Wednesday, July 25, 2007Matango: Attack of the Mushroom People Whenever you venture into the realm of Japanese science fiction soundtracks, the shadow of Akira Ifukube is going to loom heavily over everything you do. Ifukube, who was one of Japan's most prolific soundtrack composers, wrote scores for a variety of movies -- including many of Akira Kurosawa's best-known films -- but is best known for his work on the Godzilla series. Starting with the original film and spanning decades, Ifukube's compositions practically defined Japanese sci-fi and monster movie music, and their influence continues to this day. Even when Ifukube wasn't responsible for a score -- and given the sheer number of them he composed, it's rare that he wasn't -- it's obvious that whoever was the composer was putting no small amount of effort into drumming up a soundtrack that was, at the very least, reminiscent of Ifukube.The good of this is that it sort of created this whole genre unto itself, with its own expectations and traditions. When you hear a Japanese sci-fi score from the 50s, 60s, or 70s, you know exactly what you are listening to. Additionally, Ifukube's phenomenal skill as a composer means the standards of quality were set extremely high -- even if the standards for the movie itself were considerably lower. The bad of it is that there are a whole slew of top notch composers who are largely unknown by many fans of these movies, or whose work is often mistakenly attributed to Ifukube. Take Sadao Bekku, for example. Bekku was largely a concert composer, but he worked on several film scores, the most notable of which was for the bizarre but highly enjoyable sci-fi horror film Matango -- known to many by the more sensational titles Fungus of Terror or Attack of the Mushroom People. Directed by acclaimed Japanese genre director Inoshiro Honda in 1963, it's easy to assume that Honda -- the man who directed about as many Japanese sci-fi films as Ifukube scored -- tapped Ifukube for the score. And certainly there are moments when there is similarity between Bekku's composition and those of Ifukube. Both men, after all, were maverick composers who thrilled at incorporating off-kilter elements into their more classical arrangements. For Honda, it was everything from Ainu language lyrics to spooky Theremin noodling for anytime aliens were up to no good. Bekku, similarly, was fond of incorporating jazz into his scores. And both men worked at an extremely high level of excellence. Because of the zany title and the strange subject matter, Matango the film is rarely recognized for what it is: one of the all-time great films in the sci-fi horror crossover genre. Similarly, Bekku's score for the film often fails to receive the recognition it deserves, simply because it is the score to a film about a self-destructive group of people stranded on a tropical island where they are preyed upon by a deadly fungus, probably from space, that turns them into shroom-headed monsters. With such an outrageous description, you wouldn't expect to get the downbeat, moody, atmospheric classic that the movie turns out to be. Bekku's score matches the film perfectly. The opening theme is a familiar Japanese sci-fi style song, followed by Bekku indulging his taste for jazz with a couple tracks that capture the breezy, decadent lifestyle of the characters before the trouble begins. There's even a jaunty ukulele number. The soundtrack quickly takes a turn for the sinister, however, and becomes increasingly tense, dark, and creepy as it progresses, keeping pace with the events on the screen as the characters descend into madness and the rampant eating of nightmarish space mushrooms. When, for the final track, the score returns to pieces of the finger-snapping title theme, it's become undeniably infused with a malevolent, haunting quality. Matango is one of the finest horror or sci-fi soundtracks out there, and it deserves to be held in high esteem. Sadao Bekku only worked briefly in film before returning to the world of classical concerts, but even if Matango was his only contribution to cinema, it would be worth it. Strange and eerie, packed with atmosphere, and deft at creating a light and swinging mood that quickly becomes increasingly warped and terrifying, if you dig horror/scifi sound tracks, this should be high on your list. Track Listing 1. Opening 2. Title Frame 3. Sea Breeze 4. Dark Clouds 5. Jibing 6. Adrift 7. The Transistor Radio 8. The Illusion 9. The Ukeleles 10. An Isolated Island Shrouded In Mist 11. Setting Foot On The Desert Island 12. The Seven Wanderers 13. The Shipwreck 14. Matango 15. Inside The Flames Of Disaster 16. With Memories 17. The Desert Island Enigma 18. Shadows In The Dark 19. In The Rain 20. The Matango Throng 21. When Reason Fails 22. Sakuda's Betrayal 23. The Matango In The Rain 24. The Matango Woman 25. A Million And One Matango 26. The Two Remaining People 27. Skuda's Will And Testament 28. Murai And Akiko: The Matango Attack 29. The Terror Of Matango 30. Akiko Gets Taken Away 31. Pushed To The Extreme 32. Ending 33. Transistor Radio Copy Labels: Soundtracks posted by Keith at 4:53 PM | 1 Comments | I Remember Hong KongFrom the album's back cover: "Fiesta Records presents another outstanding album of international music recorded in its native country. In this album "I Remember Hong Kong" we bring you a collection of popular songs from the various provinces of China. Also contained in this long playing record are excerpts from the screen opera entitled "Red Lantern," which type of production is very popular in the China of today. All the selections contained in this album of far eastern music have a strong oriental flavor. These songs, like their people, have a rich feeling and the interpretation of the lyrics projects many wise and significant adages. We know that, after listening to this album, you will have a true feeling of the music of Hong Kong. "This album was arranged and conducted by Lee Ho Shiang, who is one of the leading composers in Hong Kong. He migrated from China in 1948 and has since composed the screen background music for over eighty motion pictures and has written over two hundred screen songs. Lee Ho Shiang is known in Hong Kong as the "Composer of Composers." Track List [Side A] Bearer Juno Bird Spring Does Not Belong to Us Lotus Seed Voice of the Ghost House Foggy Night Lament [Side B] Red Lantern Opera Download: http://www.megaupload.com/?d=UMS7RIVQ Labels: Exotic Asia, Exotica, mp3s posted by Keith at 8:54 AM | 0 Comments | Tuesday, July 24, 2007Martin Denny: Hawaii Goes A-Go-Go For the inaugural file upload, I figured Martin Denny going cuckoo was the best place to start. Denny was one of the originators of the exotica sound, that bizarre blend of jazz, pop, and white, middle-class America's interpretation of mysterious far-flung locales like Polynesia, Asia, and Araby.In the early 1960s, Elvis Presley returned home from the Army and resumed his acting career. But the serious films he'd been making before he left were a thing of the past, and upon his return, The King entered into a long career of breezy romantic comedy musicals that got increasingly shoddy as the years wore on but, for a man like me, never really got unenjoyable. His big hit was Blue Hawaii, a film that found the one-time king of rock and roll crooning a number of exotica-flavored songs that, years earlier, would have been the music of someone's parents. Square stuff. But Elvis made exotica palatable to the rock and roll generation. A few years later, exotica king Martin Denny must have seen fit to pay the King back, and the result is Hawaii Goes A Go-Go, an exotica album with a go-go rock undercurrent. And while I can't get images of square-jawed insurance salesmen in cardigans or Hawaiian shirts clapping out of time and moving stiffly to the wild grooves, that doesn't mean this isn't a boss selection of Denny tunes that will encourage you to hop up, shake your thang, and possibly clap along (though the spontaneous clapping on the recording sounds rather premeditated). This is my first real rip from vinyl, so forgive if the sound quality is suspect. I think it sounds good, but I'm not a freak about such things. Track Listing [Side 1] E Lei Ka Lei Lei Beyond the Reef The Girl from Ipanema Hole in the Wall Luna Luna Call Me [Side 2] Friendly Islands Sweet Someone Everything in the Garden She Sang Aloha to Me Pearls (Mexican Pearls) Pearly Shells Link: http://www.megaupload.com/?d=BYLGE2TA Labels: Artist: Martin Denny, Exotica, mp3s posted by Keith at 2:58 PM | 1 Comments | Tuesday, July 3, 2007What I Heard on the Road
I don't get to listen to music as intently as I'd like to, as often as I'd like to. Between work and a lack of friends who want to come over just to sit in the floor and listen to obscure LPs, music has by and large become something that fades into the background for me while I'm doing other things. Rarely do I take the time to really sit down and do nothing but listen to a song or album. About the only time this happens any more is when I'm driving, and more specifically, when I'm driving late at night. With FM radio being a pointless wasteland (when did everyone get rid of their oldies channels? Or, I guess, when did oldies become music from the 80s and 90s?) and Coast to coast AM having pretty much run its course and become increasingly silly, the only partners I have to keep me up on an overnight drive are the Truckin' Bozo and my CDs, and since the Truckin' Bozo is sometimes hard to find, it's just the CDs. Thanks to a drive from New York to DC, then from Dc to Louisville, and then from Louisville back to New York, I logged plenty of time with excessively caffeinated beverages and the open road to have a good listen to some of the music I've only been half listening to lately.
Dance Like the Devil: British Northern Soul -- I am, by and large, stuck in previous decades when it come sot much of my taste, and Northern Soul is among my favorite styles, with one foot in the soul of Motown and the other firmly in rock and roll. As with many great things nowadays, Americans missed out on their own music and it was left to other countries -- in this case, England -- to keep the music alive. British Northern soul is a bit of a misnomer, as many of these are American artists whoa re recording in England. But whatever. All that matters to me is the music, and while Northern Soul may not deliver profound and ponderous songs about heavy subjects, it does deliver with the entertainment, class, style, and musicianship. Howling, crooning, harmonizing, snapping -- if ever a type of music was made to pep you up after you've been staring at the center line of the road for too many hours, this is it. It almost made me want to pull the car to the side of the road and dance. Beat the Devil EP -- First heard this band thanks to my friend Ami who convinced me to check out a show of theirs in Queens. I almost never get out to watch live music these days, but I was glad I did because they blew me away. Somewhere between the vintage jazz vocals of Billie Holiday and the growling, down and dirty of blues, with some garage punk thrown in to keep things loud. Chick who sings for them has a tremendous voice that reminds me of Kat Bjelland from Babes in Toyland. Only five songs on this Ep, but I listened to it over and over for I don't know how long. Made me want to drink whiskey, punch people, drive faster, and have sex in the back seat. Elvis, The Ronettes, and more -- A compilation I burned before leaving, comprised mostly of Elvis Presley and The Ronettes, but with plenty of Buddy Holly, Shangri-Las, Shirelles, Jerry Lee Lewis, and Roy Orbison thrown in, and heck, even some Ritchie Valens and Platters. I love old rock and rockabilly. Absolutely love it. And since oldies stations have either disappeared or updated to 80s formats (which I guess is fare -- 80s music is as old now as 50s and 60s music was in the 80s), I have to fashion my own channel. Sometimes, it's nice to listen to a mix where you know every single lyric to every single song, even if that means rolling down the window and belting out "Leader of the Pack." Social Distortion -- After being one of the first punk bands I ever heard, then becoming a band I sort of made fun of, Social Distortion have evolved into one of my enduring favorites, and bleary-eyed songs about broken hearts and barroom brawls are perfect for long drives through small towns in the middle of the night. I threw all my favorite songs together onto a couple CDs and just let them go, spanning from "Another State of Mind" to "Through These Eyes," and even their cover of "Under My Thumb," which frankly, I like more than the Stones original. Spanish Pop -- Some years ago, back when Clinton was President and people were throwing money at Internet companies no matter how daft their premise, I had disposable income enough to buy a lot of CDs, often at random and with no real idea what I was getting. For the most part, I spent my money on imports of Italian cocktail and lounge music from the 60s and 70s, but I also ended up picking up an EP by a Spanish pop band called Vacaciones. It was brilliant. Jangly, upbeat, catchy, very 60s in its execution -- exactly what I was looking for at a time when airwaves were dominated by fake-angry nu metal bands. Since then, I've done my best to further swim the waters of Spanish indy-pop, and thanks to LastFM's suggestions, came up with a lot of great bands -- La Caza Azul, Cola Jet Set, Los Fresones Rebeldes, Nosotrash, Niza, and a few more -- all with female or male-female vocals, because that's just what I dig. Driving across the rolling green hills of Kentucky on a sunny day with cheery Spanish indy pop blasting is almost as good as doing the same with bluegrass music. Emma Bunton - Free Me -- I can't say as I was a big follower of the Spice Girls, even though "Spice Up Your Life" is on my iPod, but Emma "Baby Spice" Bunton's solo career has really knocked my socks off. Drawing heavily from 60s girl groups and jazz but with lush modern-pop sensibilities, Bunton makes a perfect connection between decades. Her other album, "Life in Mono" is pretty damn good, too. I burned it on a CD with a lot of Morcheeba and Goldfrapp stuff, but both of those artists do tend to throw in some dreamy numbers that make late-night driving dangerous. Garagepunk.com Podcasts -- My main source for new (to me) music since I bought a car and got a lower paying job. This most recent trip was heavily loaded with Hot Slop, State of Mynd, Florida Rocks Again, Pop Goes..., and Flying Saucer Rock 'n' Roll. Burning these shows to disc is about the closest thing you can have to your own pre-fab oldies station, and the good part is that almost everything will be something you've never heard of before. Flying Saucer Rock 'n' Roll also adds a pinch of newer garage and punk to the parade of rock, soul, and garage goodies from yesteryear. Weirdly, this trip was pretty well devoid of old rural and country music, though I love it dearly and listen to it frequently. It was just more of a rock and roll trip this time. posted by Keith at 12:58 PM | 0 Comments | |
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