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Friday, February 29, 2008

Ali Baba And The Seven Saracens

There seems to be a few versions of this EuroSword flick floating around and depending on which version you find, the hero is either Ali Baba (sans forty thieves), or Sinbad (sans sailing). The most common version available appears to be Ali Baba And The Seven Saracens. The film itself is a middling affair. Some of the sets are rather fake and the dubbing into English is quite wooden. All the actors shout at each other, vowing acts of vengeance and the like. The best thing about this movie is voluptuous actress Bella Cortez, who plays Fatima. She fills her costume in a way that very few of our modern actresses could do.

The film opens in an unnamed Kingdom in the Middle East. It appears that the Kingdom is without a king, and Omar (Gordon Mitchell) is filling in as care-taker. He is answerable to the unseen Magi (wise men, I guess), and the leaders of the Seven Saracens (or districts, if you will) that make up the Kingdom. But acting as care-taker is not enough for Omar. He is an evil tyrant-type who wants nothing but total control over the Kingdom, and to sit on the Golden Throne without interference.

The Magi decree, that to find the new King, a tournament will be held. Each of the Saracens will send their leader to fight in a battle to the death. Whoever is alive at the end will be the new King. Omar, with a massive strength advantage, is the odds on favourite to claim the crown.

One of the Saracens, the ‘Mahariti’ have been without a leader for some time. Ali Baba (who may be a Prince, but it is never really explained?) has been in exile. He returns to lead the Mahariti. Omar isn’t happy about this and sends some guards to capture Alia Baba. They fail, and Ali Baba escapes, only to be found by Fatima (Bella Cortez). In, what has possibly got to be the shortest romance of all time, Ali Baba and Fatima fall in love. No sooner than they have confessed their love for each other, than they are captured by Omar’s troops, and sent to the dungeon.

In the dungeon, Ali befriends a midget named Dookie (Tony Di Mitri). Dookie, who is small enough to crawl around the air vents and secret passages in the castle, has formulated a plan to free all the prisoners in the dungeon.

Ali Baba And The Seven Saracens is pretty silly in parts but it is fairly fast paced, which is a big plus. My main problem with the film is the character of Alia Baba. Nothing against Dan Harrison’s performance, he looks the part, but the character is simply not very convincing. He falls into nearly every trap set for him. SPOILER AHEAD: And even at the tournament at the end of the film, where he represents the Mahariti’s for the crown, his victory (yes, he wins, but you knew that, didn’t you?) is really hollow. He seems to win, more from good luck rather than outsmarting his physically stronger opponent. Personally I think he a bit of a loser, but he does get the girl in the end – so what more can I say?

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Hercules Against The Barbarians

As with most of the Peplum films that are out there, there appears to be many versions of this film, varying in running time from about 90 minutes to 120 minutes. As well as differing running times, the films hero seems to change from either Hercules or Masciste, the son of Hercules. But that shouldn’t matter too much. The version I am reviewing here is the shortened American version, Hercules Against The Barbarians from, you guessed it, the Mill Creek Warriors 50 Movie Pack.

In many ways this is a follow up to Hercules Against The Mongols. Both films feature Mark Forest as Hercules (or Maciste), Ken Clark, and José Greci; and they are directed by Domenico Paolella. Unfortunately this film isn’t as entertaining than it’s ‘unofficial’ prequel.

In Hercules Against The Mongols, Ken Clark played one of Genghis Khan’s sons (Sayan), but this time he plays Kubilai. But in both films he had to sport a silly hairpiece and a droopy moustache.

The movie starts off with Genghis Khan and his Mongol army invading Poland. Actually we don’t see the invasion, only lots of Mongols, waving spears of horseback. The narrator tells us the Mongols have suffered their first defeat. We are also told that Hercules has fought alongside the Polish, like a ‘tornado’. And when we finally clap eyes on Hercules, he is being thanked, slapped on the back and sent on his way. The opening seems like a bit of a ripoff to me. We hear of a great battle but don’t see it.

Hercules is heading back to Arminia (Jose Greci), his fiancé, but before he arrives, strange things are happening in her village. Firstly a woman, Arias (Gloria Milland) is being chased by an angry mob. They accuse her of being a witch and want to burn her at the stake. She finds refuge in Arminia and her father’s cottage. However, he protection doesn’t last too long, as a band of Mongols arrive and kidnap Arminia, and kill her father. Arias is left arrive, and blamed for the atrocity. The mob quickly pick up their flaming torches once more and tie Arias to a stake. But just before going up in flames, she is rescued once more, this time by Hercules.

It is determined that the Mongols have taken Arminia to the city of Tornapol, where she is being held captive by Genghis Khan (Roldano Lupi). Naturally enough, Hercules and his new lady friend, Arias, set off in a bid to rescue Arminia.

The real villain in this movie is Kubilai (Ken Clark). Kubilai is a vicious piece of work, prepared to kill anyone who hinders his ascension to power, including his father and his brother. His malevolence is shown when he stabs one of his lovers in the heart after she has learnt too much about Kubilai’s plans.

At times, Hercules Against The Barbarians veers into Tarzan territory. Hercules battles various rubber creatures during his travels including a giant python, and a crocodile. Forest makes an admirable attempt at making the croc fight seem real, but cannot overcome the glaringly fake rubber reptile.

For me, Hercules Against The Barbarians is a weak entry in the Sword and Sandal series. Forest is not my favourite Hercules. He takes the role far too seriously and always looks to be in pain. At best the Hercules films are the antecedents of the swashbuckling films of the thirties and the forties. Errol Flynn and Tyrone Power always had a cheeky smile. Not so Forest. He is workman like in his approach.

On top of that this movie is fairly slowed paced and drags between action sequences. There is one sequence that is worth mentioning though. It is in the palace of Genghis Khan, and we are treated to an array of ‘regal’ entertainment, including oriental dancers spinning plates on sticks, and acrobats spinning and tumbling over giant flags as they are swirled around the room. The entertainment culminates with Hercules and one of Genghis Khan’s warriors fighting to the death in a gauntlet of (rubber tipped) spears.

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Monday, February 25, 2008

Goliath and the Sins of Babylon

Goliath and the Sins of Babylon is one of the better peplum films I have watched recently. This is due to two reasons. The first is the cast, and the second is that it seems to have had more money thrown at it than most.

The film opens in the town of Methra, which is under the control of the Babylonians. Each year, as a tribute to their rulers, the Methranites send thirty young virgins to Babylon. As the girls are being rounded up, one of them tries to escape. Three soldiers capture her and man-handle her roughly. This doesn’t go over too well with Goliath (Mark Forest). He steps in and makes short work of the soldiers.

A midget (or a little person, if you prefer) who is hiding in a barrel strapped to a pack horse warns Goliath that more soldiers are on their way. I don’t know why Sword & Sandal epics have this fascination for ‘little people’ - they just do. And now, I must admit, if I see a S&S film and it doesn’t have a comic relief midget, I don’t feel I have got my money’s worth.

But back to the story. Goliath doesn’t seem too perturbed that more soldiers will come after him. The ‘little guy’ on the other hand, is worried, and runs off to tell two burly pals that Goliath is in trouble. The two guys happen to be Xandros (Giuliano Gemma) and Alceas (Mimmo Palmara). The three men team up and plan to overthrow the Babylonians.

At the top I talked about the budget and the cast. Expanding upon that, the money was put to good use, firstly on a ocean battle, where two ship engage in a bit of pirate style warfare, and secondly on a chariot race. The race isn’t up to the standard, or provide the level of excitement as the race in Ben Hur, but then again, what would? As for the cast, the main actors are all pretty good. In other reviews I have been farely scathing in my assesment of Mark Forest’s acting ability, but have to admit that he is pretty good in this. He is ably assisted by Giuliano Gemma and Mimmo Palmara. All three get a fair amount of screen time, and each has individual battles and opponents to overcome. Gemma comes off particularly well, displaying a degree of acrobatics that was never showcased in the Spaghetti Westerns that he is so famous for. With three male leads, unfortunately the female lead, José Greci doesn’t get much screen time. Of course, she still looks great though.

One of the highlights of the film is when the villain of the piece has captured Goliath and is about to torture him. Goliath is tied to a table which sits under a roof with holes in it. Housed in each hole is a spear, which is attached to a length of rope. When the connecting rope is cut, one of the spears drops down from it’s hole above. When the villain forces Xandros and Alceas to cut the ropes, it’s a waiting game as each spear falls. Which rope will release the spear that will kill Goliath?

I am far from an expert on peplum films. With each film I see I learn new things. Some of the ones I have seen so far, have had me wondering why the genre was so successful – but then I stumble on a film like this one, which was obviously made at the peak of the genre’s popularity, and it all becomes clear. At there best, peplum movies are damn good fun. They aren’t boring. And they don’t have to have poor visual effects and rubber monsters to entertain. This is one of the good ones.

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