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Monday, February 25, 2008

Prehistoric Forest, OH

There's a mystery spot near Sandusky," Stacey said to me as I walked out of a rest area men's room. "And they have dinosaurs. I don't know. Dinosaurs and a bold defiance of the laws of gravity, all in one place? I think I need to see that."


The Prehistoric Forest and Mystery Spot was actually in a town called Marblehead, perched on a thin sliver of land jutting out into Lake Erie. There was no giant T Rex head swallowing the entire visitor's center to greet us, but there was a jeep painted up in orange, red, and purple tiger stripes, provided the kinds of tigers you've seen have had orange, red, and purple stripes. There was also a giant fiberglass mountain, complete with waterfall and a couple bright green dinosaurs hanging out in front of it. Inside the store was much the same as Dinosaur Land, with the same assortment of plastic dinosaurs in outlandish colors and, curiously enough, the same plastic ninja swords in the same sort of little wooden barrel. We discovered upon purchasing our admission tickets that portions of our adventure would be guided. I prefer to go it alone in the wilderness, live off my wits, but sometimes you have to accept the experience of others, especially in a forest populated by dinosaurs.

Our guide was a thirteen-year-old boy in a Prehistoric Forest t-shirt adorned with airbrushed artwork from the early 1980s. He sported a bushy mane of tangled blond hair that made him look like he'd just wandered off the set of The Bad News Bears. With a subtle flick of his head toward the door, he signaled that our tour was about to begin.


"So where are you guys from?" he asked as we stepped out back. Prehistoric Forest did its best to live up to its name. Where Dinosaur Land had been well maintained and manicured, this was indeed a thick forest. Silent, still dripping with morning dew. The smell of dirt and trees permeated the cool morning air.

"New York," I said as we passed by a giant sloth tucked away in a grove of tangled vines and drooping branches. This one had a much more realistic paint job than the previous giant sloth, and stuck as he was back in the woods, there was an unsettling sort of realism about the giant statue.

"New York?" the kid repeated incredulously. "Why the hell would you want to come see this stupid shit?"

He didn't wait for an answer. "You know that woman who sold you tickets? That's my stepmom."

"Family operation, huh?" Stacey said.

"Fuck her. I hate her, and she hates me. She only married my dad so she could get in on this place. It's not crowded now, but we get more visitors later in the day. I hate her. She's a bitch, too."

"Is this the tour you give to everyone?" Stacey asked.


"Up here is the Mystery Spot. Come on in."

He ushered us into a small shack, the type with which I'd become intimately familiar with since becoming a frequent visitor to the world's mystery spots and gravity hills. The kid proceeded to run through his repertoire of gravity-defying feats, such as balancing a chair on two legs and standing at a precarious angle to the ground.

"Check this out," he said as he let a billiard ball roll up an incline. "It's supposed to be amazing, right? I'm supposed to tell you shit about how this is a mysterious spot where the laws of gravity don't apply, but that's pretty stupid. Of course there's gravity here. It's all optical illusions. You'd be surprised how many fat-ass idiots think there really isn't any gravity here. Someday I'm gonna tell them being weightless doesn't stop them from being lard-asses."


America's first mystery spot opened to the public in 1940, located in the redwood forests just outside of Santa Cruz, California. According to manufactured legend, a man named Prather discovered the spot in 1939 while doing surveying for a family home. Noting that this particular spot tended to drive compasses crazy, he set about executing a series of experiments that revealed the laws of gravity were, indeed, completely screwy. In 1940, his Mystery Spot opened up to dazzle tourists. Visitors were led to a hillside shack in which Prather and his guides would proceed to seemingly defy the very laws of the universe while throwing out a variety of explanations proposed by "experts." Among these explanations was the belief that alien visitors had once landed at this very spot and buried some sort of cones made from an extra-terrestrial metal that would serve as conduits for a guidance system if you were an alien, or make pool balls roll uphill if you were a human. Apparently, these alien visitors were busy, because it wasn't long before similar one-of-a-kind mystery spots started popping up across the country, each one sporting a shack built to the same specifications as Prather's original fun house of mystery.

I snapped a picture of Stacey standing at what appeared to be a 45-degree angle to the ground, and then our sullen young tour guide announced that we were on our own, but that he would "pop up later on to tell you more stupid shit." As far as tour guides go, he was quickly becoming one of my favorites, right alongside the cave tour operator in upstate New York who had conducted the entire tour while smoking a giant doobie and hitting us with narration like, "They call this formation God's Hand, because some people think it looks like a hand. They were smoking better shit than me, because I think it just looks like a giant turd."



Cicadas and other unseen forest insects serenaded us as we walked together down the gravel path meandering through the Prehistoric Forest, here and there spotted by a hulking triceratops and other dinosaurs. They were fewer and farther between than in Virginia, but strolling through a misty northern Ohio forest under a blanket of silence makes encountering a realistically painted dinosaur in the woods rather impressive. The kid popped up again, just as he'd predicted, as we entered a clearing boasting a couple small dinosaurs and a sand pit. He was like some fantasy film wise man who appears from time to time to dole out riddles and help the heroes along on their way. I really wanted him to be wearing a burlap cloak or something.



"If you want, you can dig around in the sand and find dinosaur bones. They're not real dinosaur bones. I know because I just put them in there today and they say 'Made in China' on them. What kind of asshole thinks real dinosaur bones say Made in China?"

He looked around in an overly dramatic and sly fashion, and then pulled a rumpled soft pack of Camels from the back pocket of his khaki jeans. He lit one with a cheap plastic Bic lighter, then took a long drag and exhaled slowly, eyes closed, head turned toward the treetops.

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posted by Keith at | 6 Comments


Wednesday, February 20, 2008

Hotel Monte Vista

Originally published in Route 66 magazine.

The trance circle a block away finally dissipated sometime just after sunset, leaving behind nothing but the faint stench of patchouli in the crisp night air. We passed by them earlier, and they'd not proven to be what you might call the best or most energetic dancers, but then that was acceptable since they had not been dancing to what one might call the best or most energetic music. It was the electronica equivalent of a coma. Droning, uninspired electronic thumps accompanied by people with dirty dreadlocks, wearing burlap and beads, shaking their hands and stepping up and down in a fashion that communicates "I have to go to the bathroom" in most of the world. Thankfully, their unfestive festivities faded with the coming darkness, surrendering to the sounds of nature after hours: summer breeze through leaves, the chirping of crickets, the grunting of frogs looking for a date.

Flagstaff isn't a large city, and once it shuts down for the day, nature begins to creep back in at the corners like a haunted mists drifting over lonely Scottish moors. With a bit of luck, this mist wouldn't bring with it the assembly of werewolves, wyverns, murderous pirate ghosts, and other such nasties wont to travel under the cloak of night and fog. But neither would it, one hoped, usher into the city limits some ghostly gang of hippie trance fans, drifting through the darkened streets in search of soy based meat substitutes.


Rain came on and off throughout the day, breaking long enough to provide my gal and I time to tour the city by foot, and pouring long enough to insure a night cooler than a member of the Rat Pack uttering a sentence that ends with the word, "baby!" A sweet, crisp breeze wandered in through our open hotel window, bringing with it the smell of juniper and pine and all those other natural high desert scents a lad doesn't get familiar with while living in New York City.

Our night in Flagstaff was our night to spring for fancy digs before heading on to the Grand Canyon. Not that we'd stayed in many bad places. There was a bad bit of luck with a motel in Tulsa, but the Wigwam Village, (Holbrook, AZ) El Vado (Albuquerque, NM), Silver Saddle (Santa Fe, NM), and Blue Swallow (Tucumcari, NM), were all top notch places. Now we were searching for something almost regal. The kind of place where they leave Aveda products in your bathroom. The kind of place where Clarke Gable and Humphrey Bogart once stayed. Historic. Antique. Old American regal, that combination of elegant class and refined ruggedness. Robert Mitchum made into a hotel. The Monte Vista was just that sort of place.

Situated at the corner of Aspen and San Francisco Streets in downtown Flagstaff just a block away from Route 66, the Hotel Monte Vista has served as the home away from home for movie stars, socialites, and Route 66 pilgrims. It was born from the mind of Lowell Observatory astronomer VM Slipher, and built using money from a municipal bond championed by Slipher in order to meet the need for posh digs that catered to the growing number of tourists heading out west. Slipher himself designed the hotel, and on New Years Eve 1927, doors opened in time for everyone to come together for the excessive drinking of bootleg gin, wearing of novelty hats, and cursing of those Temperance League ladies.


The hotel became ground zero for Flagstaff's social scene. "Meet me at the Monte V" became a common call. Mere months after opening day, Monte Vista made history when Mary Costigan, the first American woman to procure a radio broadcast license, aired a daily three-hour program from her studio in room 105. Less savory history was made in 1931 when The Man busted up a bootleg liquor operation that led right to the doors of the area's number one speakeasy: the Hotel Monte Vista.

After World War II, baby boomers turned their autos west on 66 in search of romance, adventure, and a good cave tour. Money and movies followed. Opulent Western epics from men like John Ford settled in for location shooting around Sedona and Oak Creek Canyon, or out in Monument Valley. Since those rugged stars of American adventure weren't about to rough it in Tuba City, Flagstaff and the Monte Vista became the unofficial headquarters of Hollywood in the Not-So-Old West. Nearly everyone who was anyone called the hotel home at some point. Clarke Gable, Spencer Tracy, Bing Crosby, and Jane Russell were just a few of the Tinsel Town luminaries to stretch out at the Monte Vista. One of the rooms was even used as a location for a scene in Casablanca.

There were homegrown celebrities as well. Shoeshiner Greg Martinez and porter Isaac Henderson became celebrities among the celebrities for their high level of service. Frankly, I have to ask if anyone would try being a jerk while shining John Wayne's boots. There are some things a man doesn't do, and telling off The Duke when his boot is inches from your head is at the top of the list. Another local legend was barber Sam Cancinas, who was once flown from Flagstaff to Phoenix just so he could give Eisenhower a hair cut. You wouldn't think Ike had enough hair to justify flying barbers around the country at taxpayer's expense, but what can you do? I'd be happier if the nation flew hordes of old barbers around and made senators take the bus.

There were also more than a few rough and rowdy characters to keep things from being all proper ladies and guys with top hats. For a place that was considered the upper-crust toast of the town, the Monte V had plenty of shootings, cowboys on horseback in the lobby, and drunken brawls.

Few and far between are the places where so much history doesn't come with haunts. In the 1950s, John Wayne himself reported seeing a ghost in his hotel room. No one was going to call The Duke a liar, and the hotel's reputation as a haunted hotbed spread like gold fever. Who knew that eventually John Wayne himself would be counted among the ghosts still walking the halls in search of soothing mint scented moisturizer for his otherworldly hands?


Quite a few spooks seem to call the hotel home. People hear band music coming from the lobby. On the second floor is a room where a woman was murdered. The hotel avoids putting guests with pets there because dogs go crazy. Room 305 has a rocking chair that appears in the same place next to the window no matter where it's moved the night before. There's a phantom bellhop who bugs people by knocking on the door to deliver room service. Naturally, when the guest goes to see what was going on, nary a soul is in sight.

Then there were the two bandits who knocked over the bank next to the Monte Vista. They decided that after the heist they would have a drink in the hotel bar. It's not the smartest plan in the world to celebrate your bank robbery by heading next door for a drink. One of the rakehells was shot during the getaway, if you can call running next door much of a getaway, and died at the Monte Vista's bar. Needless to say, legend has it that the boneheaded brigand still lingers in the saloon.

Each room is named after a famous celebrity who had once called it home. I reckon ours contained a member of Queen at some point, because they were gazing down at us in their underlit "Bohemian Rhapsody" pose from a poster next to the bed. Having Freddy Mercury staring at me while shining a flashlight under his face was doing very little to soothe my thoughts pertaining to ghosts.

The trappings of modern life were smothered out by the atmosphere of the hotel, and one had but to step into the hallway to suddenly find oneself with feet firmly planted in the lush carpet of another time. The eyes of countless dead movie stars stared out from pictures on the doors as I wandered down the aging halls. Hey, Lee Marvin! I wonder how many of them still pay their rooms a visit. Although I don't consider myself an overly superstitious person, I enjoy believing in the existence of ghosts, and I was happy that I liked many of Lee Marvin's films. I wasn't in the mood to have his spirit hassle me because of some rotten things I might have said about the sequel to The Dirty Dozen.

Even if there were ghosts lurking around every corner, it was a pleasant break from motels filled with drunks and screaming children or those crystal meth dealers we'd shared the courtyard with in Tulsa. I'd much rather deal with the living dead than with someone who refuses to turn down their Creed CD.

The carpet seemed to absorb all sound. It was only midnight, and judging by the people I'd seen checking in, it was a largely young crowd who came to the Hotel Monte Vista these days. Yet here it was, deathly quiet as if no one else was in the hotel. I walked down the hall and saw not a soul. The place was a tomb. Ghosts, you say?
My favorite Monte Vista ghost story involves a guest who hung raw meat from the chandelier. Apparently, he misunderstood the old catch phrase and was eager to meat people at the Monte V. He died in his room. During renovation, workmen would find bed linens thrown to the floor and the television going full blast. Spooky, but it beats returning to a room full of meat hanging from the ceiling.

And then there was the ghostly woman who lingered outside one room, the ghostly prostitutes in another (do you have to pay extra for that room?), and the annoying phantom of a man who coughs all night.


I dig being scared. I go out of my way to make it happen. Supernatural scares. Things that give you the creeps. Here in this regal old hotel, an eerie feeling lurked in every corridor, behind every door, ready to scurry off and hang up some meat before you could get a good look at it. Shadows running rampant. You could almost hear the echoing voices of parties long gone. A piano, the clinking of glasses, of plateware. Lee Marvin barking at the waiter to get him another scotch.

It was all imagination, of course. If I was hearing these sounds, then they went no further than the inside of my own head where dead action stars often threw little get-togethers in the wee small hours of the morning. In reality, there were no ghosts here. When I descended the stairs to the first floor lobby, I did not find the smartly clad apparition of Clarke Gable leaning against the counter complaining about the towels. There was only the buzzing of the Pepsi machine and the cute girl working the graveyard shift at the front desk. She smiled and said hello as I dropped coins into the machine. I returned her greeting, and we exchanged small talk about late nights and dull jobs, nice hotels and haunted rooms. After our chit chat exhausted itself, I headed back upstairs, back through time. Ghosts. What a silly notion. If this place was haunted, I'd hardly be lucky enough to add "Was menaced by ghost in Flagstaff" next to "Had a really great enchilada in Tucumcari" on the list of things I'd done on my Route 66 trip. Still I was having fun twisting my mind until I could believe that something otherworldly was going on. Not that it took that much doing. The atmosphere of the Monte Vista post-midnight was just as effective at helping conjuring up images from beyond the grave as if I'd been sneaking around the catacombs of a labyrinthine Gothic cathedral.

Lulled into a sudden sense of sleepiness, I decided stalking the hallways in search of spirits was going to have to come to an end in favor of catching a little shut-eye. I had a long drive to the North Rim ahead of me, and "stayed up late looking for ghosts" was a pretty lame excuse to dole out when the police asked me why I fell asleep at the wheel. I headed back to the room, where my gal was already fast asleep, Queen looking down upon her like guardian angels. Lights out. Silence and stillness except for a gentle breeze.


I lay there for I don't know how long, watching the room slowly fade to gray, then fade back in, then fade again. I've never been very good at falling asleep. With lids heavy from a whole day spent seeing sights, I stared at the wall, at the chair in the corner, at the plant sitting in the far corner. Wait a second. There was no plant in the far corner. Or was there? Well, there was one there now. My body tensed and froze, and I felt my stomach drop out from under me. There was someone behind the plant. Had I left the door unlocked, allowing some local rapscallion access to the room? No. The things locked automatically, after all. Yet there was the shadow, as plain as my hand in front of my face had I been able to place my hand in front of my face.

My body went dense, unable to move, as if I was lying with a heavy bag of sand on top of me. Breath came in short gasps, and I could feel myself shaking and sweating in the cool midnight air. I blinked, and the form was still there. Definitely human in shape, and definitely not just a trick of the darkness. There was someone standing in the corner. No, not standing. Not anymore. It was walking across the room. Slowly, head cocked in my direction, scrutinizing me through the gloom. And then I realized there was nothing but empty wall where the television had been. I let escape a weak little sigh of relief. A dream. I was dreaming. Half-dreaming, at least, tricking myself into seeing what I wanted to see.

Revelation didn't chase the form away, though. I followed it with my eyes as it sauntered across the room and dissipated into empty air and shadow as it reached the door. And then I sat upright, breathing heavy, fully aware of my surroundings. The television was there. The plant and the form were not. I could feel the wind nippy against my sweat-covered skin. The fugue state slipped away. I slid out of bed and out of the room, standing again in the time warp of the lush red and gold hallway. I closed my eyes and could still hear the sounds of clinking glass. Indecipherable chatter. Laughter drifting off into the night. Somewhere, from a distance down the hall or leaking down the ornate staircase, I heard the faint sound of someone coughing.

Hotel Monte Vista: 100 N. San Francisco St., Flagstaff AZ 86001.
Phone: 1-800-545-3068. Web: www.hotelmontevista.com

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posted by Keith at | 2 Comments


Friday, February 15, 2008

Centralia, PA

I was staring directly into the fissure -- a gory, ragged scar that ripped across the face of the asphalt and heaved up mounds of broken black rock on either side of the opening like a cartoon gopher trail leading off into the swaying scrub that grew alongside the weed-dotted road. I read the sign, photographed for posterity the warning that he was standing on top of a raging, merciless underground fire that, at any moment could swallow him whole or belch forth great stinking yellow fumes of noxious gas that would drop him right where he stood. That didn't stop me from plunging my face right into the rising steam, a youthful indiscretion that, at age thirty, was crossing over into that realm that is equal parts dangerous and just plain embarrassing. It's not as if there was anything to gain by enveloping my head in the acrid, billowing clouds that wafted up from the fissure. If anything, visibility was considerably worse in that position, and there was precious little chance from any angle that I was going to catch sight of some distant lick of flame or a jig-dancing minion of Hell. Still, I like to dream.

Ellie was behind me somewhere on that lonely expanse of abandoned pavement, preoccupied with snapping a few good shots of some graffiti someone had laid down. Fairly recently by the unweathered looks of it. "NS Pimps" said one patch. "KKK kill all nigers," said the other.


This was Centralia, just about smack-dab in the middle of eastern Pennsylvania, the heart of anthracite coal mining country. Below me -- I wasn't sure exactly how deep -- was the fire that brought me here and sent everyone else away, burning since 1962 and showing no interest in extinguishing itself or being extinguished by the occasional intervening hand of man. According to most stories, a trash pit was set aflame to get rid of refuse, and the folks who lit the fire didn't realize that the pit was connected to the vein of coal on top of which the town of Centralia sat and upon and off which most of the town's residents made a living as miners. Whatever money there'd been in being a coal miner went up quickly as the vein caught and the fire spread throughout the underground caverns. No one was hurt, at least not physically, which if nothing else made it less tragic than the shaft collapse that happened in nearby Avondale some years earlier.

There was no mining to be done after that, though there was plenty of fire fighting going on. The mines were flushed with water. Chunks of flaming coal were excavated. Shafts were backfilled and redrilled, but the fire refused to be tamed. In 1983, as the fire continued to spread, an engineering study was released that stated the fire could very well be burning for another hundred years or more and consume an underground area of roughly 3,700 acres. This spelled pretty dire news for the town of Centralia. Living on top of a raging mine fire was generally considered to be bad for the locals. Smoke, steam, and toxic fumes crept up through the soil. Water became contaminated. Trees died in droves and sat in barren patches of blackened, smoking soil that made the whole town look like it ought to be criss-crossed with trenches full of German and British troops locked in a Western Front stalemate.
And then the sinkholes and fissures began opening. One nearly swallowed a young boy whole, and people started thinking that maybe Centralia was a lost cause.

I pressed my hand against the ragged surface of the road. It was a cold day, gray and sickly with a trickle of limp silver-white sun dripping meekly through the clouds like water from the leaky faucet planted in the side of a bunch of cinderblocks. Damp fog clung to the scrub-spotted hills and mixed freely with the smoke boiling up from the fire. The ground felt warm, but that was probably just my imagination. I could hear Ellie shuffling around somewhere beyond the veil. She moved specter-like through the murkiness, a hint of a shadow in this sulfuric mess that stank of wet weeds, mud, and rotten eggs. It was a hell of a place to bring a gal, I thought. Her shadow grew larger, more defined as she moved toward him, until all at once she became solid again, a physical person instead of some disembodied wraith floating through a stew that would make the Scottish moors proud.


"The master race needs a spell checker," she said. "You sure do know how to show a girl a good time."

"Yeah," I answered, "I'm an ace at this sort of a thing. You should consider yourself lucky. It's not every girl I bring up to posted land to gawk at a mine fire that could cause the ground we're standing on to collapse at any moment. Some of them I just take out for dinner and drinks."

We covered ground carelessly. Each crack in the earth was a warning sign to stay away, as well as an irresistible, seductive hand beckoning us to come, come peer into the mystery, and I was like a little boy enticed by a carnival stripper standing half-cloaked by the dirty linen door of her tent, dutifully following the finger and gazing slack-jawed at the forbidden treasures within. In the case of the mine fire fissures, however, all I got was a load of smoke and dirt in the face. I assumed one got a decidedly different experience when gazing at the forbidden treasures of a carnival stripper, but I'd never had the opportunity to compare and contrast -- not for lack of desire.


My car was parked at one end of a posted stretch of road that used to be part of highway 61. The highway department built a new stretch of road away from the portion that was collapsing into a fiery pit of doom, presumably because it was judged that roads collapsing into fiery pits of doom were generally unsuited for automobile traffic, light or otherwise. At either end of the condemned road, they'd piled dirt and stuck a sign in warning of toxic fumes, sinkholes, and the generally inhospitable conditions waiting to engulf anyone foolish enough to venture past the dirt mounds and explore the ruined road. There were actually quite a few of these people every year, and though photographic evidence exists to suggest that most were just as thoughtless and foolhardy as me, the Centralia mine fire had yet to claim any lives.

When, in the 1980s, it became clear that the fire wasn't going to burn itself out, that it was apparently feasting on a seemingly endless smorgasbord of rich anthracite coal, the government began buying up the land and condemning the property. Houses were razed, and what had once been a bustling burg became a ghost town. Neighborhood roads bent and curved around houses that were no longer there. Driveways, cracked and green with disrepair and the weeds that manage against all odds to force their way up through solid slabs of concrete, lead to empty lots where once there had been a garage to greet them.

I took Ellie's hand as we climbed a small hill and stood staring down at what was currently ground zero for the fire. Somewhere down there it still smoldered. Or raged. Honestly, I didn't know a whole lot about underground coal mine fires, so whether they smoldered or raged was unknown to me. I imagined it was a little bit of both, depending on the particular conditions for that day. Above the fire, raging or smoldering, sat what was left of the St. Peter Paul Orthodox Cemetery. The mine fire burning somewhere below it meant that the grass was yellow and dying, and here and there fissures in the ground billowed with smoke that drifted spectrally along the grounds. It was the sort of landscape you'd see on late-night television, usually in black and white movies that involved a hideous Frankenstein monster lumbering across it. Pressure and the occasional upheaval of ground had set several of the tombstones at curious angles, toppled others, and I was doing his best not to think of what might be happening six feet under.


"That one over there has fresh flowers on it," I said as I pointed to a splash of orange and yellow lying next to a cracked tombstone just beyond the padlocked gates of the cemetery. "Someone's still coming by."

Most of the residents of Centralia left town, either by choice or because of lack of choices. By the time we rolled into town, there were only four houses and a shuttered, deserted-looking auto parts store remaining. In the front yard of one of the houses someone had strung a banner between two gnarled trees. "We Love Centralia" it said in glittery letters. It was certainly a sweeter sentiment than the Federal sign about toxic fumes and sinkholes.

"They could put it out," a voice croaked suddenly, and I cursed my highly tuned, ninja-like senses for failing to hear the approach of footsteps on crunchy gravel behind me, especially since I'd just been thinking about how spooky and quiet it was. "They could put it out if they wanted'a."

I turned. On the gravel road behind us stood a jumbo-sized elderly man in tan slacks and a dark green windbreaker. Thin wisps of gray hair were kicked up by the wind and resembled the thin wisps of gray smoke drifting from the ground. His face was not unlike the rotten apple carvings my grandmother used to bring home from the annual fall harvest festival. There were eyes and, presumably, a mouth nestled somewhere behind the craggy twists and lumps of flesh adorned with a red, pock-marked fist of a nose.

"Course lots of folks come up here now just 'cause a' the fire. I figure y'all to be up here 'cause a' the fire."

We scrambled gingerly down the slope of brush and rock that had given them a better vantage point. In this desolate landscape that somehow managed to be overgrown in one direction and barren in the other, human interaction seemed incongruous but not wholly unwelcome provided it wasn't with whoever had been spray painting racial calls to arms on the road.

"They could put it out," the man repeated as he stared off at smoke rising from a field full of wretched looking hills sprinkled with spindly, dead trees. "But some of us won't move. And they won't put it out unless we move, because then the land is theirs."


He took a pipe from the breast pocket of his jacket, and a stained pouch of tobacco from another pocket, then set about filling and lighting his pipe. It glowed orange in the silvery embrace of the world and smelled sweet. One of my grandfathers had grown tobacco when I was young. Tobacco and quarter horses were his trade, and selling carpet. This man's pipe smelled like the barn where the tobacco would be hung from wooden beams to dry. It was a barn that terrified me. The bundles of browning tobacco looked like pods from Invasion of the Body Snatchers, dangling so far overhead with sunlight falling on them in dusty beams that seeped in through cracks in the walls and ceiling of the building. The entire place had been a breeding ground for wasps, hornets, yellow jackets, these godawful spiders that could actually jump at you and make scratchy barking noises, and various other bugs that packed shockingly vicious stings and bites.

I did his best to shake the memory of brown recluse spiders and the time I'd stepped on an underground hornets' nest and ended up pulling a comic country boy routine by running across a pasture to leap into a pond, trailed by a cloud of angry hornets and completely unconcerned about the fact that the pond was a known breeding ground for water moccasins. Better to lose oneself in mine fire conspiracy theories. I wasn't unfamiliar with the man's theory. Among the very few who remained in Centralia, it was assumed that, despite evidence to the contrary, the government could extinguish the mine fire if it really wanted to, either by digging a system of trenches or, more recently suggested, by flooding the tunnels with flame retardant foam. However, if this was done while private citizens still owned chunks of the land, the government would be doing the work for private industry. If, however, the land was fully vacated, then the government could claim it, put out the fire, then sell the land and the mine back for a handsome profit. It didn't seem outside the realm of possibility to me, but my firm belief in the deceitful nature of the government was well-balanced by the equally firm belief that the government was, by and large, a surprisingly large collection of idiots and incompetents with not a lick of sense, perhaps genuinely incapable of figuring out how to put out the fire. I also figured that given state and local government abuse of eminent domain, if they wanted these people off the land for good, they'd make it happen.

Whatever the case, a few people remained behind and strung up banners to show their support for the dead remnants of their town. I thought they should find a way to make a tourist trade out of all the people who came up specifically because there was a fire burning.


"Not a bad place to live," the elderly man said. "Not so long as you don't fall into no pit." And with that, he erupted into a phlegm-heavy, gargling sort of laughter that flirted with coughing and the sound of choking to death on one's own sense of humor. And then, as suddenly as he had materialized to provide running commentary, he clammed up tight and walked on down the road, vanishing in the fog, the sound of his heavy work boots grinding into the gravel quickly fading.

"Did we just see a ghost?" asked Ellie.

"Nah," I assured her. "He's one of those guys whose purpose in life is to appear out of nowhere and tell strangers stories that start, 'Arrr, t'was ten yars ago, on a night just like tonight...' And probably point at us with the end of his pipe as he tells the tale."


"Dear God," was all she could say as we ground the parking lot gravel beneath the wheels of the car. Grandma's Country Kitchen. We'd seen the sign, in the official "hand stitched" font all places with names like that use, when we pulled off the interstate at the exit that lead to Centralia. Low, guttural thunder rolled across the mountains like the distant jungle war drums turn-of-the-century British explorers were always hearing. Gray clouds rushed across the horizon, dark bruises against the sickly pale of the sky. They were all business, these clouds; no lollygagging about with nothing better to do than obscure the sun and leak out a piddling little drizzle of rain. These clouds were tearing across the mountaintops like Johnny Cash's ghost riders, hell-bent on delivering fast and furious violence to Appalachia. And standing against that brooding, tumultuous sky was the single most hideous mascot statue I had ever seen and ever hoped to see.

Taken at face value, it was supposed to be an elderly woman in a pioneer bonnet and apron, offering up an undoubtedly delicious home-baked pie while her young daughter or grand-daughter -- it was hard to tell the larger woman's age, what with how that rugged coal-mining life ages you rapidly -- clings to her leg and holds a doll. But taken at face value, the problem was the face. Grandma was simply creepy, the sort of face you'd expect from some old woman who sits in the shadows, quoting the Bible in a quivering, sandpaper voice while her crazed inbred son sneaks up behind you with an axe or a chainsaw, intent on tenderizing you up real nice for dinner later that evening and stringing your hide up in his shed. The eyes were painted in a far-too-brilliant blue set against far-too brilliant white. I was convinced that if you could draw a line of sight emanating from those eyes, it would stretch clear across the globe and somehow, miraculously, be staring directly into the eyes of one of those Moai statues on Easter Island. Let Erich Von Daniken ruminate on that one for a spell.


But it was the daughter/granddaughter, clad in an identical apron and seafoam green dress, that sent chills down the spine. Whoever erected these fiberglass monstrosities had apparently run out of little girl heads, so in its place they affixed the head of a full-grown adult male, square-jawed and desperate looking with the same far-seeing eyes and no attempt to pass it off as anything but a male head. It was nearly as big as the rest of the body, and the doll that dangled lifelessly from one hand was yet another dress-and-apron combo, only with no head at all. Just a hollow stump of a neck. I couldn't help but think of the nightmarish sort of life the giant-male-headed girl with her decapitated dolly must lead in her cannibal grandmother's Appalachia shack.

"Get a load of that nightmare fuel," I said as they parked next to the statue, the ten-foot-tall little "girl" staring at them from her concrete perch, as if she/he was begging for some sort of help, some salvation that would deliver him/her from this insane giant of an old woman that forced the tiny man to dress up in pioneer girl clothing. "I wonder what's on the menu. Skinned cats and naughty little boys who don't eat their vegetables?"

"Why do you think she makes her son dress like a girl?"

"Is that what's going on?" I remarked. "You know, I read that at night this thing comes to life and prowls the foggy, abandoned streets of Centralia, looking for thrill-seekers who would make nice meat pie filling, while the little man-girl trills, 'Where's my dolly's head?'"

A blinding flash of lightning ripped through the sky at that precise moment, accompanied by an ear-splitting crack as it struck the forested slope of one of the mountains in the distance, sending an explosion of light and smoke hurtling into the sky.

"You're making momma angry," Ellie said.

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Monday, February 11, 2008

Snorkeling Dominica's Soufriere Bay

I have more detailed information to post in the coming days about Dominica, the island that's so cool it has a parrot on its flag, but I thought I'd get the ball rolling with some photos from a snorkeling expedition to Soufriere Bay, on the far south of the island, surrounded by the town of Scott's Head.

Arriving at Soufriere Bay. Twenty miles south of there is Martinique. There's an old cannon up on top of the lump, but we're more interested in what's in the bay.


Looking out at the bay. We got a ride down from our base camp in the high rain forest with a guy who had a CD with one song on it, played over and over. By the time the ninety minute drive was over (which only covers like twenty km, but this is the Caribbean, and you know how those roads can be), all I could think of was "So tired of love songs, so tired of tears," which was the only line he would sing along with, though he did so with a conviction and emotional gusto I've not seen since the days of Rites of Spring.


Looking back at Dominica



Hitting the water.

Three feet below the surface, and already there's cool stuff.

It's surprising how difficult it can be to actually catch one of these buggers in your photo.

About ten feet down.

Fishing is forbidden in Soufriere Bay, which is a protected environment. You can see how well those regulations are working out.

Another one of those things. I really should learn how to identify this stuff, shouldn't I? Well, that's why I arranged for my sister to become a marine biologist.

Space alien, about ten feet down.

Where the reef ends and the ocean floor begins, about twenty-five feet down, which is about as far down as I can free dive without necessitating some sort of emergency rescue at some point in the day.

I will never get used to the drop-off. One second you're paddling around in a reef, no more than a few feet underwater, then you hit the sandy ocean floor, swim around, everything's grand. And then, just beyond the scope of this shot, the water plunges from twenty-five feet to a couple hundred feet and sperm whales are supposedly battling giant squid down there somewhere. It's absolutely breathtaking and causes a massive adrenaline rush no matter how many times I experience it.

My merman imitation.

Some big funnel-shaped coral thing. It was full of water. can you believe that?

Gotta come up for breath some time, and this is what you see when you do. Not bad.

Hey, fish! They were gone by the time I got deep enough for a better photo.

This was me trying to snap a shot of a wickedly evil looking eel that was hovering a few feet from me as I dove into one of the craters that pockmark the bay. I missed him. But man, you should have seen the thing. If there is a more evil looking creature in the world than an eel, I've not seen it. Anyway, I got some more of that yellow coral in the shot, so it wasn't a total loss.

Please ignore the love handles. I've managed to work most of those off since this photo was taken.

Sorry, it's just so photogenic.

When I was young, I lived out in Kentucky farm land, and because my grandfather was a farmer, I spent a lot of time on actual farms. The rest of the time I just ran around outside. As such, I enjoyed a rich, dark tan for most of my young life. Then I moved to Florida and it was more of the same. I still labor under the impression that I am tan and less susceptible to burning than the average pasty white guy.

As you can see, eight years of living in New York city versus eight hours in the Caribbean sun quickly and painfully proved me wrong.

You can view the whole Dominica Flickr set here: http://flickr.com/photos/teleport-city/sets/72157594218107831/

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Tuesday, February 05, 2008

Notes in Italian

So I have a friend who is going to Italy in a month or so, and I just finished typing out some notes for her based on my own trip in 2004. I figured, if for no other reason than my future reference, I'd repost most of the info here.

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Montepulciano -- Definitely a town that gets my highest recommendation. Smack dab in the middle of Tuscany, surrounded by vineyards, and the first thing we saw when we entered the town walls was a store in a cave stuffed with nothing but cured meats, cheese, and Italian wine. We stayed at a place right near the entrance of the city, called Albergo Il Marzocco (http://www.albergoilmarzocco.it/):



This was the view out our room window:



And this is some of the stuff around town:


San Biagio church


Sitting on the town walls.


The famous Punchinello clock. Unlike the literary and theatrical Punch, this one only beats a clock tower bell; not his wife.


View of Tuscany from the edge of town, with San Biago down there in the corner.


Luxury sedan.

There's an old wine cellar in Montepulciano called Contucci (http://www.contucci.it/) -- take the tour, drink the wine. It is bold and will knock your socks off. Nothing subtle about it, but that's Italy. There is also a famous cafe called Caffe Poliziano that is well worth a couple visits for food and drinks and dessert: http://www.valdichiana.it/expo/caffepoliziano/index.uk.html.

From there, we drove to Siena but did not stay the night or nights there (mistake). Instead, we pressed on to Florence and stayed at a place called The Hotel Dali http://www.hoteldali.com/pages/view.htm), which we picked because they had a parking lot. The place was fine. Nice couple. The guy helped me get my car into the actual parking area, because I had no idea how to get to it -- I could see it, but an attempt to actually get to it left me in a maze of conflicting one-way streets that sent me further and further away. So I just left the thing on the road, and he drove it for me. It turns out that going backwards down a one-way street is perfectly acceptable.

I think I mentioned that if you hit the Uffizi Gallery, have your hotel guy call and get tickets for you in advance. Otherwise, it's like a two hour wait in a courtyard with Machiavelli staring at you the whole time. I also highly recommend the Museum of Science (http://www.imss.fi.it/), just a few blocks away. It's pretty awesome, with lots of Renaissance science stuff. Oh, this was our room:

Bidets, baby. You'll learn to love them. Going back to toilet paper alone was harsh.

After that, we ditched Venice because of the sewage problem and blizzard and just booked at random, so I can't help much with suggestions as I don't know the names of most of the places. I might have them scrawled down somewhere on some lost sheet of paper, so I will keep looking. But here are the cities we stayed in:

Pisa: this is an afternoon, not a city to stay in. However, we did have one of our best meals here. But basically, you see the Tower and that's pretty much it.


Cinque Terre: a definite must hit spot. There are no real hotels per se, just guest apartments that you sort of pick at random. Because this was sort of an impromptu thing and we got in late, we ended up staying at a hotel in La Spezia, once again because they offered free parking. You can catch the train to Cinque Terre from here. It's a short ride. I recommend taking it all the way to the last town then working your way back. A hiking trail connects all the towns, and you wander up and down terraced lemon and olive groves with the Mediterranean below. Hikes are a bit strenuous in spots, but worth it in my opinion, even if you just do one.







Lucca: another great walled town. The way toward the town is a network of earthwork ramparts and bunkers, and the wall itself is made so you can rent a bike for a few Euros and ride around on top of it. We stayed at an awesome place called Piccolo Hotel Puccini (http://www.hotelpuccini.com/intro.html) which was really cute and romantic and all that. Also, we ate some of the best pizza I've ever had (outside of New York, anyway). Town is awesome, but the only drawback is that to eat somewhere other than a pizza stand, you need to book ahead. Easy enough. Let the guys at the hotel took care of you. There are only a few restaurants and since they are only open a couple hours, they fill up quick, making reservations a must. Also, Lucca has had a standing feud with Pisa for like six hundred years now, and the big duomo in the center of town still sports "Lucca merde!" vandalism graffiti from like 1610.

Volterra: Another absolutely fabulous Tuscan hill town. It's home to some ancient Roman ruins and baths, and also the Museum of Medieval Torture (closed when we were there). Stayed at a place called Albergo Nazionale Volterra, which was dirt cheap at the time and one of the most awesome rooms we had. http://www.hotelnazionale-volterra.com/index.asp. We got a balcony overlooking the valley and perfect for sunsets and wine. The hotel also has it's own restaurant, which was good.

We stayed in Volterra a few days because 1) it was pretty, 2) I found free parking outside the city walls, and 3) it was central to taking day trips to other towns. we went to San Gimignano, which is a must-visit and also has a museum of medieval torture, which was also closed in mid November. They have a bunch of old medieval towers all over the place, good food, and a cool market if you are there at the right time.

After that, it was Rome, and I can't help you there because we got shuffled away from the place we originally booked and placed somewhere else. It was a pretty good hotel, and the guy who ran it was some affable Middle Eastern guy with a huge gut and a tendency to laugh heartily and talk like a con man. But we had nothing but fun, and it was across the street from some comic book store where they sold reprints of old Italian comic books like Diabolik, as well as lots of porno comics like "Creamy Wanton Housewives." All of the cab drivers in Rome are crooks. Coliseum was awesome, but it was closed because they were having the MTV Europe Music awards there that night. Still, we got to hear Franz Ferdinand and Kylie and I'm sure Robbie Williams, which was pretty boss. The Vatican Museum is a must-see. Blew my mind. And they have lots of Egypt stuff. We got lost in the middle of the night down by the Forum and stumbled upon some massive palace that had been converted to an archaeological museum. Lots of famous stuff there. And we got lost in the Vatican museum because the thing is massive. Sistine Chapel is worth weaving your way through the maze. We were sort of tired of Italian food by Rome, so we ate at a Chinese restaurant down the block from where we stayed, and it was tasty.

And that was Italy. I might even have the names of the restaurants we ate at, but we pretty much just asked for suggestions at the hotels or picked at random. Two weeks and dozens of meals, and we only had one bad one (it was lunch). Drink wine. Drink lots and lots of wine. Any day I wasn't driving, I spent tipsy, and it was awesome. Bottle of wine on the terrace in Volterra at sunset? Nice. And pick me up a bottle of Brunello di Montepulciano. It's expensive here. It's expensive there, too, so maybe forget about it. A liquor store in Florence is where I bought my first bottle of real absinthe.

Oh -- and eat lots of gellato. It puts the crap in America to shame.

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Friday, February 01, 2008

Japan New Jersey

Here are a few Keycam photos from a day's trip to the Japanese market in Edgewater, NJ, a while back. Yes, some people use their little cameras to take clandestine upskirt pictures of girls' panties. I use it to take clandestine pictures of shrimp shumai.


Pikachu invites you taste his custard filled cakes. Or, if you prefer, red bean. As long as it's all inside a tasty waffle emblazoned with a monkey or a dog or a warthog, it's good.


Wall of shining plastic food that looks good enough to eat. In Japan, these are indispensible ordering aides for the Japanese language impaired. Here, they're just sort of showing off. An entire neighborhood in Tokyo is dedicated to the manufacturing and selling of replica food.


I guess there's nothing particularly gross about squid legs, especially considering my favorite Japanese fast food restaurant has a menu that trumpets turkey testicles and bull penis. What I want to know is, what do they do with all the turkey penis and bull testicles?


Happy screaming beans demand you eat their brand of dried peas.


If you're not hungry, perhaps they can interest you in this wall of Godzillas, Ultramen, and Booskas.


Or a wall of Totoros, because no Japanese store is complete without a Totoro display. Except, I guess, a porno store, but maybe even there.


I have nothing to say. Giant Japanese robots speak for themselves.


Crab shumai I can dig, but sweet corn shumai? Can you get that on a stick at the county fair?


The closest I came to using my tiny camera the way most guys use it. Some things never change regardless of culture, and scantily clad beer models will one day bring us all together.


And of course, no trip to the Japanese market is complete without some Pocari Sweat, the drink that has actually turned its slightly disturbing name into a marketing advantage. Every gaijin has to try some. Next to it, however, is the less fortunate Calpico, which became Calpico after the previous name of "Calpis" didn't catch on.


Nothing says chocolate covered mushrooms quite like monkeys. Actually, I have no idea what he's gathering. Acorns, I guess.


My favorite item of the day was this candy emblazoned with uplifting motivational slogans like "Go for it! Take a chance!" and a buff gorilla telling a frightened looking girl raccoon to "Do me a favor."

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The Legend of Sleepy Hollow

Woe be for all the stories that begin with, "it seemed like a good idea." And yes, my friends, this is such a story. A story about one of those ideas that sounds good, so very good, when it first pops into your head. Even after a little initial research, it was still sounding like a pretty good idea. Even now, as I look back and reflect on the plan, I can almost convince myself that it still sounds good. But then the hard hand of realty comes a-swinging and strikes me straight across the face to slap be back into some semblance of reality. Experience is the cold rain that deluges me with the icy cold waters of fact. But take this for a moment, if you will, outside the realm of fact and roll the idea to and fro in your noggin: a cycling tour through the historically and geographically rich, gently rolling countryside of Sleepy Hollow and the lower Hudson Valley, taking time to digest the literary heritage of Washington Irving and the architectural boldness of the Rockefeller homes and the Lyndhurst Mansion as one takes a leisurely roll down sparsely trafficked, lightly undulating Sleepy Hollow roads.


Sounds positively divine, at least as described in the guidebook to which I was referring when looking for a splendid way to while away a perfect summer Saturday. So I sold the notion to my better half, and she smiled and agreed and seemed happy that I was sensitive to the fact that while she enjoys a good day hike or bike ride, she doesn't share my country boy fascination with using nature to punish myself, presumably as some sort of penance for moving to one of the greatest affronts to nature man has ever concocted. Yes, here I was putting on hold me curious addiction to soul-scouring punch-outs with nature and geography, doing my best to find something that would challenge the both of us without leaving us huffing and utterly spent at the end of the line. How perfectly sweet of me.

It was my hope that she might remember with particular fondness my true and earnest desire to avoid leg-searing punishment, endless ascents, and ambitious distances as we huffed and puffed and staggered with leg-searing punishment up endless ascents and ambitious distances. Remember, I told her, that I honestly believed the guidebook's description of the route, and that the revelation that the lightly trafficked, gently rolling countryside was in fact absolutely jam-packed with speeding traffic and seemingly comprised of non-stop steep climbs along roads that afforded no view whatsoever of the Hudson River or anything but traffic, interstate overpasses, and blurry SUVs rocketing obliviously by mere inches away from us at 70 mph was as much a surprise to me as it was to her. Nor was I any happier than her that the road was so packed and afforded us not the slightest respite, nary a sidewalk or shoulder or inch of grass that might lend us a little more space between our bodies and the metal beasts piloted by at high speeds by people more interested in their cell phone conversations than in the fact that they were almost certainly going to be dealing out bone-crunching death to a couple cyclists any second now.

It, umm, it wasn't exactly what I'd had in mind.


Of course, what I'd had in mind, really in mind, I knew was a flat out fantasy, seeing as how it practically had her in a fancy summer dress and me in my finest white trousers and a sweater (and sporting a handlebar mustache and straw hat no less) riding our penny-farthings down to the rolling grassy banks of the Hudson, where we would stop and have a picnic lunch and champagne, she reclining beneath the shade of her parasol, I strumming my ukulele and singing "When the Swallows Come Back to Capistrano."

So sure, I'm guilty of being something of an old-fashioned romantic and naturalist in my way, and it pains me to admit to living in a world that has no time for romance or style or champagne on the riverbanks, where the river banks have, in fact, been fenced off, boarded up, over-developed, over-crowded, and clogged with vomitous urban-suburban blight, decay, and incessant noise. Always, the noise. No, now that you mention it, I'm not particularly fond of modern society and the world we've constructed for ourselves.

On the other hand, I'm happy we licked polio, and I'm sure glad I didn't have to ride a penny-farthing up those hills.

But at the very least, even if I was some hundred years or so behind in my visions of what the world should be like on a fine summer afternoon, I expected the ride to be very much like the read about which I'd read in my guidebook. I mean, that only seems fair, right? The route was to take us from the Tarrytown Lakes to the banks of the Hudson, past the home of Washington Irving and the gothic bombast of the Lyndhurst Mansion, through Sleepy Hollow and the Sleepy Hollow Cemetery, and finally through the Northern Woods and farmland, where I surmise the Headless Horseman lives. Some mild hills, a couple steep climbs, and two very short stints along busy route 9. Otherwise, we're in for nothing but lonely country roads and quaint American villages. Mmm-hmm.


From the ride journal, and yes I already know it changes tenses an atrocious and thoroughly unacceptable number of times:

12 p.m. - Starting much later than we should thanks to some wicked traffic between here and New York City. Stuck on an entrance ramp for half an hour, staring at someone's else's frustration taken out in the most creative way possible when stuck on an interstate entrance ramp. Whoever it was leaned out the window and wrote "We are all here because of assholes," on the guardrail. But we make it through and finish the forty-minute drive in just under two hours. Finding the Eastview park and ride off the Saw Mill River Parkway was a snap. Just look the one full of cyclists loading and unloading their rides. Cross a busy and somewhat dangerous intersection out of the park and ride, and we're on the trail. No, scratch that. First, in our zeal to be out of the car and on two human-powered wheels, we take off down the well-maintained North County Trailway in the wrong direction. It's five blissful and enjoyable miles before I stop to look at the map and wonder why we haven't seen the lake we were supposed to see immediately upon setting out. No big deal. The ride was nice, and I got to see a snake. Had I known then what I known now, we would have just kept going along this trail.

Back in the right direction. Hey, there's our car again. Now across the dangerous highway and onto the North County Trailway in the correct direction, riding along the paved banks of the Tarrytown Lakes. Lots of family's out fishing. Always good and refreshing to see that there are still a few families who get out and do things in the outdoors, even if it's in an over-developed park. Still better than sitting at home in front of the television. A nice way to start the ride.

A little over a mile later, we merge onto the street and ride through the tiny campus of Fordham University's Marymount College. Time already to stop for lunch. The traffic jam and little jaunt in the wrong direction loused up my plans for lunch by the river. After a jumpy security guard chases us off a sorry looking lawn in front of the main campus building, or what I assume by its size and big roundabout driveway is the main campus building, our riverside lunch becomes a lunch at a sun bleached, shadeless picnic table outside an athletic facility echoing with the cries of joyous and/or terrified children engaged in swimming lessons within. The day is hot and bright and beautifully blue, and we had to forsake our champagne anyway for delicious, delicious Vitamin Water. Someday, I'll try and come up with some sort of Vitamin Water cocktail. Until then, I figure the parents with their children inside probably wouldn't want a couple of strangers outside whooping it up with the bubbly anyway. I'm sure the school wouldn't appreciate a couple sweaty weirdoes getting jolly on alcohol next to a bunch of toddlers in swimmies.

At least we had the foresight to pack some good food. Tuscan chicken salad, pasta salad, good stuff from Dean & Deluca. Hey, I'm not backpacking, so I might as well enjoy the ability to carry some extra weight. I also have some Hudson Valley Camembert and crackers. The cheese tastes like sweaty, unwashed feet, and never mind any comments about how I would know what those taste like. Wretched, sour stuff that I'm sure tastes quite lovely if you have a taste for such things. I'll stick to my Plebe cheeses liked smoked Gouda and baby Swiss from now on. Or maybe some Laughing Cow, adorned with the laughing cow wearing a package of Laughing Cow in its ear, adorned with a smaller picture of a laughing cow wearing Laughing Cow...you get the picture.


A steep hill greets us post-lunch, and at the top I get yet another warning about this ride when my chain pops off and refuses completely to go back on. What should be a simple fix even for a lunkhead takes nearly half an hour as my bike simply refuses to accept its chain. Finally, I get it to stay on so long as I stay in lower gears, something I'd end up having to do anyway. I wish I was better at interpreting omens.

A quick downhill coast and 3.5 miles into the ride (actually 13.5 or so given our earlier detour) we're dumped onto wide, aggressive Rt. 119, but only for a short distance and with the safety of a deserted sidewalk. Normally I don't bike on the sidewalk - I do have some respect for rules. But who the hell was going to be walking out here? There was nothing but six-lane highway, I-87 above us, and nary a pedestrian in sight. We turn of Rt. 119 onto Taxter Road, and whatever enjoyment we've gotten out of the ride comes to an abrupt and merciless halt. The road is savagely and relentless uphill at one hell of a grade, which wouldn't be so bad except that there's also no shoulder and a steady stream of cars kept whizzing by well over the speed limit. Someone yells at Ellie to "Get on the fucking sidewalk!" even though there isn't a sidewalk.

It goes on forever, or so it seems, and by the time we finally take a pit stop at a small convenience store, I'm pretty steamed. Whoever wrote that book must have assessed the traffic situation at four in the morning, to say nothing of his judgment when it comes to light hills. I'm not Lance Armstrong, but I'm not bad on a bike either and I like hills. But even for me, these were not even close to gently rolling small things. They were great beasts that seemed to defy common sense by managing to always go up and never down. At the very best, we could get a little even pavement for a few tenths of a mile. The traffic only gets heavier. They speed and pay no attention even around hairpin turns. We're both nearly nicked more than a couple times.


16 miles or so in, counting our ten mile addition when we went the wrong way on the easy path, we finally get a brief respite from traffic if not from climbs as we cross Rt. 9 onto a narrow, winding wooded road leading to Washington Irving's home. You have to pay to get in, so we admire from the outside then move on, following the welcome grass-and-packed-earth trail along the Aqueduct Trail through some gorgeous woods. Once again, we should have just ridden this trail. I think you can take at the way to or from the Bronx and Van Cortland Park - you know, where the Warriors went to that big meeting.

Lyndhurst is a gothic wonder, a mansion suggesting a castle or fine British country manor. It costs to go inside, but outside is where the show is anyway, and lounging on the gorgeous grounds doesn't cost a dime. Hey! Here, finally, is my glimpse of the Hudson from a rolling grassy bank lined with trees and flowers. Better enjoy it now.

After Lyndhurst we have to bike along Rt. 9 for a mile or so, and it's the busiest road yet. Luckily, sidewalks come in fitful stretches and, since no one seems to want to walk anywhere anymore when they can drive huge cars instead, we opt for the safer stretch of concrete. The Hudson is to our left, but interstate and power lines and Metro North train tracks blot it out. Probably a nice train ride, though. We get a nice view of the Tappan Zee Bridge, though that's not really what we came here for. But at this point, we'll take what we can get and be thankful that we're on sidewalks and relatively level ground.


19 or so miles under our belts, and we're finally in Tarrytown, where the guidebook's route highlights the least attractive streets it can find. We're riding along wildly steep hills that look like something out of San Francisco. Can't enjoy the downhill that comes every now and then, because there are stop signs at the end of every city block. Streets are lined with dumpy looking tenements. Might as well be back in Brooklyn for this crap. Our route weaves in and out of uninteresting residential apartment streets until we reach the Philipsburg Manor and have to rejoin the accursed Rt. 9.

A little over twenty miles in we reach the Sleepy Hollow Cemetery. It's somewhere around three-thirty or so. Lyndhurst was worth visiting, but this is the gem of the ride. The cemetery is as creepy and beautiful and romantic and eerie as you want it to be. We do the paved loop around it, and then plunge down one of the many grassy paths through the graveyard proper, walking our bikes so as not to disturb those who might be resting. We're the only people in the whole place, it seems. So many ornate, stately plots and crypts and statues. Stone-eyed angels and Jesus stare out at us from amid tombstones with dates reaching back beyond the beginning of the Revolutionary War. Here and there are names familiar from Legend of Sleepy Hollow. There are Van Tassels everywhere, especially in memorial grounds dedicated to those killed in action during the Revolutionary War, War of 1812, and Civil War. They allow a World War One memorial as well, but those killed during World War II are without a doubt the young upstarts of the grounds. It's the kind of place you could wander around in for hours. We almost do, partly because it's too ominously enchanting to leave, partly because about forty minutes in, we realize we can't find our way back to the entrance. The place is huge, though it doesn't look it at first. We wander down silent grass paths, past looming mausoleums, pillars, and statues, listening intently for the sound of traffic.

When we finally find a crack in a sidewall that is big enough for us to pass through with our bikes, we take it. A quick guess at which direction is the right direction eventually leads us back to the cemetery's front gate at the Old Dutch Church. They are closed and securely locked. We were apparently in there long after they assumed everyone had left and closed up for the day.

The route sends us through a ritzy neighborhood via a network of punishing hilly residential roads. They're brutal and frequent, and the river is still walled off by train stations and tracks, but at least there's no traffic and the surroundings are pretty. That all ends though as we're send back out onto Rt. 9, and this time with no chance of escape. Everything that was nice about the ride, those few spots we'd enjoyed, all that was negated by the sheer godawfulness of the next three miles. Traffic is heavier than ever, as heavy as it can be without being bumper to bumper, and still moving at alarming speeds. The road climbs an unforgiving, relentless hill for it's entire length. We've been doing this all day, and Ellie's legs finally mutiny. They will pedal no more and frankly, mine aren't far behind hers. Again, there is no shoulder, no sidewalk, not an inch of space to the side of the road. We're forced to limp along, riding and walking, in the middle of traffic that seems completely taken aback by the fact that someone has dropped below sixty-five on these winding roads. I'm certain one of is going to get hit.


The ride is completely and utterly grim, a death march, and the only enjoyment I can derive from it in between shudders as SUVs and Saturns come within an inch of killing me over and over comes from cursing the name of the man who wrote our guidebook and making elaborate plans regarding how I'll torture him if I ever find him. What the fuck did he do? Drive this route on a motorcycle at dawn? I can't possibly fathom how his descriptions could be so wildly off base. It really borders on negligence, and it had certainly put us in a precarious situation where we couldn't even take any satisfaction from an adventurous death well-earned. Run down by a speeding SUV driven by someone talking on their cell phone - and I swear, nearly every goddamned person who passed us was talking on a cell phone - while walking your bike up a nasty hill in the middle of traffic is not a noble way to die. And like I said, I try to be honest with others and with myself when assessing my physical fitness. I'm not bad on a bike. I like hills. I can deal with traffic. I bike in New York all the time, after all. But this was absolutely fucking insane. I was pissed.

The parking lot for a Mexican restaurant gave us a break, and from there we were able to walk our bikes through the weeds alongside a fence. It was painful going, but it was a hell of a lot better than riding slowly uphill in fast car traffic.

Finally, roughly 27 miles from noon, we hit Sleepy Hollow Road and were able to turn off the goddamned highway. We were spent. More than anything physical, though that had certainly been a part of it, our nerves were fried from all the riding in close quarters with really mean, aggressive, and unending traffic. Sleepy Hollow Road still spends the bulk of its time going uphill, but there is at least only very sparse traffic. A car or truck every five minutes or so. It's slow going for us, but peaceful and cool in the late afternoon. We pass through tunnels of trees and ride the road along creeks and fields. Son of a bitch, I think to myself. This is what I wanted to do today. This is what the whole goddamned ride was supposed to be like, and yeah, I'm sorry. I don't normally curse this much when writing these things, but my mood is exceptionally foul at this point.

Steep climbs through forest roads serve to sooth me somewhat, though my heart sort of sinks when, roughly thirty miles in, we turn onto the ominously named Long Hill Road. And yeah, you know it lives up to its name. The climb is shocking, almost indescribably painful, and it never ever seems to end. Approaching Bacon something or other road, my legs finally surrender. Pedaling is literally impossible for me. I try and nearly fall over. Looks like I'm walking from here. The hill finally crests what seems like miles later. In reality, I think it was a little less than a mile, but it was a damn steep hill, I tell ya. Our labor pays off with a wild rocket ride down the other side of the hill. I don't even think of hitting my brakes. I'd rather sail off one of the many hairpin curves and impale myself on a tree branch than slow down. It doesn't last of course. This country has an infinite number of hills under its belt, and now so do we.


We take a break along an old stone wall snaking through the woods. It's lush and quiet and cool, and the woods look like they've been carpeted with moss and ferns. We watch a couple of deer who are watching us, then mount up for the final stretch. It's through undulating farmland, though I don't know if I'd call it gentle. Whatever the case, it's beautiful, almost painfully picturesque as deep orange and yellow slants of late afternoon sunlight kiss brilliantly green pastures and old wooden barns. Farm equipment sits in the fields, and lazy cows watch us as we push onward. Yet again I'm cursing. This is beautiful, so beautiful that I can almost forget the rest of the ride. I vow when I get back to work out a route that only includes this portion of the ride. Easy enough, though I'm stumped as to exactly how to get the cemetery into the picture as well. Well, it's a project.

Our last stretch is a meager but welcome pay-off for everything that has come before. The encouragingly named Lake Road promises us we're near the end of our miserable trek. We are dirty, beyond tired, angry about being misled, streaked with road grime. But we're also riding downhill fast through a cool, breezy forest that seems to have soaked the whole world green. At the bottom of the hill we see the Tarrytown Lakes, and to our left, a little over forty miles after we last saw it, our car. Suddenly, I'm elated. As grim and harsh and joyless as the ride had been, that last part was stunning, and hell. We did it. We finished the damned wretched beast. My sense of accomplishment outweighed my sense of outrage at the guidebook. Look, I already said neither of us was Lance Armstrong. He'd laugh at us as speed on by. But like I said, it wasn't hills or the demanding physical nature of the route that angried up my blood. It was the traffic, or more accurately the promise of very light traffic and sparsely traveled roads. The final fourteen miles fulfill the promise, but the first fourteen are so wildly crowded, aggressive, and genuinely dangerous that about all I can say for the ride as a whole is, "Man, that really did suck." But we did it anyway and finished. Forty miles, most of it uphill and in treacherous traffic. It wasn't fun, but it was something to gloat about, at least for us. We vow to finish the adventure in a steakhouse.

Looking at the map, the peaceful country route would be to take Lake Road to Long Hill to Sleepy Hollow. You still have to ride on Rt. 9, but downhill toward the cemetery. A short distance later, Bedford Rd. connects back to the lower portion of Lake Rd. Don't know the state of Bedford Rd., but it can hardly be worse than what we were sent up. As for how you get Lyndhurst into your trek - you do your trek, then drive there. Touring the towns of Tarrytown and Sleepy Hollow is a waste of time unless you like looking at people grilling out on the sidewalk outside their little apartment building or really consider Citgos and train stations to be scenic.

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posted by Keith at | 0 Comments


Dinosaur Land

The world was a thick green smear streaked across either side of the jeep, set against the sort of ultramarine canvas that Renaissance masters would have killed for. A sun-bleached ribbon of asphalt undulated in front of me, and my eyes were heavier than they should have been for the speed I was driving. Stayed up too late last night, I thought, but what can you do when entire seasons of Cops are playing themselves out right outside your motel door? Jamie's music wasn't helping matters. Some heavy Jamaican dub stuff. Good, but not morning music. It didn't bother her. She was curled up again, wearing a black and white sixties-style dress, white headband, and the ragged cloth slippers from Chinatown that seemed attached to her feet whenever she felt like wearing shoes. Eyes closed. I'd thrown on a slim-cut black suit I bought a few years earlier and managed to keep in fairly good shape, which was more than could be said for my shoes, which had been impressive at one point a few years ago. I've heard that a man's desired wardrobe can finally be reconciled with his income at age thirty-five, and as I still had several years to go, I was doing the best with what I had. For some reason, we both felt the need to look sharp when we rolled into Winchester, what with our primary target being such a formal affair and all.


Said primary target made itself known shortly, as the hills leveled out into flat farmland that was in the full swing of being fertile and making for a decent fall harvest. Corn and soy beans mostly, from what I could tell, and I couldn't tell much. I grew up in Kentucky farm country, but my grandfather had stuck to horses and tobacco. Beyond the basics, I'd never been much for correctly identifying crops. Any field of tall stalks was corn, and any field of squat green plants was soy bean.


Morning mist was still clinging stubbornly to the ground when we pulled into the parking lot. Jamie rubbed the tiredness out of her eyes, which grew wide as soon as she realized what she was looking at.

"Did I lie?" I asked her as I pulled into a parking spot adjacent to the bottom row of chipped white concrete teeth that were part of the lower jaw of a gaping T Rex mouth that served as the entrance to White Post, Virginia's Dinosaur Land. To our right were two more dinosaurs, one a brontosaurus, the other one of those two-legged beasts that, because no one knows exactly what it is, simply gets called an allosaurus. They were frozen in mid-menace of an Amoco gas station sign. To our left, just visible on the crest of a hill, was a giant octopus locked in mortal combat with a prehistoric shark. In front of us was a sign:

20' Kong! 60' Shark! 90' Octopus! Christmas Shop!


"Just like prehistoric times," Jamie said as she slid out the door, adjusting her dress's hemline slightly as it gathered around her thigh. I held her hand as she stepped gingerly over the row of dinosaur teeth and into the maw of the beast. Christmas bells tinkled lightly as I opened the door for her, and the smell of cinnamon rolled out in waves.

"I never knew being swallowed by a dinosaur would be so pleasant," Jamie said.

The room inside was an expansive open area lit by sickly fluorescent tube lighting. One of them, situated over a wall of motley colored rubber dinosaur figures piled high in bushel baskets, was flickering stubbornly, unwilling to completely commit itself to full lighting, as fluorescent tubes are sometimes wont to do. A heavyset man with close-cropped white hair was jabbing it angrily with a broom handle.


"You're just gonna break it doing that," a woman said from behind a square fortress of glass display cases filled with pewter figures of dinosaurs and, for some reason, Hanna-Barberra cartoon characters. She was the man's match in age and weight, with a fluffed white bouffant hairdo perched precariously on top of her head.

"Sometimes you just gotta give 'em a good whack. Stirs up the molecules and makes 'em light up," the man responded as he tapped the tube with the broom.

The room was roughly sectioned off into three distinct flavors. We'd stepped through the door and into a dinosaur emporium full of outrageously painted prehistoric beasts and racks of dinosaur-themed children's books and "scientific exploration" kits. Another group of people was here, parents with two young boys who had discovered a stash of authentic prehistoric plastic ninja swords and were busy striking Power Rangers poses.


The middle section was dedicated to all things Christmas, and here in June, a pint-sized animatronic Santa was shaking his hips with an audible whirring of gears while a tinny recording of "Jinglebell Rock" crackled out of a cheap speaker built into the base. He was surrounded by glittering red and green garland and fake foliage sprayed with that "frost in a can." The far third of the room was apparently dedicated entirely to shellaqued slices of wood adorned with paintings of beautiful American Indian women whose hair was being swept back by the wind to form the image of a white wolf. There were also some paintings consisting of various configurations of American flags, eagles, and Harley Davidson motorcycles, also on lacquered cross-sections of wood.

"I'm gonna give that Santa a good whack if he don't shut up," the man added.

The woman made an admonishing "tsk" sound. "Don't say things like that. He is a saint, you know, Saint Nicholas, and you shouldn't threaten saints."

"Ahh, he's the saint of pains in my butt," the man said, which caused him to break into a fit of wheezing laughter as he abandoned his pinata treatment of the fluorescent light and turned to us. "How you folks doing?"

"Good," I said. "We came in here because I heard there were some singing Santa I figures I could try out."

"Shht," the man breathed in that way people do when they don't want to commit fully to simply saying "shit," especially when children are around. He brandished the broom handle. "Now don't make me use this on you, too!" Another fit of wheezing laughter erupted after his threat.


Dinosaur Land first opened the jaws out front in 1968, peppering the back roads of Virginia with enticing billboards screaming, "Spectacular!" and "Unbelievable but True!" There was no way a family station wagon was getting past the place without a pit stop to marvel at the assembled behemoths and pick up some quality dinosaur toys or dreamcatchers in the souvenir shop. After all, what does the soft green beauty of the Shenandoah Valley and Blue Ridge Mountains have over a garishly painted assembly of monsters gathered behind an Amoco? Roadside attractions like Dinosaur Land are largely memories, brief spots on "Remember When" specials that air on the Travel and Discovery Channels but have otherwise disappeared from much of the American landscape. Dinosaur themed parks, however, seem to have faired better. Somehow, dedicating yourself to extinct animals is a good way to keep your business from becoming extinct itself, though unfortunately it didn't seem to save Agar's World of Kong, opened in Arkansas by B-movie mainstay John Agar.

Agar would be at home in White Post, though. Not my first thought upon purchasing our tickets and pushing or way through the turnstile and into Dinosaur Land proper, but the thought did eventually occur to me. Jamie had her arm hooked in mine as we stepped through a rickety porch door and came face to face with a menacing, horror-faced fiberglass tree, the ominous open mouth of which was the only gateway through which one could pass to access the wealth of treasures beyond.


"I'm walking into a lot of mouths today," Jamie said as we ducked our heads and stepped into the tree's waiting opening. "I really didn't think I'd ever be in a situation where I'd say something like that." Her grip on my forearm tightened slightly. "But I'm glad that I am." And then she let go of me, and for a moment I felt like a dinghy that had been cut suddenly from its mooring line and sucked out into the sea without any control. Her hand was on her camera, though, and I knew there was no winning against it.

Inside the tree was a small, damp room made smaller by the presence of a skulking giant caveman statue that bore a striking resemblance to the caveman that used to chase Shaggy and Scooby around from time to time. We took turns posing with him until the two kids from the souvenir shop burst through the tree's opening and stopped suddenly, apparently startled to discover two other people lingering about in the gut of a howling haunted tree. They recovered quickly, however, and immediately directed their attention toward the fiberglass caveman. We moved on, and as we exited I could hear a raucous explosion of laughter and one of the kids, struggling between his giggles,' saying, "I punched the caveman in his wiener!" Beyond the tree, Dinosaur Land opened into a wide, wooded lot crisscrossed by gravel footpaths. From behind a distant thicket of trees, we could hear the high rumble of a lawnmower.

"Hmm, Thrak's out on his John Deere today," Jamie said. "I hope when we see it, it's a stone cart with baby alligators strapped to the bottom."


The kids rocketed by us, dragging their parents in tow. The father was staring intently at the viewscreen of a camcorder, doing that slow pan that seems like a good idea when you're doing it, but it always too slow or too fast when you actually get around to watching your video back home. The kids stopped beneath the dangling feet of a somewhat lumpy, brown pterodactyl suspended from a low-hanging tree branch.

"Sweetie, do your thing!" the mother shouted out as the father swiveled the camcorder around to focus on his children. One of them began flailing and jerking about in what I eventually deciphered to be some sort of imitation of Michael Jackson's dancing style while the mother laughed and clapped. The other child grabbed her fifteen seconds of fame by slapping her brother on top of the head and screaming, "Dinosaur poop!"


Jamie and I had lunch at the park's picnic spot, nestled in a quaint spot just below the crotch of a T Rex that was ripping a huge gory hunk of meat from the throat of a hapless brontosaurus. The remainder of the park was populated by a variety of prehistoric beasts, including my old favorite, the ankylosaurus, plus the giant cobra, giant mantis, giant sloth, and towering statue of King Kong with one hand extended so that you could sit in his palm and have your picture taken, provided you didn't mind sitting in a pool of cold, brackish water. At one point, the Kong statue had been pestered by a biplane suspended from a tree branch, but the plane had long since disappeared, presumably stolen by the proverbial "hooligans," or possibly "young punks." I vowed then and there that if I ever struck it rich, I'd purchase a new fiberglass biplane and donate it to Dinosaur Land. At the same time, I suppose it was nice for Kong to finally get a break from the incessant machine gun fire he'd otherwise have to endure.

These are the moral dilemmas that keep me up at night.


After wrapping our tour of Dinosaur Land and walking out of the souvenir shop with a bag full of little rubber dinosaurs, we headed over to see the white post for which the small town of White Post was named. The post was put in place sometime around 1750 by none other than George Washington himself, ostensibly as a marker to signify the way to the estate of one Lord Fairfax. I assume what Washington was really pointing out was that our colonial forefathers should stop in for a peak at the lime green dimitredon on display at Ye Oldde Lande of Dynosars and Dragyns," but my history is fuzzy on this account.

We were sitting at a hotel bar, somewhere in downtown Winchester, still dressed in our Dinosaur Land finery. I was drinking bourbon, and Jamie was poking at a lime with the stirring straw of her gin and tonic.

"You seem quiet for a man who had lunch underneath a T Rex ripping a bloody hunk of flesh out of a brontosaurus."

"Sorry," I said. "You know how giant concrete dinosaurs cause me to get all contemplative."


She nodded and took a sip of her drink. "I'm Thinking Tonight of My Blue Eyes" by the Carter Family was playing on an unseen jukebox somewhere, and the song of clinking plates and silverware tumbled down from the dining area situated in front of a line of big windows looking out onto the town's main street, which I only assume was called Main Street.

"You know," Jamie began as she resumed poking at the lime, "how little kids g