged surface of the road. It was a cold day, gray and sickly with a trickle of limp silver-white sun dripping meekly through the clouds like water from the leaky faucet planted in the side of a bunch of cinderblocks. Damp fog clung to the scrub-spotted hills and mixed freely with the smoke boiling up from the fire. The ground felt warm, but that was probably just my imagination. I could hear Ellie shuffling around somewhere beyond the veil. She moved specter-like through the murkiness, a hint of a shadow in this sulfuric mess that stank of wet weeds, mud, and rotten eggs. It was a hell of a place to bring a gal, I thought. Her shadow grew larger, more defined as she moved toward him, until all at once she became solid again, a physical person instead of some disembodied wraith floating through a stew that would make the Scottish moors proud. ![]() "The master race needs a spell checker," she said. "You sure do know how to show a girl a good time." "Yeah," I answered, "I'm an ace at this sort of a thing. You should consider yourself lucky. It's not every girl I bring up to posted land to gawk at a mine fire that could cause the ground we're standing on to collapse at any moment. Some of them I just take out for dinner and drinks." We covered ground carelessly. Each crack in the earth was a warning sign to stay away, as well as an irresistible, seductive hand beckoning us to come, come peer into the mystery, and I was like a little boy enticed by a carnival stripper standing half-cloaked by the dirty linen door of her tent, dutifully following the finger and gazing slack-jawed at the forbidden treasures within. In the case of the mine fire fissures, however, all I got was a load of smoke and dirt in the face. I assumed one got a decidedly different experience when gazing at the forbidden treasures of a carnival stripper, but I'd never had the opportunity to compare and contrast -- not for lack of desire. ![]() My car was parked at one end of a posted stretch of road that used to be part of highway 61. The highway department built a new stretch of road away from the portion that was collapsing into a fiery pit of doom, presumably because it was judged that roads collapsing into fiery pits of doom were generally unsuited for automobile traffic, light or otherwise. At either end of the condemned road, they'd piled dirt and stuck a sign in warning of toxic fumes, sinkholes, and the generally inhospitable conditions waiting to engulf anyone foolish enough to venture past the dirt mounds and explore the ruined road. There were actually quite a few of these people every year, and though photographic evidence exists to suggest that most were just as thoughtless and foolhardy as me, the Centralia mine fire had yet to claim any lives. When, in the 1980s, it became clear that the fire wasn't going to burn itself out, that it was apparently feasting on a seemingly endless smorgasbord of rich anthracite coal, the government began buying up the land and condemning the property. Houses were razed, and what had once been a bustling burg became a ghost town. Neighborhood roads bent and curved around houses that were no longer there. Driveways, cracked and green with disrepair and the weeds that manage against all odds to force their way up through solid slabs of concrete, lead to empty lots where once there had been a garage to greet them. I took Ellie's hand as we climbed a small hill and stood staring down at what was currently ground zero for the fire. Somewhere down there it still smoldered. Or raged. Honestly, I didn't know a whole lot about underground coal mine fires, so whether they smoldered or raged was unknown to me. I imagined it was a little bit of both, depending on the particular conditions for that day. Above the fire, raging or smoldering, sat what was left of the St. Peter Paul Orthodox Cemetery. The mine fire burning somewhere below it meant that the grass was yellow and dying, and here and there fissures in the ground billowed with smoke that drifted spectrally along the grounds. It was the sort of landscape you'd see on late-night television, usually in black and white movies that involved a hideous Frankenstein monster lumbering across it. Pressure and the occasional upheaval of ground had set several of the tombstones at curious angles, toppled others, and I was doing his best not to think of what might be happening six feet under. ![]() "That one over there has fresh flowers on it," I said as I pointed to a splash of orange and yellow lying next to a cracked tombstone just beyond the padlocked gates of the cemetery. "Someone's still coming by." Most of the residents of Centralia left town, either by choice or because of lack of choices. By the time we rolled into town, there were only four houses and a shuttered, deserted-looking auto parts store remaining. In the front yard of one of the houses someone had strung a banner between two gnarled trees. "We Love Centralia" it said in glittery letters. It was certainly a sweeter sentiment than the Federal sign about toxic fumes and sinkholes. "They could put it out," a voice croaked suddenly, and I cursed my highly tuned, ninja-like senses for failing to hear the approach of footsteps on crunchy gravel behind me, especially since I'd just been thinking about how spooky and quiet it was. "They could put it out if they wanted'a." I turned. On the gravel road behind us stood a jumbo-sized elderly man in tan slacks and a dark green windbreaker. Thin wisps of gray hair were kicked up by the wind and resembled the thin wisps of gray smoke drifting from the ground. His face was not unlike the rotten apple carvings my grandmother used to bring home from the annual fall harvest festival. There were eyes and, presumably, a mouth nestled somewhere behind the craggy twists and lumps of flesh adorned with a red, pock-marked fist of a nose. "Course lots of folks come up here now just 'cause a' the fire. I figure y'all to be up here 'cause a' the fire." We scrambled gingerly down the slope of brush and rock that had given them a better vantage point. In this desolate landscape that somehow managed to be overgrown in one direction and barren in the other, human interaction seemed incongruous but not wholly unwelcome provided it wasn't with whoever had been spray painting racial calls to arms on the road. "They could put it out," the man repeated as he stared off at smoke rising from a field full of wretched looking hills sprinkled with spindly, dead trees. "But some of us won't move. And they won't put it out unless we move, because then the land is theirs." ![]() He took a pipe from the breast pocket of his jacket, and a stained pouch of tobacco from another pocket, then set about filling and lighting his pipe. It glowed orange in the silvery embrace of the world and smelled sweet. One of my grandfathers had grown tobacco when I was young. Tobacco and quarter horses were his trade, and selling carpet. This man's pipe smelled like the barn where the tobacco would be hung from wooden beams to dry. It was a barn that terrified me. The bundles of browning tobacco looked like pods from Invasion of the Body Snatchers, dangling so far overhead with sunlight falling on them in dusty beams that seeped in through cracks in the walls and ceiling of the building. The entire place had been a breeding ground for wasps, hornets, yellow jackets, these godawful spiders that could actually jump at you and make scratchy barking noises, and various other bugs that packed shockingly vicious stings and bites. I did his best to shake the memory of brown recluse spiders and the time I'd stepped on an underground hornets' nest and ended up pulling a comic country boy routine by running across a pasture to leap into a pond, trailed by a cloud of angry hornets and completely unconcerned about the fact that the pond was a known breeding ground for water moccasins. Better to lose oneself in mine fire conspiracy theories. I wasn't unfamiliar with the man's theory. Among the very few who remained in Centralia, it was assumed that, despite evidence to the contrary, the government could extinguish the mine fire if it really wanted to, either by digging a system of trenches or, more recently suggested, by flooding the tunnels with flame retardant foam. However, if this was done while private citizens still owned chunks of the land, the government would be doing the work for private industry. If, however, the land was fully vacated, then the government could claim it, put out the fire, then sell the land and the mine back for a handsome profit. It didn't seem outside the realm of possibility to me, but my firm belief in the deceitful nature of the government was well-balanced by the equally firm belief that the government was, by and large, a surprisingly large collection of idiots and incompetents with not a lick of sense, perhaps genuinely incapable of figuring out how to put out the fire. I also figured that given state and local government abuse of eminent domain, if they wanted these people off the land for good, they'd make it happen. Whatever the case, a few people remained behind and strung up banners to show their support for the dead remnants of their town. I thought they should find a way to make a tourist trade out of all the people who came up specifically because there was a fire burning. ![]() "Not a bad place to live," the elderly man said. "Not so long as you don't fall into no pit." And with that, he erupted into a phlegm-heavy, gargling sort of laughter that flirted with coughing and the sound of choking to death on one's own sense of humor. And then, as suddenly as he had materialized to provide running commentary, he clammed up tight and walked on down the road, vanishing in the fog, the sound of his heavy work boots grinding into the gravel quickly fading. "Did we just see a ghost?" asked Ellie. "Nah," I assured her. "He's one of those guys whose purpose in life is to appear out of nowhere and tell strangers stories that start, 'Arrr, t'was ten yars ago, on a night just like tonight...' And probably point at us with the end of his pipe as he tells the tale." ![]() "Dear God," was all she could say as we ground the parking lot gravel beneath the wheels of the car. Grandma's Country Kitchen. We'd seen the sign, in the official "hand stitched" font all places with names like that use, when we pulled off the interstate at the exit that lead to Centralia. Low, guttural thunder rolled across the mountains like the distant jungle war drums turn-of-the-century British explorers were always hearing. Gray clouds rushed across the horizon, dark bruises against the sickly pale of the sky. They were all business, these clouds; no lollygagging about with nothing better to do than obscure the sun and leak out a piddling little drizzle of rain. These clouds were tearing across the mountaintops like Johnny Cash's ghost riders, hell-bent on delivering fast and furious violence to Appalachia. And standing against that brooding, tumultuous sky was the single most hideous mascot statue I had ever seen and ever hoped to see. Taken at face value, it was supposed to be an elderly woman in a pioneer bonnet and apron, offering up an undoubtedly delicious home-baked pie while her young daughter or grand-daughter -- it was hard to tell the larger woman's age, what with how that rugged coal-mining life ages you rapidly -- clings to her leg and holds a doll. But taken at face value, the problem was the face. Grandma was simply creepy, the sort of face you'd expect from some old woman who sits in the shadows, quoting the Bible in a quivering, sandpaper voice while her crazed inbred son sneaks up behind you with an axe or a chainsaw, intent on tenderizing you up real nice for dinner later that evening and stringing your hide up in his shed. The eyes were painted in a far-too-brilliant blue set against far-too brilliant white. I was convinced that if you could draw a line of sight emanating from those eyes, it would stretch clear across the globe and somehow, miraculously, be staring directly into the eyes of one of those Moai statues on Easter Island. Let Erich Von Daniken ruminate on that one for a spell. ![]() But it was the daughter/granddaughter, clad in an identical apron and seafoam green dress, that sent chills down the spine. Whoever erected these fiberglass monstrosities had apparently run out of little girl heads, so in its place they affixed the head of a full-grown adult male, square-jawed and desperate looking with the same far-seeing eyes and no attempt to pass it off as anything but a male head. It was nearly as big as the rest of the body, and the doll that dangled lifelessly from one hand was yet another dress-and-apron combo, only with no head at all. Just a hollow stump of a neck. I couldn't help but think of the nightmarish sort of life the giant-male-headed girl with her decapitated dolly must lead in her cannibal grandmother's Appalachia shack. "Get a load of that nightmare fuel," I said as they parked next to the statue, the ten-foot-tall little "girl" staring at them from her concrete perch, as if she/he was begging for some sort of help, some salvation that would deliver him/her from this insane giant of an old woman that forced the tiny man to dress up in pioneer girl clothing. "I wonder what's on the menu. Skinned cats and naughty little boys who don't eat their vegetables?" "Why do you think she makes her son dress like a girl?" "Is that what's going on?" I remarked. "You know, I read that at night this thing comes to life and prowls the foggy, abandoned streets of Centralia, looking for thrill-seekers who would make nice meat pie filling, while the little man-girl trills, 'Where's my dolly's head?'" A blinding flash of lightning ripped through the sky at that precise moment, accompanied by an ear-splitting crack as it struck the forested slope of one of the mountains in the distance, sending an explosion of light and smoke hurtling into the sky. "You're making momma angry," Ellie said. ![]() Labels: Travel posted by Keith at 1:07 PM | 3 Comments Monday, February 11, 2008Snorkeling Dominica's Soufriere Bay
I have more detailed information to post in the coming days about Dominica, the island that's so cool it has a parrot on its flag, but I thought I'd get the ball rolling with some photos from a snorkeling expedition to Soufriere Bay, on the far south of the island, surrounded by the town of Scott's Head.
Arriving at Soufriere Bay. Twenty miles south of there is Martinique. There's an old cannon up on top of the lump, but we're more interested in what's in the bay. ![]() Looking out at the bay. We got a ride down from our base camp in the high rain forest with a guy who had a CD with one song on it, played over and over. By the time the ninety minute drive was over (which only covers like twenty km, but this is the Caribbean, and you know how those roads can be), all I could think of was "So tired of love songs, so tired of tears," which was the only line he would sing along with, though he did so with a conviction and emotional gusto I've not seen since the days of Rites of Spring. ![]() Looking back at Dominica ![]() Hitting the water. ![]() Three feet below the surface, and already there's cool stuff. ![]() It's surprising how difficult it can be to actually catch one of these buggers in your photo. ![]() About ten feet down. ![]() Fishing is forbidden in Soufriere Bay, which is a protected environment. You can see how well those regulations are working out. ![]() Another one of those things. I really should learn how to identify this stuff, shouldn't I? Well, that's why I arranged for my sister to become a marine biologist. ![]() Space alien, about ten feet down. ![]() Where the reef ends and the ocean floor begins, about twenty-five feet down, which is about as far down as I can free dive without necessitating some sort of emergency rescue at some point in the day. ![]() I will never get used to the drop-off. One second you're paddling around in a reef, no more than a few feet underwater, then you hit the sandy ocean floor, swim around, everything's grand. And then, just beyond the scope of this shot, the water plunges from twenty-five feet to a couple hundred feet and sperm whales are supposedly battling giant squid down there somewhere. It's absolutely breathtaking and causes a massive adrenaline rush no matter how many times I experience it. ![]() My merman imitation. ![]() Some big funnel-shaped coral thing. It was full of water. can you believe that? ![]() Gotta come up for breath some time, and this is what you see when you do. Not bad. ![]() Hey, fish! They were gone by the time I got deep enough for a better photo. ![]() This was me trying to snap a shot of a wickedly evil looking eel that was hovering a few feet from me as I dove into one of the craters that pockmark the bay. I missed him. But man, you should have seen the thing. If there is a more evil looking creature in the world than an eel, I've not seen it. Anyway, I got some more of that yellow coral in the shot, so it wasn't a total loss. ![]() Please ignore the love handles. I've managed to work most of those off since this photo was taken. ![]() Sorry, it's just so photogenic. ![]() When I was young, I lived out in Kentucky farm land, and because my grandfather was a farmer, I spent a lot of time on actual farms. The rest of the time I just ran around outside. As such, I enjoyed a rich, dark tan for most of my young life. Then I moved to Florida and it was more of the same. I still labor under the impression that I am tan and less susceptible to burning than the average pasty white guy. ![]() As you can see, eight years of living in New York city versus eight hours in the Caribbean sun quickly and painfully proved me wrong. You can view the whole Dominica Flickr set here: http://flickr.com/photos/teleport-city/sets/72157594218107831/ Labels: Travel posted by Keith at 12:09 PM | 1 Comments Tuesday, February 05, 2008Notes in Italian
So I have a friend who is going to Italy in a month or so, and I just finished typing out some notes for her based on my own trip in 2004. I figured, if for no other reason than my future reference, I'd repost most of the info here.
----- Montepulciano -- Definitely a town that gets my highest recommendation. Smack dab in the middle of Tuscany, surrounded by vineyards, and the first thing we saw when we entered the town walls was a store in a cave stuffed with nothing but cured meats, cheese, and Italian wine. We stayed at a place right near the entrance of the city, called Albergo Il Marzocco (http://www.albergoilmarzocco.it/): ![]() This was the view out our room window: ![]() And this is some of the stuff around town: ![]() San Biagio church ![]() Sitting on the town walls. ![]() The famous Punchinello clock. Unlike the literary and theatrical Punch, this one only beats a clock tower bell; not his wife. ![]() View of Tuscany from the edge of town, with San Biago down there in the corner. ![]() Luxury sedan. There's an old wine cellar in Montepulciano called Contucci (http://www.contucci.it/) -- take the tour, drink the wine. It is bold and will knock your socks off. Nothing subtle about it, but that's Italy. There is also a famous cafe called Caffe Poliziano that is well worth a couple visits for food and drinks and dessert: http://www.valdichiana.it/expo/caffepoliziano/index.uk.html. From there, we drove to Siena but did not stay the night or nights there (mistake). Instead, we pressed on to Florence and stayed at a place called The Hotel Dali http://www.hoteldali.com/pages/view.htm), which we picked because they had a parking lot. The place was fine. Nice couple. The guy helped me get my car into the actual parking area, because I had no idea how to get to it -- I could see it, but an attempt to actually get to it left me in a maze of conflicting one-way streets that sent me further and further away. So I just left the thing on the road, and he drove it for me. It turns out that going backwards down a one-way street is perfectly acceptable. I think I mentioned that if you hit the Uffizi Gallery, have your hotel guy call and get tickets for you in advance. Otherwise, it's like a two hour wait in a courtyard with Machiavelli staring at you the whole time. I also highly recommend the Museum of Science (http://www.imss.fi.it/), just a few blocks away. It's pretty awesome, with lots of Renaissance science stuff. Oh, this was our room: ![]() Bidets, baby. You'll learn to love them. Going back to toilet paper alone was harsh. After that, we ditched Venice because of the sewage problem and blizzard and just booked at random, so I can't help much with suggestions as I don't know the names of most of the places. I might have them scrawled down somewhere on some lost sheet of paper, so I will keep looking. But here are the cities we stayed in: Pisa: this is an afternoon, not a city to stay in. However, we did have one of our best meals here. But basically, you see the Tower and that's pretty much it. ![]() Cinque Terre: a definite must hit spot. There are no real hotels per se, just guest apartments that you sort of pick at random. Because this was sort of an impromptu thing and we got in late, we ended up staying at a hotel in La Spezia, once again because they offered free parking. You can catch the train to Cinque Terre from here. It's a short ride. I recommend taking it all the way to the last town then working your way back. A hiking trail connects all the towns, and you wander up and down terraced lemon and olive groves with the Mediterranean below. Hikes are a bit strenuous in spots, but worth it in my opinion, even if you just do one. ![]() ![]() ![]() ![]() ![]() ![]() Lucca: another great walled town. The way toward the town is a network of earthwork ramparts and bunkers, and the wall itself is made so you can rent a bike for a few Euros and ride around on top of it. We stayed at an awesome place called Piccolo Hotel Puccini (http://www.hotelpuccini.com/intro.html) which was really cute and romantic and all that. Also, we ate some of the best pizza I've ever had (outside of New York, anyway). Town is awesome, but the only drawback is that to eat somewhere other than a pizza stand, you need to book ahead. Easy enough. Let the guys at the hotel took care of you. There are only a few restaurants and since they are only open a couple hours, they fill up quick, making reservations a must. Also, Lucca has had a standing feud with Pisa for like six hundred years now, and the big duomo in the center of town still sports "Lucca merde!" vandalism graffiti from like 1610. Volterra: Another absolutely fabulous Tuscan hill town. It's home to some ancient Roman ruins and baths, and also the Museum of Medieval Torture (closed when we were there). Stayed at a place called Albergo Nazionale Volterra, which was dirt cheap at the time and one of the most awesome rooms we had. http://www.hotelnazionale-volterra.com/index.asp. We got a balcony overlooking the valley and perfect for sunsets and wine. The hotel also has it's own restaurant, which was good. We stayed in Volterra a few days because 1) it was pretty, 2) I found free parking outside the city walls, and 3) it was central to taking day trips to other towns. we went to San Gimignano, which is a must-visit and also has a museum of medieval torture, which was also closed in mid November. They have a bunch of old medieval towers all over the place, good food, and a cool market if you are there at the right time. After that, it was Rome, and I can't help you there because we got shuffled away from the place we originally booked and placed somewhere else. It was a pretty good hotel, and the guy who ran it was some affable Middle Eastern guy with a huge gut and a tendency to laugh heartily and talk like a con man. But we had nothing but fun, and it was across the street from some comic book store where they sold reprints of old Italian comic books like Diabolik, as well as lots of porno comics like "Creamy Wanton Housewives." All of the cab drivers in Rome are crooks. Coliseum was awesome, but it was closed because they were having the MTV Europe Music awards there that night. Still, we got to hear Franz Ferdinand and Kylie and I'm sure Robbie Williams, which was pretty boss. The Vatican Museum is a must-see. Blew my mind. And they have lots of Egypt stuff. We got lost in the middle of the night down by the Forum and stumbled upon some massive palace that had been converted to an archaeological museum. Lots of famous stuff there. And we got lost in the Vatican museum because the thing is massive. Sistine Chapel is worth weaving your way through the maze. We were sort of tired of Italian food by Rome, so we ate at a Chinese restaurant down the block from where we stayed, and it was tasty. And that was Italy. I might even have the names of the restaurants we ate at, but we pretty much just asked for suggestions at the hotels or picked at random. Two weeks and dozens of meals, and we only had one bad one (it was lunch). Drink wine. Drink lots and lots of wine. Any day I wasn't driving, I spent tipsy, and it was awesome. Bottle of wine on the terrace in Volterra at sunset? Nice. And pick me up a bottle of Brunello di Montepulciano. It's expensive here. It's expensive there, too, so maybe forget about it. A liquor store in Florence is where I bought my first bottle of real absinthe. Oh -- and eat lots of gellato. It puts the crap in America to shame. Labels: Travel posted by Keith at 12:07 PM | 0 Comments Friday, February 01, 2008Japan New Jersey
Here are a few Keycam photos from a day's trip to the Japanese market in Edgewater, NJ, a while back. Yes, some people use their little cameras to take clandestine upskirt pictures of girls' panties. I use it to take clandestine pictures of shrimp shumai.
![]() Pikachu invites you taste his custard filled cakes. Or, if you prefer, red bean. As long as it's all inside a tasty waffle emblazoned with a monkey or a dog or a warthog, it's good. ![]() Wall of shining plastic food that looks good enough to eat. In Japan, these are indispensible ordering aides for the Japanese language impaired. Here, they're just sort of showing off. An entire neighborhood in Tokyo is dedicated to the manufacturing and selling of replica food. ![]() I guess there's nothing particularly gross about squid legs, especially considering my favorite Japanese fast food restaurant has a menu that trumpets turkey testicles and bull penis. What I want to know is, what do they do with all the turkey penis and bull testicles? ![]() Happy screaming beans demand you eat their brand of dried peas. ![]() If you're not hungry, perhaps they can interest you in this wall of Godzillas, Ultramen, and Booskas. ![]() Or a wall of Totoros, because no Japanese store is complete without a Totoro display. Except, I guess, a porno store, but maybe even there. ![]() I have nothing to say. Giant Japanese robots speak for themselves. ![]() Crab shumai I can dig, but sweet corn shumai? Can you get that on a stick at the county fair? ![]() The closest I came to using my tiny camera the way most guys use it. Some things never change regardless of culture, and scantily clad beer models will one day bring us all together. ![]() And of course, no trip to the Japanese market is complete without some Pocari Sweat, the drink that has actually turned its slightly disturbing name into a marketing advantage. Every gaijin has to try some. Next to it, however, is the less fortunate Calpico, which became Calpico after the previous name of "Calpis" didn't catch on. ![]() Nothing says chocolate covered mushrooms quite like monkeys. Actually, I have no idea what he's gathering. Acorns, I guess. ![]() My favorite item of the day was this candy emblazoned with uplifting motivational slogans like "Go for it! Take a chance!" and a buff gorilla telling a frightened looking girl raccoon to "Do me a favor." posted by Keith at 12:10 PM | 0 Comments The Legend of Sleepy Hollow
Woe be for all the stories that begin with, "it seemed like a good idea." And yes, my friends, this is such a story. A story about one of those ideas that sounds good, so very good, when it first pops into your head. Even after a little initial research, it was still sounding like a pretty good idea. Even now, as I look back and reflect on the plan, I can almost convince myself that it still sounds good. But then the hard hand of realty comes a-swinging and strikes me straight across the face to slap be back into some semblance of reality. Experience is the cold rain that deluges me with the icy cold waters of fact. But take this for a moment, if you will, outside the realm of fact and roll the idea to and fro in your noggin: a cycling tour through the historically and geographically rich, gently rolling countryside of Sleepy Hollow and the lower Hudson Valley, taking time to digest the literary heritage of Washington Irving and the architectural boldness of the Rockefeller homes and the Lyndhurst Mansion as one takes a leisurely roll down sparsely trafficked, lightly undulating Sleepy Hollow roads.
![]() Sounds positively divine, at least as described in the guidebook to which I was referring when looking for a splendid way to while away a perfect summer Saturday. So I sold the notion to my better half, and she smiled and agreed and seemed happy that I was sensitive to the fact that while she enjoys a good day hike or bike ride, she doesn't share my country boy fascination with using nature to punish myself, presumably as some sort of penance for moving to one of the greatest affronts to nature man has ever concocted. Yes, here I was putting on hold me curious addiction to soul-scouring punch-outs with nature and geography, doing my best to find something that would challenge the both of us without leaving us huffing and utterly spent at the end of the line. How perfectly sweet of me. It was my hope that she might remember with particular fondness my true and earnest desire to avoid leg-searing punishment, endless ascents, and ambitious distances as we huffed and puffed and staggered with leg-searing punishment up endless ascents and ambitious distances. Remember, I told her, that I honestly believed the guidebook's description of the route, and that the revelation that the lightly trafficked, gently rolling countryside was in fact absolutely jam-packed with speeding traffic and seemingly comprised of non-stop steep climbs along roads that afforded no view whatsoever of the Hudson River or anything but traffic, interstate overpasses, and blurry SUVs rocketing obliviously by mere inches away from us at 70 mph was as much a surprise to me as it was to her. Nor was I any happier than her that the road was so packed and afforded us not the slightest respite, nary a sidewalk or shoulder or inch of grass that might lend us a little more space between our bodies and the metal beasts piloted by at high speeds by people more interested in their cell phone conversations than in the fact that they were almost certainly going to be dealing out bone-crunching death to a couple cyclists any second now. It, umm, it wasn't exactly what I'd had in mind. ![]() Of course, what I'd had in mind, really in mind, I knew was a flat out fantasy, seeing as how it practically had her in a fancy summer dress and me in my finest white trousers and a sweater (and sporting a handlebar mustache and straw hat no less) riding our penny-farthings down to the rolling grassy banks of the Hudson, where we would stop and have a picnic lunch and champagne, she reclining beneath the shade of her parasol, I strumming my ukulele and singing "When the Swallows Come Back to Capistrano." So sure, I'm guilty of being something of an old-fashioned romantic and naturalist in my way, and it pains me to admit to living in a world that has no time for romance or style or champagne on the riverbanks, where the river banks have, in fact, been fenced off, boarded up, over-developed, over-crowded, and clogged with vomitous urban-suburban blight, decay, and incessant noise. Always, the noise. No, now that you mention it, I'm not particularly fond of modern society and the world we've constructed for ourselves. On the other hand, I'm happy we licked polio, and I'm sure glad I didn't have to ride a penny-farthing up those hills. But at the very least, even if I was some hundred years or so behind in my visions of what the world should be like on a fine summer afternoon, I expected the ride to be very much like the read about which I'd read in my guidebook. I mean, that only seems fair, right? The route was to take us from the Tarrytown Lakes to the banks of the Hudson, past the home of Washington Irving and the gothic bombast of the Lyndhurst Mansion, through Sleepy Hollow and the Sleepy Hollow Cemetery, and finally through the Northern Woods and farmland, where I surmise the Headless Horseman lives. Some mild hills, a couple steep climbs, and two very short stints along busy route 9. Otherwise, we're in for nothing but lonely country roads and quaint American villages. Mmm-hmm. ![]() From the ride journal, and yes I already know it changes tenses an atrocious and thoroughly unacceptable number of times: 12 p.m. - Starting much later than we should thanks to some wicked traffic between here and New York City. Stuck on an entrance ramp for half an hour, staring at someone's else's frustration taken out in the most creative way possible when stuck on an interstate entrance ramp. Whoever it was leaned out the window and wrote "We are all here because of assholes," on the guardrail. But we make it through and finish the forty-minute drive in just under two hours. Finding the Eastview park and ride off the Saw Mill River Parkway was a snap. Just look the one full of cyclists loading and unloading their rides. Cross a busy and somewhat dangerous intersection out of the park and ride, and we're on the trail. No, scratch that. First, in our zeal to be out of the car and on two human-powered wheels, we take off down the well-maintained North County Trailway in the wrong direction. It's five blissful and enjoyable miles before I stop to look at the map and wonder why we haven't seen the lake we were supposed to see immediately upon setting out. No big deal. The ride was nice, and I got to see a snake. Had I known then what I known now, we would have just kept going along this trail. Back in the right direction. Hey, there's our car again. Now across the dangerous highway and onto the North County Trailway in the correct direction, riding along the paved banks of the Tarrytown Lakes. Lots of family's out fishing. Always good and refreshing to see that there are still a few families who get out and do things in the outdoors, even if it's in an over-developed park. Still better than sitting at home in front of the television. A nice way to start the ride. A little over a mile later, we merge onto the street and ride through the tiny campus of Fordham University's Marymount College. Time already to stop for lunch. The traffic jam and little jaunt in the wrong direction loused up my plans for lunch by the river. After a jumpy security guard chases us off a sorry looking lawn in front of the main campus building, or what I assume by its size and big roundabout driveway is the main campus building, our riverside lunch becomes a lunch at a sun bleached, shadeless picnic table outside an athletic facility echoing with the cries of joyous and/or terrified children engaged in swimming lessons within. The day is hot and bright and beautifully blue, and we had to forsake our champagne anyway for delicious, delicious Vitamin Water. Someday, I'll try and come up with some sort of Vitamin Water cocktail. Until then, I figure the parents with their children inside probably wouldn't want a couple of strangers outside whooping it up with the bubbly anyway. I'm sure the school wouldn't appreciate a couple sweaty weirdoes getting jolly on alcohol next to a bunch of toddlers in swimmies. At least we had the foresight to pack some good food. Tuscan chicken salad, pasta salad, good stuff from Dean & Deluca. Hey, I'm not backpacking, so I might as well enjoy the ability to carry some extra weight. I also have some Hudson Valley Camembert and crackers. The cheese tastes like sweaty, unwashed feet, and never mind any comments about how I would know what those taste like. Wretched, sour stuff that I'm sure tastes quite lovely if you have a taste for such things. I'll stick to my Plebe cheeses liked smoked Gouda and baby Swiss from now on. Or maybe some Laughing Cow, adorned with the laughing cow wearing a package of Laughing Cow in its ear, adorned with a smaller picture of a laughing cow wearing Laughing Cow...you get the picture. ![]() A steep hill greets us post-lunch, and at the top I get yet another warning about this ride when my chain pops off and refuses completely to go back on. What should be a simple fix even for a lunkhead takes nearly half an hour as my bike simply refuses to accept its chain. Finally, I get it to stay on so long as I stay in lower gears, something I'd end up having to do anyway. I wish I was better at interpreting omens. A quick downhill coast and 3.5 miles into the ride (actually 13.5 or so given our earlier detour) we're dumped onto wide, aggressive Rt. 119, but only for a short distance and with the safety of a deserted sidewalk. Normally I don't bike on the sidewalk - I do have some respect for rules. But who the hell was going to be walking out here? There was nothing but six-lane highway, I-87 above us, and nary a pedestrian in sight. We turn of Rt. 119 onto Taxter Road, and whatever enjoyment we've gotten out of the ride comes to an abrupt and merciless halt. The road is savagely and relentless uphill at one hell of a grade, which wouldn't be so bad except that there's also no shoulder and a steady stream of cars kept whizzing by well over the speed limit. Someone yells at Ellie to "Get on the fucking sidewalk!" even though there isn't a sidewalk. It goes on forever, or so it seems, and by the time we finally take a pit stop at a small convenience store, I'm pretty steamed. Whoever wrote that book must have assessed the traffic situation at four in the morning, to say nothing of his judgment when it comes to light hills. I'm not Lance Armstrong, but I'm not bad on a bike either and I like hills. But even for me, these were not even close to gently rolling small things. They were great beasts that seemed to defy common sense by managing to always go up and never down. At the very best, we could get a little even pavement for a few tenths of a mile. The traffic only gets heavier. They speed and pay no attention even around hairpin turns. We're both nearly nicked more than a couple times. ![]() 16 miles or so in, counting our ten mile addition when we went the wrong way on the easy path, we finally get a brief respite from traffic if not from climbs as we cross Rt. 9 onto a narrow, winding wooded road leading to Washington Irving's home. You have to pay to get in, so we admire from the outside then move on, following the welcome grass-and-packed-earth trail along the Aqueduct Trail through some gorgeous woods. Once again, we should have just ridden this trail. I think you can take at the way to or from the Bronx and Van Cortland Park - you know, where the Warriors went to that big meeting. Lyndhurst is a gothic wonder, a mansion suggesting a castle or fine British country manor. It costs to go inside, but outside is where the show is anyway, and lounging on the gorgeous grounds doesn't cost a dime. Hey! Here, finally, is my glimpse of the Hudson from a rolling grassy bank lined with trees and flowers. Better enjoy it now. After Lyndhurst we have to bike along Rt. 9 for a mile or so, and it's the busiest road yet. Luckily, sidewalks come in fitful stretches and, since no one seems to want to walk anywhere anymore when they can drive huge cars instead, we opt for the safer stretch of concrete. The Hudson is to our left, but interstate and power lines and Metro North train tracks blot it out. Probably a nice train ride, though. We get a nice view of the Tappan Zee Bridge, though that's not really what we came here for. But at this point, we'll take what we can get and be thankful that we're on sidewalks and relatively level ground. ![]() 19 or so miles under our belts, and we're finally in Tarrytown, where the guidebook's route highlights the least attractive streets it can find. We're riding along wildly steep hills that look like something out of San Francisco. Can't enjoy the downhill that comes every now and then, because there are stop signs at the end of every city block. Streets are lined with dumpy looking tenements. Might as well be back in Brooklyn for this crap. Our route weaves in and out of uninteresting residential apartment streets until we reach the Philipsburg Manor and have to rejoin the accursed Rt. 9. A little over twenty miles in we reach the Sleepy Hollow Cemetery. It's somewhere around three-thirty or so. Lyndhurst was worth visiting, but this is the gem of the ride. The cemetery is as creepy and beautiful and romantic and eerie as you want it to be. We do the paved loop around it, and then plunge down one of the many grassy paths through the graveyard proper, walking our bikes so as not to disturb those who might be resting. We're the only people in the whole place, it seems. So many ornate, stately plots and crypts and statues. Stone-eyed angels and Jesus stare out at us from amid tombstones with dates reaching back beyond the beginning of the Revolutionary War. Here and there are names familiar from Legend of Sleepy Hollow. There are Van Tassels everywhere, especially in memorial grounds dedicated to those killed in action during the Revolutionary War, War of 1812, and Civil War. They allow a World War One memorial as well, but those killed during World War II are without a doubt the young upstarts of the grounds. It's the kind of place you could wander around in for hours. We almost do, partly because it's too ominously enchanting to leave, partly because about forty minutes in, we realize we can't find our way back to the entrance. The place is huge, though it doesn't look it at first. We wander down silent grass paths, past looming mausoleums, pillars, and statues, listening intently for the sound of traffic. When we finally find a crack in a sidewall that is big enough for us to pass through with our bikes, we take it. A quick guess at which direction is the right direction eventually leads us back to the cemetery's front gate at the Old Dutch Church. They are closed and securely locked. We were apparently in there long after they assumed everyone had left and closed up for the day. The route sends us through a ritzy neighborhood via a network of punishing hilly residential roads. They're brutal and frequent, and the river is still walled off by train stations and tracks, but at least there's no traffic and the surroundings are pretty. That all ends though as we're send back out onto Rt. 9, and this time with no chance of escape. Everything that was nice about the ride, those few spots we'd enjoyed, all that was negated by the sheer godawfulness of the next three miles. Traffic is heavier than ever, as heavy as it can be without being bumper to bumper, and still moving at alarming speeds. The road climbs an unforgiving, relentless hill for it's entire length. We've been doing this all day, and Ellie's legs finally mutiny. They will pedal no more and frankly, mine aren't far behind hers. Again, there is no shoulder, no sidewalk, not an inch of space to the side of the road. We're forced to limp along, riding and walking, in the middle of traffic that seems completely taken aback by the fact that someone has dropped below sixty-five on these winding roads. I'm certain one of is going to get hit. ![]() The ride is completely and utterly grim, a death march, and the only enjoyment I can derive from it in between shudders as SUVs and Saturns come within an inch of killing me over and over comes from cursing the name of the man who wrote our guidebook and making elaborate plans regarding how I'll torture him if I ever find him. What the fuck did he do? Drive this route on a motorcycle at dawn? I can't possibly fathom how his descriptions could be so wildly off base. It really borders on negligence, and it had certainly put us in a precarious situation where we couldn't even take any satisfaction from an adventurous death well-earned. Run down by a speeding SUV driven by someone talking on their cell phone - and I swear, nearly every goddamned person who passed us was talking on a cell phone - while walking your bike up a nasty hill in the middle of traffic is not a noble way to die. And like I said, I try to be honest with others and with myself when assessing my physical fitness. I'm not bad on a bike. I like hills. I can deal with traffic. I bike in New York all the time, after all. But this was absolutely fucking insane. I was pissed. The parking lot for a Mexican restaurant gave us a break, and from there we were able to walk our bikes through the weeds alongside a fence. It was painful going, but it was a hell of a lot better than riding slowly uphill in fast car traffic. Finally, roughly 27 miles from noon, we hit Sleepy Hollow Road and were able to turn off the goddamned highway. We were spent. More than anything physical, though that had certainly been a part of it, our nerves were fried from all the riding in close quarters with really mean, aggressive, and unending traffic. Sleepy Hollow Road still spends the bulk of its time going uphill, but there is at least only very sparse traffic. A car or truck every five minutes or so. It's slow going for us, but peaceful and cool in the late afternoon. We pass through tunnels of trees and ride the road along creeks and fields. Son of a bitch, I think to myself. This is what I wanted to do today. This is what the whole goddamned ride was supposed to be like, and yeah, I'm sorry. I don't normally curse this much when writing these things, but my mood is exceptionally foul at this point. Steep climbs through forest roads serve to sooth me somewhat, though my heart sort of sinks when, roughly thirty miles in, we turn onto the ominously named Long Hill Road. And yeah, you know it lives up to its name. The climb is shocking, almost indescribably painful, and it never ever seems to end. Approaching Bacon something or other road, my legs finally surrender. Pedaling is literally impossible for me. I try and nearly fall over. Looks like I'm walking from here. The hill finally crests what seems like miles later. In reality, I think it was a little less than a mile, but it was a damn steep hill, I tell ya. Our labor pays off with a wild rocket ride down the other side of the hill. I don't even think of hitting my brakes. I'd rather sail off one of the many hairpin curves and impale myself on a tree branch than slow down. It doesn't last of course. This country has an infinite number of hills under its belt, and now so do we. ![]() We take a break along an old stone wall snaking through the woods. It's lush and quiet and cool, and the woods look like they've been carpeted with moss and ferns. We watch a couple of deer who are watching us, then mount up for the final stretch. It's through undulating farmland, though I don't know if I'd call it gentle. Whatever the case, it's beautiful, almost painfully picturesque as deep orange and yellow slants of late afternoon sunlight kiss brilliantly green pastures and old wooden barns. Farm equipment sits in the fields, and lazy cows watch us as we push onward. Yet again I'm cursing. This is beautiful, so beautiful that I can almost forget the rest of the ride. I vow when I get back to work out a route that only includes this portion of the ride. Easy enough, though I'm stumped as to exactly how to get the cemetery into the picture as well. Well, it's a project. Our last stretch is a meager but welcome pay-off for everything that has come before. The encouragingly named Lake Road promises us we're near the end of our miserable trek. We are dirty, beyond tired, angry about being misled, streaked with road grime. But we're also riding downhill fast through a cool, breezy forest that seems to have soaked the whole world green. At the bottom of the hill we see the Tarrytown Lakes, and to our left, a little over forty miles after we last saw it, our car. Suddenly, I'm elated. As grim and harsh and joyless as the ride had been, that last part was stunning, and hell. We did it. We finished the damned wretched beast. My sense of accomplishment outweighed my sense of outrage at the guidebook. Look, I already said neither of us was Lance Armstrong. He'd laugh at us as speed on by. But like I said, it wasn't hills or the demanding physical nature of the route that angried up my blood. It was the traffic, or more accurately the promise of very light traffic and sparsely traveled roads. The final fourteen miles fulfill the promise, but the first fourteen are so wildly crowded, aggressive, and genuinely dangerous that about all I can say for the ride as a whole is, "Man, that really did suck." But we did it anyway and finished. Forty miles, most of it uphill and in treacherous traffic. It wasn't fun, but it was something to gloat about, at least for us. We vow to finish the adventure in a steakhouse. Looking at the map, the peaceful country route would be to take Lake Road to Long Hill to Sleepy Hollow. You still have to ride on Rt. 9, but downhill toward the cemetery. A short distance later, Bedford Rd. connects back to the lower portion of Lake Rd. Don't know the state of Bedford Rd., but it can hardly be worse than what we were sent up. As for how you get Lyndhurst into your trek - you do your trek, then drive there. Touring the towns of Tarrytown and Sleepy Hollow is a waste of time unless you like looking at people grilling out on the sidewalk outside their little apartment building or really consider Citgos and train stations to be scenic. ![]() Labels: Travel posted by Keith at 12:06 PM | 0 Comments Dinosaur Land
The world was a thick green smear streaked across either side of the jeep, set against the sort of ultramarine canvas that Renaissance masters would have killed for. A sun-bleached ribbon of asphalt undulated in front of me, and my eyes were heavier than they should have been for the speed I was driving. Stayed up too late last night, I thought, but what can you do when entire seasons of Cops are playing themselves out right outside your motel door? Jamie's music wasn't helping matters. Some heavy Jamaican dub stuff. Good, but not morning music. It didn't bother her. She was curled up again, wearing a black and white sixties-style dress, white headband, and the ragged cloth slippers from Chinatown that seemed attached to her feet whenever she felt like wearing shoes. Eyes closed. I'd thrown on a slim-cut black suit I bought a few years earlier and managed to keep in fairly good shape, which was more than could be said for my shoes, which had been impressive at one point a few years ago. I've heard that a man's desired wardrobe can finally be reconciled with his income at age thirty-five, and as I still had several years to go, I was doing the best with what I had. For some reason, we both felt the need to look sharp when we rolled into Winchester, what with our primary target being such a formal affair and all.
![]() Said primary target made itself known shortly, as the hills leveled out into flat farmland that was in the full swing of being fertile and making for a decent fall harvest. Corn and soy beans mostly, from what I could tell, and I couldn't tell much. I grew up in Kentucky farm country, but my grandfather had stuck to horses and tobacco. Beyond the basics, I'd never been much for correctly identifying crops. Any field of tall stalks was corn, and any field of squat green plants was soy bean. ![]() Morning mist was still clinging stubbornly to the ground when we pulled into the parking lot. Jamie rubbed the tiredness out of her eyes, which grew wide as soon as she realized what she was looking at. "Did I lie?" I asked her as I pulled into a parking spot adjacent to the bottom row of chipped white concrete teeth that were part of the lower jaw of a gaping T Rex mouth that served as the entrance to White Post, Virginia's Dinosaur Land. To our right were two more dinosaurs, one a brontosaurus, the other one of those two-legged beasts that, because no one knows exactly what it is, simply gets called an allosaurus. They were frozen in mid-menace of an Amoco gas station sign. To our left, just visible on the crest of a hill, was a giant octopus locked in mortal combat with a prehistoric shark. In front of us was a sign: 20' Kong! 60' Shark! 90' Octopus! Christmas Shop! ![]() "Just like prehistoric times," Jamie said as she slid out the door, adjusting her dress's hemline slightly as it gathered around her thigh. I held her hand as she stepped gingerly over the row of dinosaur teeth and into the maw of the beast. Christmas bells tinkled lightly as I opened the door for her, and the smell of cinnamon rolled out in waves. "I never knew being swallowed by a dinosaur would be so pleasant," Jamie said. The room inside was an expansive open area lit by sickly fluorescent tube lighting. One of them, situated over a wall of motley colored rubber dinosaur figures piled high in bushel baskets, was flickering stubbornly, unwilling to completely commit itself to full lighting, as fluorescent tubes are sometimes wont to do. A heavyset man with close-cropped white hair was jabbing it angrily with a broom handle. ![]() "You're just gonna break it doing that," a woman said from behind a square fortress of glass display cases filled with pewter figures of dinosaurs and, for some reason, Hanna-Barberra cartoon characters. She was the man's match in age and weight, with a fluffed white bouffant hairdo perched precariously on top of her head. "Sometimes you just gotta give 'em a good whack. Stirs up the molecules and makes 'em light up," the man responded as he tapped the tube with the broom. The room was roughly sectioned off into three distinct flavors. We'd stepped through the door and into a dinosaur emporium full of outrageously painted prehistoric beasts and racks of dinosaur-themed children's books and "scientific exploration" kits. Another group of people was here, parents with two young boys who had discovered a stash of authentic prehistoric plastic ninja swords and were busy striking Power Rangers poses. ![]() The middle section was dedicated to all things Christmas, and here in June, a pint-sized animatronic Santa was shaking his hips with an audible whirring of gears while a tinny recording of "Jinglebell Rock" crackled out of a cheap speaker built into the base. He was surrounded by glittering red and green garland and fake foliage sprayed with that "frost in a can." The far third of the room was apparently dedicated entirely to shellaqued slices of wood adorned with paintings of beautiful American Indian women whose hair was being swept back by the wind to form the image of a white wolf. There were also some paintings consisting of various configurations of American flags, eagles, and Harley Davidson motorcycles, also on lacquered cross-sections of wood. "I'm gonna give that Santa a good whack if he don't shut up," the man added. The woman made an admonishing "tsk" sound. "Don't say things like that. He is a saint, you know, Saint Nicholas, and you shouldn't threaten saints." "Ahh, he's the saint of pains in my butt," the man said, which caused him to break into a fit of wheezing laughter as he abandoned his pinata treatment of the fluorescent light and turned to us. "How you folks doing?" "Good," I said. "We came in here because I heard there were some singing Santa I figures I could try out." "Shht," the man breathed in that way people do when they don't want to commit fully to simply saying "shit," especially when children are around. He brandished the broom handle. "Now don't make me use this on you, too!" Another fit of wheezing laughter erupted after his threat. ![]() Dinosaur Land first opened the jaws out front in 1968, peppering the back roads of Virginia with enticing billboards screaming, "Spectacular!" and "Unbelievable but True!" There was no way a family station wagon was getting past the place without a pit stop to marvel at the assembled behemoths and pick up some quality dinosaur toys or dreamcatchers in the souvenir shop. After all, what does the soft green beauty of the Shenandoah Valley and Blue Ridge Mountains have over a garishly painted assembly of monsters gathered behind an Amoco? Roadside attractions like Dinosaur Land are largely memories, brief spots on "Remember When" specials that air on the Travel and Discovery Channels but have otherwise disappeared from much of the American landscape. Dinosaur themed parks, however, seem to have faired better. Somehow, dedicating yourself to extinct animals is a good way to keep your business from becoming extinct itself, though unfortunately it didn't seem to save Agar's World of Kong, opened in Arkansas by B-movie mainstay John Agar. Agar would be at home in White Post, though. Not my first thought upon purchasing our tickets and pushing or way through the turnstile and into Dinosaur Land proper, but the thought did eventually occur to me. Jamie had her arm hooked in mine as we stepped through a rickety porch door and came face to face with a menacing, horror-faced fiberglass tree, the ominous open mouth of which was the only gateway through which one could pass to access the wealth of treasures beyond. ![]() "I'm walking into a lot of mouths today," Jamie said as we ducked our heads and stepped into the tree's waiting opening. "I really didn't think I'd ever be in a situation where I'd say something like that." Her grip on my forearm tightened slightly. "But I'm glad that I am." And then she let go of me, and for a moment I felt like a dinghy that had been cut suddenly from its mooring line and sucked out into the sea without any control. Her hand was on her camera, though, and I knew there was no winning against it. Inside the tree was a small, damp room made smaller by the presence of a skulking giant caveman statue that bore a striking resemblance to the caveman that used to chase Shaggy and Scooby around from time to time. We took turns posing with him until the two kids from the souvenir shop burst through the tree's opening and stopped suddenly, apparently startled to discover two other people lingering about in the gut of a howling haunted tree. They recovered quickly, however, and immediately directed their attention toward the fiberglass caveman. We moved on, and as we exited I could hear a raucous explosion of laughter and one of the kids, struggling between his giggles,' saying, "I punched the caveman in his wiener!" Beyond the tree, Dinosaur Land opened into a wide, wooded lot crisscrossed by gravel footpaths. From behind a distant thicket of trees, we could hear the high rumble of a lawnmower. "Hmm, Thrak's out on his John Deere today," Jamie said. "I hope when we see it, it's a stone cart with baby alligators strapped to the bottom." ![]() The kids rocketed by us, dragging their parents in tow. The father was staring intently at the viewscreen of a camcorder, doing that slow pan that seems like a good idea when you're doing it, but it always too slow or too fast when you actually get around to watching your video back home. The kids stopped beneath the dangling feet of a somewhat lumpy, brown pterodactyl suspended from a low-hanging tree branch. "Sweetie, do your thing!" the mother shouted out as the father swiveled the camcorder around to focus on his children. One of them began flailing and jerking about in what I eventually deciphered to be some sort of imitation of Michael Jackson's dancing style while the mother laughed and clapped. The other child grabbed her fifteen seconds of fame by slapping her brother on top of the head and screaming, "Dinosaur poop!" ![]() Jamie and I had lunch at the park's picnic spot, nestled in a quaint spot just below the crotch of a T Rex that was ripping a huge gory hunk of meat from the throat of a hapless brontosaurus. The remainder of the park was populated by a variety of prehistoric beasts, including my old favorite, the ankylosaurus, plus the giant cobra, giant mantis, giant sloth, and towering statue of King Kong with one hand extended so that you could sit in his palm and have your picture taken, provided you didn't mind sitting in a pool of cold, brackish water. At one point, the Kong statue had been pestered by a biplane suspended from a tree branch, but the plane had long since disappeared, presumably stolen by the proverbial "hooligans," or possibly "young punks." I vowed then and there that if I ever struck it rich, I'd purchase a new fiberglass biplane and donate it to Dinosaur Land. At the same time, I suppose it was nice for Kong to finally get a break from the incessant machine gun fire he'd otherwise have to endure. These are the moral dilemmas that keep me up at night. ![]() After wrapping our tour of Dinosaur Land and walking out of the souvenir shop with a bag full of little rubber dinosaurs, we headed over to see the white post for which the small town of White Post was named. The post was put in place sometime around 1750 by none other than George Washington himself, ostensibly as a marker to signify the way to the estate of one Lord Fairfax. I assume what Washington was really pointing out was that our colonial forefathers should stop in for a peak at the lime green dimitredon on display at Ye Oldde Lande of Dynosars and Dragyns," but my history is fuzzy on this account. We were sitting at a hotel bar, somewhere in downtown Winchester, still dressed in our Dinosaur Land finery. I was drinking bourbon, and Jamie was poking at a lime with the stirring straw of her gin and tonic. "You seem quiet for a man who had lunch underneath a T Rex ripping a bloody hunk of flesh out of a brontosaurus." "Sorry," I said. "You know how giant concrete dinosaurs cause me to get all contemplative." ![]() She nodded and took a sip of her drink. "I'm Thinking Tonight of My Blue Eyes" by the Carter Family was playing on an unseen jukebox somewhere, and the song of clinking plates and silverware tumbled down from the dining area situated in front of a line of big windows looking out onto the town's main street, which I only assume was called Main Street. "You know," Jamie began as she resumed poking at the lime, "how little kids go through a phase where they insist that they're a dog or a cat, and all they'll do is bark or meow?" I took a swig of bourbon. Knob Creek. Smooth. "I knew a kid who used to think he was a car. He'd shift gears every time we had to walk down the hallway to lunch at school." "I never went through the cat and dog phase. You know what I was?" "Besides cute?" ![]() "That's a given, darling. No, I went through a phase where I thought I was a dinosaur. I'd roar and tuck my arms close to my sides to make those pitiful little T Rex arms." "Why did they even have those things? I mean, can you image how much scarier it'd be if a T Rex had big, long muscular Hulk Hogan arms?" "Anyway, I remember we were all out at the playground one time during school. Must have been kindergarten. I hope it was kindergarten. God, I hope this wasn't in high school or something. There was this group of girls pulling off some crazy jump rope tricks, and I remember crashing through them, roaring like mad, and I took a huge bite out of one girl's arm." "Jesus," I said, nearly spitting out my mouthful of liquor. "As in, an actual chunk of flesh?" ![]() "No, not that bad. But I drew some blood. They made me go to the principal, then to the guidance counselor. I had to go to these special sessions where some asshole talked to me about how I wasn't really a dinosaur and how it was wrong to eat people." She took another sip of gin and tonic as I finished off my bourbon and signaled for another round. The bartender was an elderly man with a brightly polished bald head. The kind of guy you find tending bar at an old hotel or VFW Hall. He doesn't go in for fancy, fruity drinks or crazy concoctions, but when it comes to the standards, there's no better type of bartender in the world. "So those girls were your friends afterwards, right?" "They called me Bitey and Dino Girl. You know, they remembered that shit all the way through high school. One of them even started a rumor that I had some weird psychological condition that caused me to think I was a dinosaur, and that I'd had an episode while I was giving a guy a blow job and bit his dick off." ![]() She finished her drink and started in on the second that had appeared with nary a sound. I was quiet, intently waging a battle inside myself over whether the situation called for tender consolation or a joke. I decided to try and walk that razor-thin path between two lakes of fire. When in doubt, make fun of myself. "When I was in first grade," I began, "I once wore a t-shirt with an embroidered tennis shoe on the left breast pocket. From that day on, everyone called me Shoe Shirt Boy." She laughed lightly. "I mean, what a stupid thing to latch onto. Shoe Shirt Boy? What the hell? But if you want to talk physical violence, then maybe I can make you feel a little better, Bitey." "Fuck you." ![]() "Or at least that you've found like-minded company. When I was the same age you were when you were making a meal of your classmates, I was taking swimming lessons at this state park pool. Man, I was an awful kid. When my mom would take me there every morning, I'd scream and cry and hold on to the rail and refuse to get into the water until they practically had to throw me in. When the swimming lesson was over, I'd scream and cry and hold on to the ladder and refuse to get out of the pool. So we were there one day, just for swimming. I remember the vending machine there had those Boston Baked Beans. Burnt peanuts or something. Who the hell ate those things? You get 'em once and think they'll be like Red Hots or M&Ms, but they aren't. Anyway, we were at the pool, and I was doing fine, just splashing around in the shallow end with this Fisher Price house boat I had, when this girl swims up to me. Older girl, maybe twelve or thirteen." "Even then," Jamie said. "Yeah, screaming and crying and holding onto the guard rail impresses the older ladies. I still do it, you know. That and invite them back to my apartment to play Fisher Price. That's why I get so much action. So she swims up to me and is being very friendly, just wants to play with the little kid. Only, I'm not all that excited to be played with. I just want to be left alone with my house boat, but she's putting me on a raft and pulling around and generally being delightful but just...unwanted. So it comes time to leave, and my mom gets me out of the pool and as I'm standing there at the edge, the girl swims up to wave goodbye to me, and I take my Fisher Price houseboat and just, well, clock her upside the head with it, as hard as I could." We sat and sipped our drinks in silence. The waiter had his back turned to us, but I could tell he was shaking his head and laughing. "That's it," Jamie finally said. "We're terrible people." ![]() Two more drinks apiece, and Jamie and I were doing our best to get back up to our room. The hotel had the ambiance of faded regality, something that was grand and ornate and opulent in the 1930s but had since fallen on hard times. The edges were frayed, worn through more than they should be. The fixtures were tarnished. But everything possessed a warmth into which you could simply sink and lose yourself. It appealed to me. We collapsed together onto the overstuffed queen-sized bed in our room. The windows were open and a warm summer breeze was being slung about by the slow-rotating ceiling fan. The sound of cars and voices below seemed distant, filtered through the gauze of summer heat and alcohol. I lay on my side, staring at Jamie staring back at me. Later that night, we went walking after midnight. Just because it seemed to be the right thing to do. Labels: Travel posted by Keith at 11:56 AM | 0 Comments Friday, January 25, 2008The Mutter Museum
I was staring at the three-foot-tall skeleton of a dwarf with the much tinier skeleton of another dwarf fused to its side. My partner in crime was rifling through a cabinet filled with things that had been extracted from people's noses and throats, a collection that bore testament to America's seemingly unquenchable hunger for safety pins and buttons.
This was the Mutter Museum, nestled inside a perfectly noble looking old academic building that houses the College of Physicians of Philadelphia. The museum -- a gloriously jumbled collection of medical specimens exhibiting the dizzying number of horrible things that can go wrong with the human body -- traces its origins back to 1849, when a Dr. Isaac Parrish pronounced that the College should found some sort of an archive to store information and specimens that might otherwise be lost to science during the steady procession of time. From 1849 until Parrish's death in 1852, the collection grew rapidly, but upon his death interest seemed to wane in amassing material. That was until 1856, When Dr. Thomas Mutter, a professor of surgery at Jefferson Medical College, retired from his profession due to ill health and announced that he had acquired rather a large collection of items during his many years as a physician and teacher and could think of no safer home for them than the late Parrish's museum. Apparently his wife or whoever else may have been sharing the house with him at the time didn't want him moving his collection into the den, and I sympathized. When I moved to New York from North Carolina, I had to sell off my collection of outdated computers from the 1970s and 1980s for lack of storage space. A few months before the good doctor's death at the age of 48, he and the College came to an agreement which required that the museum be moved to a fireproof area and properly cared for. In exchange, the museum received Mutter's entire collection of bones, skulls, preserved specimens, wax models, and dried corpse bits, as well as a $30,000 endowment. In 1863, the museum opened in its new location, unaware that some 150 or so years later, it would be a popular destination for curious medical students and punk rockers in Texas Chainsaw Massacre t-shirts. That the museum was founded during the Victorian era was undoubtedly essential to it becoming what it is today. Collecting medical oddities for public display is generally frowned upon in these more sensitive times, and surgeons who keep bits and pieces of their patients for private menageries aren't looked at so much as building an educational display for the present and the future as they are regarded as some sort of hideous ghoul with a shed full of eyeballs. But the Victorians were a different lot, and gathering such harvests was a legitimate pursuit as medical science struggled to emerge from the Middle Ages and enter the modern age. It wasn't exactly a smooth transition, but whatever the case, collecting and examining random bits of this and that has always been the hallmark of a science about to take a significant step forward. What was the Royal Society of Newton and Hooke, after all, but a collection of natural philosophers who, in between inventing calculus and rebuilding London, sat around in a big hall while members brought forth whatever strange piece of the world they found curious or amusing, be it a particularly interesting tree fungus or a shrunken head brought back from some rum-soaked sailor who had been on an ill-fated expedition to the New World. Science depends on inquiry, and inquiry has not always been what you'd call scientific, but it got you going down the right road most of the time. Although the Mutter Museum may have been the domain of researchers and Carcass death metal fans before, extensive coverage of the place in a variety of travel books and television documentaries meant that by the time we arrived on the doorstep one fine morn, the place was packed, and not just with freaks. Relatively normal looking couples wandered the rooms, as did parents whose children had grown weary of stories about Founding Fathers in powdered wigs and demanded something a little weirder to hold their attention. The museum did its best to educate them as they entered, providing a history of the medical hardships faced by the Lewis and Clark expedition and displaying the medical instruments of the time. One would think that the sight of bone saws used to hack off gangrenous or otherwise spoiled limbs without much in the way of anesthetic beyond a piece of leather on which to bite down and a bottle of whiskey would strike terror in the heart of a man, but the quarter-inch thick "urethral probe" next to the bone saw was far more menacing. About half way through the display, the curator gives in to what people demand, and one gets to marvel at a whimsical procession of wax models of human body parts suffering from hideous diseases and lesions. Past the Lewis and Clark exhibit, we came into the main hall of the museum, a square two-story room done in the rich wood tones and warm lighting one expects in your finer Victorian academic salons. Cabinets lined the walls, floor to ceiling, displaying an overwhelming number of wax casts, actual skulls, and preserved "wet specimens" floating in jars of mysterious fluid. Well, probably not that mysterious, but I was too lazy to ask. We gawked at a wax sculpture of a woman who had a rhino-sized brown horn growing out of her forehead, and then at photographs of a man who had the legs and lower torso of a conjoined twin growing out of his abdomen -- and keeping developmental pace, oddly enough, so that by the time he was a full-grown adult, he was lugging around a full-grown adult twin's legs and belly. It was hard not to get lost in somewhat seedy and inappropriate consideration at the site of such abnormalities. It would have been a pretty rotten load to bear, I thought, but it might not have been so bad if he actually had motor control of the extra legs. The photo didn't explain, but we doubted the man was able to flip up onto the legs of his half-formed twin and take off in a sprint. I still thought it would have been worth a try, anyway. Below the impressive collection of wax heads and arms suffering from myriad lesions, boils, cancerous growths, fissures, and poxes were a few wet specimens of standard lunchroom fare like hands and feet suffering from "moist gangrene" -- as if gangrene needed to be made any less appealing, Jamie said -- and the malformed fetuses that seem to have been the bread and butter of the wet specimen world at the time, though I personally would not want to use them as either bread or butter. The other side of the mezzanine, which formed a square above the main floor of the museum, was filled with skulls. Most had been bought in 1879 from Professor Joseph Hyrtl of Vienna and reflected some malady or another, "malady" sometimes being a round ball of lead embedded in the skull. That same year, the museum and college hosted the autopsy of famed "Siamese Twins" Eng and Chang, formerly of North Carolina, where their bodies were returned, thus exempting them from display at the museum -- though there was a nice plaster cast of the two and a lengthy postcard and photograph display that described the life of the twins, who by all accounts got on quite well and, despite having since become a symbol of man's cruel lack of consideration for the handicapped, made considerable advances as spokesmen for the cause of treating the "deformed" as regular people. Another of the walls was devoted to recording the health problems and surgeries of American Presidents and other political bigwigs. This was largely a photographic display, with placards informing on everything from Warren Harding's mysterious death to Ronald Reagan's colon, with actual bladder stones from Chief Justice John Marshall and pieces of John Wilkes Boothe's thorax, which had been removed during the autopsy conducted by Philadelphia surgeon Joseph Janvier Woodward. Considerable time was devoted to the details of Grover Cleveland's secret surgery in 1893 to remove a cancerous growth from his jaw, which was performed on a yacht sailing up Long Island Sound with the American public being told the President was on a jaunty, gay outing. The secrecy of the procedure was in sharp contrast to the procedures discussed on the Reagan display. I remembered quite vividly watching the surgery on national TV. I was surprised that the Mutter Museum hadn't managed to get a piece of Cleveland's growth, or the jaw, or something. At least, that's what I was thinking right before I noticed that the tumor was sitting there on the shelf, along with a larynx mirror and something called a "cheek retractor." Another display case contained skull drills and other devices used to extract stillborn babies from their mothers, but the less said about that, the better. The final wall of the area was occupied by one of the museum's prize possessions: the Soap Lady. She was like having a mummy in a natural history museum, a real feather in the cap, so to speak, though at this point I was sure "feather in the cap" was probably some hideous 19th century deformity that caused huge, dripping pustules to form on a person's head. Or something to that effect. I commented that if I could invent my own wretched afflictions, they would be "feather in the cap" and something known only as "mummy face." The Soap Lady was donated to the museum in 1874 by Dr. Joseph Leidy, an anatomist at the University of Pennsylvania who had come across the body when it was stumbled across by workers removing corpses from an old cemetery. Leidy determined that the woman had died sometime during the previous century, and for several decades the display was accompanied by a placard that explained, "The woman, named Ellenbogen, died in Philadelphia of yellow fever in 1792 and was buried near Fourth and Race Streets." This turned out not to be the case, and in 1942 the story was corrected. The woman, whose name was unknown, had died during the 1800s. The museum curator at the time, Joseph McFarland, uncovered the fact that there were no reported Yellow Fever deaths (examples of which were plentiful elsewhere in the museum) in 1792. There was an outbreak in 1793, but no woman by the name of Ellenbogen was reported among the dead. Putting the final nail in the coffin of the original story was a simple bit of research that turned up the revelation that there had never been a cemetery anywhere near Fourth and Race Streets, not even one where just the headstones were removed and Craig T. Nelson ended up living in a nice suburban home on top of it. Several state-of-the-art x-rays and inquiries later, not to mention an appearance on the documentary television series, Mummy Road Show, less is known about the Soap Lady's past than previously, but then, since most of the previous information was made up, maybe everything is just about even. What was known, however, was why she is called the Soap Lady, and that's because at some point after she died, she turned into soap. Not necessarily the sort of soap with which you'd want to scrub your face, but various grooming guides insist that using soap on your face is bad for you anyway, regardless of whether it's store-bought Irish Spring or something chipped off the mummy of a dead fat lady. Fat, it so happens, has traditionally been a key component in the manufacture of soap. It previously came from whales and rarely if ever, I assumed, from humans. The process of "saponification" requires a precise combination of factors including humidity, temperature, the presence of clothing, and bacterial activity, to turn fat into "adipocere," sometimes referred to as "grave wax." The Soap Lady, whoever she might have been in life, was apparently toting around a good deal of fat. Upon her death, the cause of which has yet to be accurately determined, the conditions in her casket just happen to be the right mix to cause her fatty tissue to transform into soap. In 1908, the museum began construction on its current home on 22nd between Walnut and Market Streets, and in 1986 it got the renovation and face lift that turned it into the Mutter Museum in which Jamie and I now wandered. The bulk of the museum's items are in two rooms on the lower level, so having sated ourselves on goiters and cracked skulls, we descended the grand staircase and immediately came face-to-face with the infamous 40-pound-colon of the "Balloon Man." This particular colon, measuring roughly 27 feet long and, by my estimation, a foot wide at the largest bulge, was extracted from a man who suffered chronic constipation throughout his life and died with forty pounds of compacted material lingering in his lower intestine. I once heard the same thing about Elvis and John Wayne, but I was pretty sure that was an exaggeration. "You know," I said to my friend as she marveled at two nightmarish little dried toddler corpses that were strung up like marionettes with outstretched arms and upturned heads in a redwood display case near the giant colon, "I want you to remind me that I need to get regular check-ups. The sheer number of things that can go wrong with the human ass is staggering." "I think you've just written the slogan for the next prostate exam ad campaign. I can see it on buses all across town." Touring the lower level, I was aghast to see a human fetus that was so deformed so as to look like a fetal pig or a tiny elephant with a snout growing out of its forehead. After reading the informational card next to the specimen, I realized the reason it looked so much like a fetal pig with a snout growing out of its forehead was because it was, in fact, a fetal pig with a snout growing out of its forehead. How it had gotten in there among all the human fetuses I don't know, but the museum was somewhat random in its order, which I've always appreciated in a museum. It's my opinion that they should function like someone's attic. Better cataloged, but still somewhat jumbled and haphazard in their presentation. It gives me a greater sense of exploration and discovery that way, as opposed to clinically arranged, logically ordered displays. I lost my friend momentarily to the cabinet full of things people had swallowed or shoved up their nose. Although safety pins and buttons seemed to compose the bulk of the collection, there are plenty of other things that someone, somewhere thought looked appealing enough to shove into an orifice. Tiny trinkets shaped like horses and steamboats ("Did someone swallow a Monopoly set?" I remarked), coins of various sizes and values, bits of meat, rocks and nuggets, hatpins, and so forth. "When I was in elementary school," I told my friend, "there was this kid named Randy." "Oh God. Only you could have a story that somehow relates to something at the Mutter Museum." "I guarantee you, my dear lady, this story contains no encephalitis-inflicted skulls," I said, applying the standard "old time Southern lawyer" accent I frequently used to begin a story, often accompanied with me hooking my hands around the lapels of whatever jacket I might be wearing at the time. We used to get a cup of peanuts with lunch on certain days, back before they thought that might upset kids with allergies. Maybe you know the one. Randy decided to see how many peanuts he could stuff up his nose. He had a pretty big nose, sort of wide and flat, like a boxer who taken one too many poundings in the face. I never cared for peanuts, so I was more than willing to donate my legumes to the cause. I don't remember how many peanuts Randy got up there, but given his nose and determination, I imagine it was quite a few. Well, whatever the number, it was one too many, because he couldn't get them back out, and they had to call an ambulance. Rumor had it that the EMT blew pepper in Randy's face, causing him to sneeze and shoot the peanuts out like machine gun bullets. I'm sticking with that version for now. This being 1979 or 1980 or some year like that, things were different. Nowadays, if a kid did something idiotic like that, they'd probably give him a special certificate or award to make him feel good about himself. Back then, though, they knew a thing or two about discipline. They called our entire class into the cafeteria, then made Randy roll a peanut around the entire place with his nose. "You could say it was cruel and degrading, but the kid never shoved peanuts into his nostrils again, and we all had a good laugh about it." "Hey, how about this one, then?" she said as she opened one of the drawer and was greeted by a couple peanuts. "Amazing!" I exclaimed. "So Randy was really just carrying on a fine Victorian tradition, and we never knew! I could also tell you about the Smartie eating contest. We used to have contests to see how many packs of Smarties you could cram into your mouth at one time. But you couldn't get away with just cramming -- you also had to be able to eat them all without having the gooey pastel mess spill out into a drooly mess down the front of your Chewbacca t-shirt." "I'd really rather not hear this right now." "You'd be amazed how many packs of Smarties a kid can eat at one time. One kid claimed he ate so many Smarties that he went to the bathroom and crapped Smartie candies. That's probably in this museum somewhere, too." A woman standing near us was staring open-jawed at a tiny half-formed fetus and muttering, "Oh my God. Oh my God," to herself. I thought looked on the verge of fainting. "Jenny, you have to see this. It's so...sad!" she half-called, half-whispered to a friend who had been busy herself with examining a deformed head floating in a jar. Jenny walked over, looked at the tiny bundle of white tissue floating in yellowish fluid, squinted as she drew closer in an attempt to make out what she was looking at, and then, upon realizing that it was a diminutive deformed fetus fused to a uterine wall, burst out into uncontrolled laughter, which I suspect was not the reaction her more sensitive friend expected. Past the dried child corpses in rapturous repose toward the heavens, and beyond the cabinet full of a man whose head had been sliced into cross-sections for better examination, and away from the incongruous and completely inexplicable presence of a realistic model of a rattlesnake that had nothing to do with anything else in the museum and must have been placed here by mistake or because some patron insisted that the museum could display his giant skeleton only if they also displayed the statuette of a rattlesnake his grandfather had bought for him at a gift shop out west, we came to settle on a cabinet surrounded by a group of teenagers giggling uncontrollably at the contents: a dried human penis. Of considerable size, I might add. No man would want to lose such a thing. "For all we know, given this museum, that thing was growing out of the middle of some guy's chest, or where his nose was supposed to be." "Or it sprouted up on his hand instead of a thumb." I shrugged. "I think it's about time for lunch." I also wanted to see Independence Hall and find that Ben Franklin impersonator I'd seen on any and every show about traveling to Philadelphia, but he was nowhere to be seen and Independence Hall was sealed off behind a block's worth of steel barricades, chainlink fences, metal detectors, armed guards, and security search checkpoints. I couldn't help thinking that if Ben Franklin wasn't already dead, this foul display would surely have driven him to the grave, or at least back over to France and into the welcoming arms of some big-bosomed French woman in a towering powdered wig. I bet he would have enjoyed that museum, though. Mutter Museum 19 S 22nd St Philadelphia, PA 19103 Labels: Travel posted by Keith at 12:29 PM | 2 Comments Tuesday, January 22, 2008American Dime Museum
"Well, it's snowing now," she said to me as she stared past our Cracker Barrel breakfast and out the window behind me. I had just finished sneering with smug superiority at the reports of a looming winter storm. Storm? Bah! The day is bright and sunny with a sky as deep and blue as ever I have seen. Weather men? What do they know about the weather? Such was my attitude, childish though it may be, when I sat down to dig into a jumbo plate of biscuits and gravy with a side of bacon -- truly the breakfast of, if not a king, then at least of a peasant who will likely die from some sort of heart-related ailment a few years down the line.
![]() But snowing it was, and those brilliant azure skies that had made me so cocky a mere half hour earlier gave way with dizzying speed to a world the color of dirty cotton and bruises. It was salt in the wound made minutes earlier, right before our food came, when that pyramid peg game the Cracker Barrel keeps on every table pronounced me, thrice in a row, to be "jes plain dumb" or some other such folksy condemnation of my mental prowess. But travel is often about self-discovery and the learning of lessons, and if nothing else, I learned a valuable lesson about standing with arms akimbo, throwing my head back, and letting loose with a thunderous and bellowing laughter in the very face of the gods as they toy with the idea of sending a snow storm in my direction. Well, I think I learned a valuable lesson. I forget what it was. We were in the greater Baltimore area to visit the American Dime Museum, an example of and homage to the old dime museums and sideshow displays that were a staple of traveling carnivals and circuses during the late 19th and early 20th century. For a mere dime, dupes and rubes could file through a museum of the strange and curious and marvel at everything from a two-headed calf to a mermaid from Fiji. Not surprisingly, the first such museum was founded by none other than P.T. Barnum in 1841. Called simply "The American Museum," Barnum and partner Charles Willson Peale ushered in the concept of "edutainment," that the idea of being educated and being entertained at the same time was not outside the realm of possibility. However, how much "education" occurred at the museum is highly suspect. The dime museums that sprouted up in the wake of The American Museum thrived on sensationalism and showcased a vast array of curiosities and oddities -- some of them real, many of them little more than products of a taxidermist's fanciful imagination and bucket of left-over parts. The American Museum burned down in 1865, possibly as a result of a curse placed on it by some fake mummy that was on display, but by then, dime museums were a fixture of circuses and traveling carnivals. ![]() Many of the shocking, horrific, and "educational" abominations on display at the dime museums took on near mythical qualities. There must be hundreds of one-of-a-kind, only-one-in-existence Fiji mermaids. And every museum needed to have its own mummy, be it real or fabricated out of "wads of excelsior, shredded wood, linen, glue, and wire" as was the American Dime Museum's Amazonian giantess mummy, supplied to a museum some time ago by the Nelson Supply House of Boston, which specialized in, among other things, mail-order mummies for educational purposes. Other sideshow staples -- such as the two-headed calf, various fossilized demons and mummies, and historical artifacts like George Washington's eyelashes or Abraham Lincoln's last bowel movement, also found their way into the dime museums. Manufacturing mummies and mounted Jersey Devils must be an interesting job, and it's a job Richard Horne, the founder of the American Dime Museum, held in his early days. Many of the items at the American Dime Museum were Horne's own creations, while many more were donated by collectors or acquired from other museums. The goal of the American Dime Museum was to recreate the experience of visiting a dime museum -- most of which had disappeared by the end of World War II, when forgeries and fakes and extraordinary claims became increasingly easy to debunk -- as well as educate people about the history of dime museums and the shady dime museum business. "We're told by the American Association of Museums that we're the only museum that's recreated a museum," Horne told the authors of Roadside America. The museum, located in a storefront on a nondescript street in a somewhat run-down part of Baltimore, quickly amassed an impressive collection of curios. Local legend John Waters sat on the "advisory board." But after eight years in operation, the museum was forced by lack of funding to shut down. In February of 2007, their entire collection was hauled out and put on display for public auction. Seeing as it was going to be our last chance to see the place, we decided to make the short drive down to Baltimore to take in the museum and, if luck held out, end up buying a boardwalk automaton chimp or fossilized fairy or some such other forgotten wonder. The snow was falling heavily by the time we finished our breakfast and made our way to the museum. Stepping through the rickety wooden front door, we were immediately greeted by the smell of old stuff and cats, and the tattooed and pierced face of Peter Excho, one of the museum's curators. "Your friend is waiting for you downstairs," he announced without introduction. I planned to meet up with a friend from West Virginia, the same person who first alerted me to the museum's existence. Excho's show of clairvoyance was the perfect introduction to the museum, and sure enough, our friend was downstairs, marveling at the whirring mechanical guts of an automaton chimpanzee that would either wave or punch you on the face, depending on its mood. ![]() The museum is a museum in the most jumbled, chaotic, and glorious sense of the word. The closest I can come to describing it is to say it's equal parts Victorian curio cabinet, Ripley's Believe It or Not, and the over-stuffed attic of someone's insane grandparents. Two floors of a storefront are dedicated to the exhibits crammed floor to ceiling into every nook and cranny that is big enough to hold a pistol-packing squirrel or mummy skull. The basement, where we began our tour, was largely a collection of sideshow and midway accoutrements. The aforementioned animatronic chimp, a trick guillotine with Chinese writing on it, a "box of blades," the world's largest and possibly only tie ball, old carnival sideshow signs, an antique tattooing machine (my friend, being a tattoo artist, was keen on owning this, but it didn't pan out -- would have loved to see the look on the face of some college kid in the shop wanting a Chinese symbol or butterfly tattoo, only to see my friend wheel this foot-cranked monstrosity out of the closet), and squirrels armed with shotguns and riding around on top of a cayman. The first floor is where the best stuff was, though, if by best stuff you mean (and you should) the demon mummies and flesh-eating toads. A life-size wax sculpture of Abe Lincoln stands proudly next to a plaque displaying what was proclaimed to be the final bowel movement of Honest Abe, snatched away from a Ford's Theater chamber pot mere minutes after Lincoln's assassination. Subsequent scientific analysis deduced that the presence of Neco Flakes candy in the feces meant it probably didn't come from the Great Emancipator, but whatever. From there, you could move on to a display featuring George Washington's eyelashes (which I can now add to my list of "weird Presidential things I've seen," right alongside Grover Cleveland's tumor from the Mutter Museum just up the road in Philadelphia -- I swear I've seen a President's lower jaw too, but I can't remember who it belonged to or what the hell it was doing on a shelf instead of attached to a skull. Maybe I'm just confusing that with John Wilkes Boothe's thorax). These are almost lost amid the jumble of cultural oddities, which includes "Homunculus Skin," the corpse of the Jersey Devil (artfully mounted in screaming pose on a piece of wood), a variety of heads both shrunken and normal size, assorted bizarre animals including the albino pepperoni and the dreaded flesh-eating toad of Madagascar, and for some reason, the wax statue of a terrified tribesman running for his life. From within a brown clay pot, the mummified skull of a demon-elf thing with giant pointed ears stares out at you. It's easy to imagine 19th century yokels being lead through a similar collection of weirdness and gawking at the outlandish creatures and claims of the curator, who would no doubt be waving his hands about in true showmanship fashion. Many of the items are just weird enough to make you doubt they are real, but not so unreal that, in an era before television or the Internet or easy global travel, a crafty and skilled tour guide couldn't make you think that maybe, in those far-flung and exotic corners of the globe where men still ran naked through the jungle and ate one another, that maybe there was a saber-toothed duck. It's doubly easy to imagine this when a guy like Peter, sporting a magician's top hat and large hoops in his elongated earlobes, appears behind you seemingly out of nowhere to give you the low-down on the history of the fabulous beast at which you are staring. "He ate pygmy ants," he says of a nine-inch tall anteater beneath a filthy glass dome. ![]() The front room of the museum is positively piled with mummies. There's the Peruvian giantess, a forgotten pharaoh, and something tagged mysteriously as a "demon mummy." Presiding over the phantasmagorical menagerie is a six-foot-tall apelike automaton in a tattered purple turban. "The mechanics are old," Peter says, "but it looks like he'll still work. As far as we can tell, he probably turns his head, waves, and maybe cranks a squeezebox that got lost somewhere." Richard Horne is on a cell phone, standing next to one of the encased mummies and trying to iron out the last-minute details of the auction. There is a palpable air of melancholy hanging over the museum, but spirits are lifted somewhat by the number of people who are turning out for this last-weekend celebration. The crowd is a mix. Punks, rockers, regular Joes, even a mother and her children. "It's a beautiful piece," I overhear Richard saying, "and I didn't want to put it up for auction. I had no idea we even had one. But it got posted, and there's already a bid on it, so we can't take it down." I have no idea what it could possibly be, but considering the jumbled nature of the museum, I have no problem convincing myself it's some cursed ventriloquist dummy that houses the soul of a mad Aztec priest and comes to life at night to kill. "I also didn't want to Pepperoni up, because I wanted to give that to my daughter, so I just put my own bid for $5,000 on it. If anyone outbids me, well, I guess they deserve it." Pepperoni is a tiny, unidentifiable weasel-looking thing eating a dried bird corpse. ![]() The American Dime Museum represents a vanishing part of American history, and as entertaining as it maybe to pick through all the crazy bits and pieces (there are no velvet ropes or testy security guards here -- if you want to lick the homunculus skull, then by golly you can lick the homunculus skull), this is one museum that makes good on Barnum's promise of edutainment. From a history of the dime museums to a history of the creation and manufacture of the items in the museums, The American dime Museums proves to be a hands-on, first-person style record of populist history. Even though most of the dime museum oddities were proven to be fakes and forgeries, Horne still regards them as worthwhile pieces of history, both as an example of the types of things Americans wanted to believe maybe existed, as well as examples of genuine folk art. And it's easy to see his point. Peering back at you from lidless eyes behind cracked and smudged glass coffins, these mummies look weird, and much of the creative taxidermy that goes into making things like the flesh-eating toad or the Jersey Devil or the internationally renowned jackalope is, taken at face value, incredibly convincing. By the time we finished our tour of the museum on its final day in existence the snow covered the ground and was getting heavier. Fog rolled in off the water in great billows, and the world outside was a misty hallucination populated by hunched-over ghosts trudging through the soup. The door to the museum creaked slowly closed behind us, and with a final click, the American Dime Museum was gone. Labels: Travel posted by Keith at 9:29 AM | 0 Comments Sunday, January 06, 2008Drifting Through Brooklyn
"Hold on, hold on!" I shouted into the cell phone pressed violently against my ear in a vain and laughable attempt to seal out the screeching cacophony of a passing delivery truck with a faulty muffler as it scurried out of the way of a fire engine whose blaring warning horn and banshee-scream sirens bounced haphazardly off the sides of buildings lining a pothole-scarred street.
"I can't hear a damn thing," I said, more to myself than to the distant, tinny voice trickling forth from the phone and struggling to be heard over the din with a determined might (or is it desperation?) not unlike that exhibited by those baby sea turtles who plunge for the first time into the unforgiving sea and must paddle wildly in flight from the myriad predators lined up to gobble them whole. I did my best to pin the phone between my shoulder and head so I could free my hands for scrawling down the directions on the rare event that I was able to hear them. Let's see. Downtown F train at West 4th. Take that to the Carroll Street stop in Brooklyn. Leave the subway station and look for 2nd Street... ![]() It ended there. The voice giving me the directions decided to give up and was swept away in a seething torrent of noise highlighted by the distant strains of an unaccomplished smooth jazz band set up streetside and well into a ten-minute long adult-contempo rendition of the "Flintstones" theme. None of that mattered anyway, because the reception bars on my phone suddenly plunged from four to none as I rounded the corner onto a less busy side street in an attempt to escape a vendor cloaked in billowing hot dog vat steam who had been yelling at me from behind a rampart of colorful soda cans to get the hell out of the way of his customers, of which there were none. I closed my phone, dropped it into a Brooklyn Industries messenger bag (oversized purses for men!), and stared at the borderline illegible notes I'd written on the back of a receipt from Astor Wine and Spirits for a bottle of Charbay blood orange vodka I'd purchased the day before. Head down, I burrowed my way through the rush hour throngs toward the West Village, a battle that my usual schedule keeps me from having to fight. Outside the West 4th subway station a basketball game was raging inside "The Cage," but for all the shouting and squeaking of shoes as they were dragged across the slick concrete court, no one was actually very good. I lumbered down the stairs, fishing awkwardly through my pockets in search of my Metrocard, which had somehow become enveloped within a deposit slip for a paltry sum that represented my total income for that month and a few carelessly crumpled bills that represented my total savings for the same month. As I squeezed onto a packed subway car and grasped for a pole before the lurching action of the train sent me sprawling and lying prostate at the feet of my fellow New Yorkers, I couldn't help but reflect on this damn funny business. This was, by far, the strangest kayaking trip I'd ever taken. ![]() Navigating beneath the bridges crossing the Canal. When you look at a list of the world's top paddling spots, it's unlikely that you'll find Brooklyn, New York. And it's even less likely that you'll find the Gowanus Canal, a narrow sliver of water that cuts its way from Gowanus Bay through the industrial zones of Red Hook, South Brooklyn, and Park Slope. It's not exactly what you might call scenic, at least not in the traditional sense of the word. It's lined by crumbling warehouses, generating plants, shadowy factories, Coast Guard fuel depots, and even a Home Depot. It meanders beneath the Gowanus Expressway, one of the busiest highways in New York City, and has been referred to as the most polluted waterway in America. A slick, rainbow film of oil and other chemicals gives the water in the canal a colorful, shimmering candy coating that would be beautiful at sunset if it didn't smell like cold metal and gunpowder and leave a disturbing acrid taste in the air. Visibility in the water is almost zero, and any trip across it is highlighted by an overpowering fear that you might get some on you. And yet still, people put paddle to battery-scented water and get both a unique view of New York and a first-hand understanding of how a neighborhood and an ecosystem can flourish, die, and then struggle to be reborn. Construction of the canal began in 1849 as a response to a population boom that meant a demand for more waterfront shipping and industry space. By 1869, the Gowanus Canal was ready for business. And business was ready for the Canal. Everything from oil refineries to sulfur producers, gas plants to chemical plants, sprouted up along the canal. And all of them began dumping waste directly into the water. Rapid population growth also necessitated the installation of a new sewage system, which was designed to discharge raw sewage into the canal. By the end of World War One, the Gowanus Canal was the busiest, and arguably most disgusting, commercial canal in America. As America's shipping moved from water to highway during the 1960s, the Gowanus Canal and surrounding area suffered a precipitous plunge in prosperity. By the 1970s, over 50% of the previously bustling property in Gowanus was abandoned. Dead-end streets that butt against the canal's concrete embankments became magnets for gangs, drug dealers, muggers, and according to local legend, popular spots for Mafia thugs to dump cumbersome bodies to disappear beneath the impenetrable waters. ![]() Hopping off the train at the Carroll Street station, I struggled out of my work shirt and into something I would be less concerned to see dissolve upon potential accidental contact with the water. After taking note of my surroundings and trusting in my unerring sense of urban direction, I set off in exactly the opposite direction I needed to be walking. A slight course correction ten minutes into the hike put me on 2nd Street, and from there it was obvious which direction to go, even to me. 2nd Street is the path to the boat launch, and it wasn't like any kayak put-in I'd experienced so far. Brownstowns and solid little brick houses lined the sloping street, fronted by tiny four-by-four lawns adorned with a truly staggering number of flags and grinning lawn ornaments. Gowanus has changed a lot in the past few years. A block away, I could see the street dead-end at the water. Houses gave way to squat warehouses, and from the top of the hill at the beginning of the block I could see a group of guys huddled at the far corner of one of the desolate looking buildings. One of them was in that unmistakable hunch associated with tough guys smoking a cigarette, the butt of which he was casually flipping into the canal as I approached. I was supposed to be meeting Owen Foote, the voice at the other end of my doomed cell phone call and the founder of the Gowanus Dredgers, an environmental awareness group dedicated to educating people about the Gowanus Canal and surrounding Brooklyn waterfront by putting them on its surface in canoes and kayaks. But Owen was nowhere to be found. "Don't be late," he'd said in an e-mail to me a few days earlier. "We're leaving at five sharp, and the tide doesn't wait." The Gowanus waterway has a pretty drastic tidal shift that can raise or drop the sludgy water level by six feet or so depending on the time of day, rendering some potential launch areas inaccessible if you don't plan things right. The 2nd Street put-in is the only one on the canal that can be easily accessed regardless of water level. I checked my watch: 4:57. Technically, I should still be at work, but you know, technically I probably shouldn't have been entertaining the idea of paddling along the stinking, filthy waters of the Gowanus Canal. Near the water were three canoes, chained to posts and fences and whatever else presented itself in much the same way you might chain up your bike around town. The canoes sat in an overgrown recess choked with litter and those sorts of leafy plants that seem designed specifically to thrive in abandoned urban nooks and dead ends. ![]() "How you doing?" It was a voice from behind me, just barely recognizable as the same voice that had fought its way up to some cell tower then back down through the canyons of Manhattan to emerge static-plagued and distorted from my phone. Owen Foote has been taking people out onto the canal since 1999 when he founded the Gowanus Dredgers. Since then, paddling the Gowanus Canal hasn't exactly become a popular Brooklyn pastime, but it's become popular enough so that in 2003, the Dredgers launched over 1,000 people into the canal. "As people experience and enjoy the waterfront," explains Foote, "they become advocates for its revitalization." Having watched sundry legislative and technical approaches to saving the canal fizzle and fail, Foote decided that the best way to spark interest in and make progress toward cleaning up the canal was by giving people first-hand experience with it. In a city with so many rules and regulations, the natural assumption is that, even if one wanted to put a canoe into the Gowanus Canal, one wouldn't be allowed. This isn't the case, however, and the canal is a freely accessible city "street" to whoever has the vehicle to traverse it. ![]() "It's no different than taking a bike onto a street," explains Foote as he unlocks one of the canoes chained to the fence. "This landing is public property. The water is public property. Anyone who wants to can use it. The only regulations are that you have to wear a life jacket, have a light if you go out after dark, and get out of the way if something bigger comes by." "So when the water is clean, then they'll kick everyone out and built fancy places for rich people," is a popular sentiment among neighborhood residents. In a city where revitalization has become synonymous with gentrification, and in a borough that is caught in the middle of battles over redevelopment of multiple neighborhoods that are seeing long-time residents and business moved -- potentially through force of eminent domain -- to make way for luxury condos and stadiums, it's no wonder that some Gowanus locals, who have seen a modicum of peace and order return to their neighborhood, might see the cleaning of the Gowanus Canal as the first wave of development that could push them out of their homes and businesses. ![]() As we're discussing the future of Gowanus, the rest of the paddlers show up: two young women from Jersey, and an architectural historian from midtown Manhattan. We slip on life vests and introduce ourselves. As a bona fide addict to frolicking about in the water, I'm rarely concerned with making an entirely dry entrance into anything, be it a boat or my own home, but something about the glistening water reminded of greasy soup, and I thought perhaps this time it would be best to take a bit more care in avoiding plunging myself into the water up to my chest, or even up to the ankle, really. There was no telling what it might look like once it came back out. We pair up to take out the canoes. I opted to use Dredgers' canoes -- they are free for members of the Gowanus Dredgers to take out any time they want to, and Dredgers members frequently offer free guided tours like the one on which I was embarking. I was with the architectural historian, who turned out to be a poor paddler (most of the people who do this are also sitting in a canoe for the first time) but provided excellent running commentary to make up for his short-comings with an oar. Although the Gowanus Canal wasn't his specialty, he knew plenty about it and was able to point out the various design innovations and missteps that made the Canal such a heavily trafficked waterway -- and such a heavily polluted one as well. From another canoe, as we slid silently under the Union Street bridge -- at high tide there are just a few feet between you and the bottom of the bridge, and the open grate construction means that you can watch the cars rolling over you -- Owen Foote described both the layout and history of the canal and the mission of the Gowanus Dredgers. Their goal is to educate people and, as a result, influence the situation in a way that is "low cost, high impact, without requiring a great deal of financial support or organizational bureaucracy." By regularly taking paddlers, locals, and families out onto the Canal and nearby Red Hook shoreline, The dredgers can illustrate firsthand the effects of environmental disinterest as well as the effects of renewed efforts to clean things up a bit. Even Brooklyn Borough president Marty Markowitz has been out to their meetings -- though he's yet to actually hop in a canoe and paddle the water himself. The Canal cuts beneath a series of low-slung drawbridges that rarely get drawn anymore. Many of the factories along the banks are derelict, but others have sprung back to life. A shopping center that contains a new Lowes sits right on the water. From there you cross beneath the towering structure of the Gowanus Expressway and past Home Depot. We spy a group of factory workers tending a small tomato garden they've planted behind their concrete block of a workplace. We pull up near the bank -- which is a smooth, slanted concrete face looming over us, and exchange a few words in broken English and Spanish with the guys, who seem to find the idea of canoeing on the Gowanus Canal to be as terrifying as it is hilarious. ![]() As we move into Gowanus Bay, we're surrounded by fuel depots, a massive Con Ed generating station, and an old freighter that has been anchored to the same spot for years, collecting rust and barnacles after it was busted for running drugs. No one seems to know what to do with the thing, so there it continues to sit. A tugboat churns by, and the captain regards our presence as we scoot out of his way with what looks from a distance and sitting right near water level to be a combination of bewilderment and amusement. The sky is streaked pink and orange with sunset as we hit the mouth of New York Harbor. It's teeming with ship traffic, and not just tugboats, but those city-sized tankers and freighters. They already seem giant from the shore; imagine what they look like sitting in a canoe as they lumber past. Although people do it, none of us have signed on to paddle the Harbor. Instead, we watch the sun sink below the Statue of Liberty, then retrace our steps back to the 2nd Street launch. The trip was both exactly what I expected and nothing I ever dreamed of. I knew I would be seeing burnt-out industrial wasteland and dirty water, but I underestimated the sheer uniqueness of being in this position. And thanks to the company of knowledgeable people, I came away probably having learned more about Brooklyn in a couple hours than I'd learned in my six years of living there. After a while, the city passing by you becomes unremarkable. This isn't strange and dangerous and glorious New York. It's just home. You go to work, ride the train home, get something to eat, watch a little television. It all becomes routine. But put a boat out on that nasty little strip of water, and all of a sudden the eyes open, and you understand a little of the city from an entirely new perspective. I crowded back onto the train bound for home, knowing that I smelled of old batteries and musty water. I smiled at the thought, though I doubt anyone else shared my amusement. Labels: Travel posted by Keith at 10:15 PM | 0 Comments Blue Ride Parkway, North Carolina
After spending days lounging around in the sun and surfing on deserted beaches of North Carolina's Outer Banks (OBX if you're nasty), it was time for a change. Luckily, NC is a state that allows you to go from one extreme to the other pretty easily, so long as you manage, unlike me, not to get lost in Dismal Swamp. From the flat expanses of the Outer Banks, and without only a brief pit stop dedicated to the aforementioned getting lost (extended somewhat by the fact that I got caught in the middle of a massive frog migration, which is weird enough on its own and made a whole lot weirder by the fact that this is actually the second time I've been halted in my vehicle by a massive frog migration), I shot due west and straight into the heart of the Blue Ridge Mountains to meet up with an old friend and put a feather in my knit cap by hiking the tallest mountain east of the Mississippi: 6,648 foot tall Mount Mitchell. It was also a grand chance to make one of the most beautiful drives in all of the Americas: the Blue Ridge Parkway in autumn.
![]() A few years ago, I set out on a quest to hike all of the mountains on the east coast above 6,000 feet, the vast majority of which are located in North Carolina. I started up north, in New Hampshire, with the Presidentials -- looming, dark mountains that look like someone scooped them up from out west and plopped them down in the Appalachian range, where their craggy windswept peaks of rock seem distinctly out of place amongst a range that is, for the most part, entirely forested even at its highest elevation. Although shorter than Mount Mitchell, new Hampshire's Mount Adams (not above 6,000 feet but still a challenging climb) and Mount Washington were backbreaking, leg-searing affairs, with Washington in particular being a real bear due to its honorable position as the location of the "worst weather in the world." People die up there -- and not rarely -- and a bright, sunny day can give way to a blinding blizzard, 205 mile an hour winds, or a torrential downpour with absolutely no warning. And sometimes all within the same hour. It's like some mad scientist is up there putting the finishing touches on the weather controlling machine with which he intends to blackmail the governments of the world. With the Presidentials under my belt, I decided I might as well go for the biggest peak in the east. I was prepared for another hike full of agony and triumph, laden with the emergency gear and multiple layers of clothes Washington and Adams taught me to bring. Turns out it was all for naught. Despite its actual height, Mount Mitchell was a pleasant-looking lump covered with fiery red, yellow, orange, and green fall foliage and possessed of none of the ominous, bald-rock intimidation of the northern peaks. The hike up is surprisingly easy. My partner and I were up and down in two hours, and that includes time dallying about at the top. Comparatively, hiking up and down 5,774 foot Mount Adams took me seven hours and required extensive climbing. The Old Mitchell trail, which leads from the lower park ranger' station to the observation tower at the summit, is by comparison an easy hike that anyone in reasonable health could do without any fear or need for much technical ability beyond simple common sense. ![]() Still, it's beautiful, and the drive along the two lanes of the Blue Ridge Parkway from Asheville (where we narrowly missed being caught in the throng showing up for a concert by hippie jam band mainstays String Cheese Incident) to Roanoke, Virginia, is one of the most breath-taking drives in the country. I'd rank it above pretty much everything but the drive through Monument Valley and the Navajo Nation. In early October, the leaves are just starting to get fiery. Splashes of color abound, and mountains are ablaze with autumn. Frequent pull-offs and overlooks allow you to drink in the scenery or take a quick rest while foxes, woodchucks, and coyotes prowl about outside. If there is a better way to end the summer season, I can't think of it. ![]() My friend and I make an ill-advised attempt to eat at a restaurant her father used to take her to when they left out of Charlotte and went for a ride along the Parkway. A hundred miles later, we find the restaurant is closed and end up eating at a Ruby Tuesday in Boone, North Carolina. After a week surviving on boil-in-a-bag dehydrated food, the Smokey Mountain Chicken is as disgusting as it is delicious. We loop back down a highway to Charlotte, and a day later I'm saying goodbye to my friend standing in her doorway while chilly rain pours down from gunmetal grey skies. Waiting for me up Interstate 95 on the way back to New York is a traffic jam outside of Baltimore, endless detours, and rain the whole way. Eight years ago, I left this same person standing in a doorway in this same city in the same type of rain en route to the same city. In the Jeep, still full of sand from the excursion to the Outer Banks, I turn on the radio. Painfully poetic, as if the entire scene had been scripted, "All Summer Long" by the Beach Boys is playing on the radio. Through the streaks of rain on the windshield, I wave to her one more time, then head for home. ![]() Labels: Travel posted by Keith at 10:15 PM | 0 Comments The Outer Banks, North Carolina
The breeze is coming in warm and soft off the rolling waves, and I'm midway into a caffeine and lack of sleep haze that won't send me crashing for several hours yet, listening to the wheels grind slowly over hungry piles of sand criss-crossed with footprints and tire tracks. It's sunny, warm, I haven't worn a shirt or shoes for days, and there must be ten pounds of sand that I've managed to track into the Jeep since I started this little adventure. Since putting rubber to the asphalt and sand of Highway 12, I've eaten nothing but boil-in-a-bag grub from Backpackers Pantry. Drank nothing but water, rum, and Red Bull, often all in one sitting.
![]() Off-road It seems a world away from where I was just a few days ago, leaving my office and spending four hours fighting Jersey traffic along US1, desperate for my vacation to begin by, at the very least, not being able to look out the window and still see the skyline of where I live. Hard fought and with a few hours sleeping in the back at a Virginia rest stop, sated on an uncomfortable mix of Nutri-Grain bars and Arby's, I finally hit highway 12, the thin strip of sand-swept two-lane blacktop that winds its way down North Carolina's Outer Banks, a long, slender series of islands and sandbars that run down most of North Carolina's coast and, in the old days, provided safe haven and bountiful prowling territory for pirates like Blackbeard. These days, it's a hard-hit fun-in-the-sun hot spot for southeastern sunseekers both rich and poor. And in October, with the summer fading, it's a semi-deserted playground populated by nothing but fishermen, kayakers, and surfers looking to squeeze the last few waves out of the summer. With surfboard in tow and kayak on top, I'm here for two of the three. Highway 12 through the Outer Banks is one of the great American drives, especially in the late summer/early fall when the crowds have thinned. Starting at Corolla Beach and the upscale community of Duck, and ending some couple hundred miles and a few ferry rides later, 12 will take you through fancy resort communities, seedy run-down beach neighborhoods, nature preserves, sand dunes, the site of the Wright Brothers historic first flight, inlets, seafood restaurants, and some of the best waves on the East Coast. Once the summer season ends, huge swaths of beach open up to four-wheel vehicular traffic. Combined with a sparse population, it's the perfect recipe for finding one of the great global chimeras: a beautiful stretch of deserted beach all your own. Kill Devil Hills, Nag's Head and Kittyhawk are where you stock up at the local Food Lion on highway 158, which is the more crowded and faster-paced parallel to 12. All you really need are sunscreen and DEET. If you have a hankerin' for hanggliding, Nag's Head is the spot. Launch yourself from the same dunes that served as launching platforms for the Wright Brothers. Kittyhawk Kites (www.kittyhawk.com) will get you airborne for $89. ![]() Off-road Leaving Highway 158, follow the signs toward Highway 12 North and Corolla Beach, which is situated at the far northern tip of the Outer Banks. It's a quality spot for catching mellow waves in warm water, even in October -- though you'll be hard pressed to find deserted beach space here. Hit Corolla Surf Shop (www.corollasurfshop.com -- they have two locations) and grab yourself a board or sign up for some lessons. Rent or take the plunge and buy yourself an affordable used board (mini-long, which average 7'9" - 9", are perfect for beginners). Heading south from there (because you can't head north -- highway 12 dead-ends at the beach), you pass through ramshackle vacation homes in Nag's Head and Kittyhawk before crossing a long bridge over to Hatteras Island and Cape Hatteras National Seashore. There's only one road here -- Highway 12. If you are looking for surf, Hatteras is ground zero in the Outer Banks, and one of the best spots on the East Coast for catching waves. Cape Hatteras, near the southern tip of the island and recognizable by the historic lighthouse towering over it, is the best-known spot, but keep an eye out for surfboard-stuffed 4x4s and VW Bugs pulled over alongside the road. The coast swells with swells, and spots like Waves aren't marked with signs. As long as you're mindful of the fragile sand dunes, beach access in the off-season is pretty much a free-for-all. This isn't New York, where beach access is strictly policed and people accept that the ocean can be closed for business. The Outer Banks in October operate on a "you're on your own" policy. No lifeguards, very few police. You are expected to know how to take care of yourself, and you are expected to know how to respect and take care of the environment you are being allowing to use so freely. ![]() 4x4 beach access is so frequent on both Hatteras and Ocracoke Island to the south that you can almost forget there's a paved highway. Just make sure you know what you're doing (4x4 lo gear and be sure to let out the pressure in your tires to about 20 psi). If you get stuck, you could be spending the night on the beach unless another 4x4 happens by that can tow you out. From Hatteras, take the free ferry (vehicle included) to Ocracoke Island. Off the western shore of Ocracoke Island is Palmico Sound, a placid, shallow inlet (you'll be able to touch bottom almost anywhere) that is perfect for getting your feet wet with sea kayaking or kiteboarding. Be prepared to paddle alongside curious dolphins, though, because they're plentiful in the waters around the Outer Banks. Tour Springer's Point by kayak and get in touch with the spot where The Man finally caught up with Blackbeard. Real Kiteboarding (www.realkiteboarding.com) will send you soaring ($300 covers equipment and lessons). If you don't have one of your own, Ride the Wind will get you outfitted with a kayak, and Natural Art Surf Shop can take care of your surfboard needs. If you are looking for something more substantial than boil-in-a-bag backpacker food and the bottle of Pusser's rum you tucked into your pack (you do travel with a bottle of rum tucked into your pack, right?), you can grab food in Ocracoke Village, the only town on Ocracoke Island. ![]() The Outer Banks offer up plenty of motel, hotel, and beach house options, but if you really want to feel the wind on your face, hit the campgrounds on either Hatteras or Ocracoke Island. You can camp on the sand, beach access extends throughout the night (perfect for moonlight swims), and you are more than welcome to get your friends together and build a beach bonfire. Just remember the DEET. Mosquitoes are thick in the early evening and scoff at anything less than 100% DEET. As for me -- down the beach, away from the fishermen who have come to probe the October waters with arrays of rods so complex and plentiful that even the Bass Pro Shop might consider it a bit of tackle overkill, I guide the Jeep to a stop. The world is silent but for the sound of waves, and this far down, there's not a soul to be seen. I slide out of the driver's seat and around to the back, where I pull out a 7'9" mini-longboard and assess the waves. Every October should be this good. ![]() Labels: Travel posted by Keith at 10:13 PM | 0 Comments |
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