Monday, July 14, 2008Midsummer Night's Doom
By Raymond Benson
Appeared in American Playboy Magazine - January 1999 Midsummer Night's Doom is a short James Bond adventure written to coincide with Playboy Magazine's 45th anniversary. It is the second short story that Bond continuation author, Raymond Benson wrote that appeared in Playboy, the first being Blast From The Past which ran in 1997. And it goes without saying - I only read Playboy for the articles!The story opens with a briefing in M's office. As the story is fairly recent, M is Barbara Mawdsley - for those familiar with the films, but not of any of Benson's continuation novels, Mawdsley is the character portrayed by Judi Dench. She asks 007 how much he knows about Playboy Magazine and Hugh Hefner. Bond reveals that he once bumped into Hefner whilst on a fishing trip in Jamaica. Then M explains: "It's the bloody leak in the Ministry Of Defense again," she said. "There is a river of information flowing out of there, and it's apparently changing hands at parties being held at the Playboy Mansion West, Hugh Hefner's home in Los Angeles." 'Hef' is not the bad guy. His legendary parties are simply being used for the exchange. The seller is a rockstar named Martin Tuttle, whose ex-wife worked for the Ministry of Defense. She'd smuggle out secrets and give them to Tuttle, who'd fly them back to the US and then pass them on to the Russian Mafia at the Playboy parties. Unknown to Tuttle, his ex-wife has been picked up by the authorities, and she has revealed the whole scam. But it is up to 007 to follow Tuttle to the Playboy Mansion and find out who his contact is. In this instance, Tuttle is carrying the microfilm plans for infrared focal plane arrays (a camera device that can imitate the human eye and then process the data it receieves). The Playboy party is a theme night - the annual Midsummer Night's Dream party. The guests are expected to attend wearing their pajamas, nightshirts or (of course) exotic lingerie. Bond arrives at the party in his pajamas covered by an Oriental silk house coat. Soon after he meets 'Hef' who acts as 'Q', handing Bond a gold pen which acts as a radio transceiver, and the accompanying earpiece. Also attending the party is Tony Curtis (from The Persuaders), Robert Culp (from I, Spy), and Jim Brown. There is also a borish Russian film-maker called Anton Redenius. The story is an interesting diversion, but some of the passages are cringe worthy. Sure Bond is somewhat of a hedonist and is in a familiar environment when surrounded by beautiful women and dining on fine food. But I don't see Bond as a disco dancer (even if it is with Miss October 1994). Also I don't like Bond entering or mixing with the entertainment industry. It also bothered me in Benson's 2001 novel Never Dream Of Dying. I always see Bond mixing with (and battling) men with old world power and money. The entertainment industry, by it's very nature is all smoke and mirrors, and ultimately fickle. One minute you're up - next you're down. So I don't see characters from the film or music industries as having any gravitas. I realise my point of view is without foundation in the real world. Anyone with large amounts of money has power, and as such can be a worthy adversary for James Bond. But in the Bond universe, I feel we need villains who are worthy of Bond's snobery. Having said all that, Midsummer Night's Doom is a light Bondian confection written purposely to coincide and compliment Playboy Magazine's 45th anniversary. The story is not exactly a throwaway piece, but certain liberties have been taken to bring the Playboy universe and the Bond universe together. It's not exactly a snug fit. While some elements click, others do not. I wouldn't consider this story core bond material, so unless you're a hardened Bond enthusiast (and I suspect there's quite a few of you out there), I wouldn't go hunting high and low for a copy of Playboy - January 1999. Labels: Espionage, Series: James Bond posted by David at 5:29 AM | 0 Comments Wednesday, July 09, 2008Last Flight to Moscow
This seemed like the perfect book to start and finish while waiting in an airport, so that's exactly what i did, in between shopping for duty-free scotch whisky and checking the gate assignment board at Heathrow that never seems to be updated until twenty minutes before your flight, and then it changes like ten times. I always expect better of you, Britain. I expect that sort of nonsense from O'Hare, even JFK from time to time. Anyway...
As far as Nick Carter adventures go, this is one of the dumber ones. The entire assignment seems like it could have been wrapped up in about fifteen minutes and as many pages, but that wouldn't have been much of a book, so instead, everything is drawn out to near excruciating length. It seems to go around and around in a circle, with people doing stupid things simply because the author needs to fill out some additional pages. So it turns out that plans for the U.S.' Star Wars system have been stolen by a turncoat and sold to the Russians. If the Russian spy who has them makes it back to Moscow, then obviously they will use their knowledge of our new defense system to negate it and launch a massive nuclear strike against America. It is up to Nick Carter, obviously, to make sure the spy never make sit to Moscow. The first problem, of course, is one of the book simply dating itself. Most of the Carter adventures are more or less timeless. Sure, they refer to current events of the day, but there's never really anything too absurd (the absurdity being reserved for the action itself). But pinning the fate of the entire world on Russia not finding out about the Star Wars program is sort of like an old sci-fi film that gloriously announces that it is set in the far-off, futuristic year of 1967, when we all have jet packs and homes on Mars. Had this book simply said, "They have the plans for our entire anti-nuclear defense system," things would have been fine. But specifically naming the pipe dream that was Star Wars makes the threat, in retrospect, rather difficult to take seriously -- and that's quite a feat in a series that features, among other things, a mad Chinese warlord with an dildo-based orgasm torture machine that makes you orgasm so much that you actually go insane. But really, that's only the start of the trouble. Nick and his Russian opposite -- usually flanked by a KGB goon squad -- engage in all sorts of spyjinks at the Amsterdam airport when the flight to Moscow is delayed. This includes a number of violent shoot-outs that leave corpses all over the place, yet Nick casually walks away every time without ever being identified or stopped. Look, I know security then wasn't what it is now...actually, it probably was -- that being ineffectual and concentrating on inconveniencing us to make us feel safer without actually making us any safer. But even before 9/11 and the TSA and the liquids ban, there had to be some sort of security, even in a place like Holland, where everyone is a stoned prostitute in wooden clogs. With the flight delayed, Nick goes off to bed some chick he knows, and the Russians just sort of drive around in circles, going to strip clubs. While this is probably what I would do (not knowing a wanton woman in Holland, strip club is the next best alternative, provided they have a decent bartender), I expect a Russian spy with the secret to Russia's ultimate victory to do something a little more decisive. Eventually, they go back to the airport, and Nick sabotages the plane for another delay. So everyone leaves. Then they go back, and Nick sabotages it again. So they leave. This goes on for a while, and then, eventually, the Russian hatches a ridiculously complex plot to fool Nick Carter, which of course, simply winds up with Nick shooting him dead in the airport. Thing is, it's not a bad novel. It's all kind of entertaining in that way even the worst Nick Carter novels are. It's just really repetitive. And what's worse, it knows how repetitive it is, as characters constantly remark on why the Russians keep trying to catch the same flight, even after they know Carter is on the job to stop them. "Yes, but changing our plan is exactly what he will expect us to do!" they say, even though he keeps waiting for them at the airport, so obviously he didn't expect them to change their plans. Ahh yes, the ol' "you know that I know that you know" conundrum. After the sex and violence packed Berlin, this one was a letdown. It's the first of the Nick Carter books I've read that were written in the 1980s, and while there's the seed of a good adventure, it's never really brought to fruition. It needed more subplots, better motivation for the Commies not doing anything, better explanation for Nick playing endless cat and mouse games instead of just killing the guy, and given how important the books wants us to think the stolen plans are, a better reason why there isn't an army of agents trying to retrieve them. In fact, the one other AXE agent who shows up seems about a hundred times more competent than Carter. Maybe next time, Hawk should assign that guy the job and send Carter along as back-up. But then, without Nick making stupid decisions and screwing everything up every step of the way, we just wouldn't have much of a book, would we. Although, frankly, we don't have much of a book either way this time around. Labels: Espionage, Series: Nick Carter posted by Keith at 5:28 PM | 1 Comments Berlin
It's been far too long since I sat down with a sleazy Nick Carter adventure novel, but the time I spent waiting for my flight at the Edinburgh and London airports allowed me to finish Berlin and Last Flight to Moscow, as well as a Sam Durell novel (Assignment White Rajah). Berlin is pretty good -- yet another Nick Carter novel that would, if it was made into a movie, take longer to watch than it takes to read the book. I think this one took me about 70 minutes. So the story this time around finds Nick en route to meet a fellow secret agent. Unfortunately, Nick sees the boat on which that agent is riding explode, and in the ensuing chaos, only one survivor emerges. Lucky for Nick, it's a sexy, big breasted German chick who I assume looks a lot like Helga from the new American Gladiators. Despite the fact that she just survived an explosion that ripped everyone else to shreds, she's ready for sex with Nick in a matter of hours. And to no one's surprise who has read a Nick Carter novel, she also happens to be a freaky nympho. Oh, and her name is Helga as well.
Eventually, Nick gets around to picking up the mission left unfinished by the dead spy, and soon enough, he's up to his eyeballs in guys trying to kill him. Along the way, he commandeers the car of yet another sexy woman who will look at the fact that he steals her car, holds her at gunpoint, and then gets everything demolished by a train as a good reason to bed him. He also ends up trapped in East Germany after Helga is revealed to be an enemy agent who orchestrated the boat explosion (to no one's surprise but Nick's). The plot gets around to revealing that a German megalomaniac is involved in the usual: using Arab money to fund a new war against the Jews. Guys, give it up about the Jews. You're not going to exterminate them. Use your money for something better, like building a collection of ravenous hawks you use to hunt naked women and American super spies. Plenty of good action this time around. It's all par for the course -- Nick has some car chases, some shoot outs, fucks an evil woman a few times, fucks a good girl a few times, gets captured, gets stripped naked, and then everything blows up at the end. Everything moves fast, and the whole thing is a prime example of Nick Carter at his ridiculous best. ![]() Labels: Espionage, Series: Nick Carter posted by Keith at 5:06 PM | 0 Comments |
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